The REAL difference between normal DSLR video and 5D Mark III raw video

5D Mark III raw tonality

To learn more about using raw video on the 5D Mark III, get your copy of the EOSHD 5D Mark III Raw Shooter’s Guide here

What is the real advantage of installing Magic Lantern for raw video on your Canon DSLR, specifically the powerful full frame 5D Mark III?

Is it possible to finally SHOW it? Yes it is.

Here is the most in-depth comparison yet between the standard video mode and raw and why the image quality is worth your attention.

Read moreThe REAL difference between normal DSLR video and 5D Mark III raw video

Sony RX100 Mark II (M2) Review – evolution in times of revolution

When I reviewed the Sony RX100 exactly a year ago it was genuinely novel. The closest image quality yet to a DSLR in a pocket camera.

Can the RX100 Mark II improve enough to stay interesting?

Read moreSony RX100 Mark II (M2) Review – evolution in times of revolution

Kinefinity KineRaw S35 Hands-on Review

Fancy grading yourself? Download my pack of original files from the 5D Mark III and KineRaw S35. The file contains selected Cinema DNG frames and CineForm RAW .Mov clips from both cameras.

The Kinefinity KineRaw S35 is the most complete debut camera I’ve ever seen. Packed with features, it simply doesn’t feel like an S35 version 1.0.

Read moreKinefinity KineRaw S35 Hands-on Review

RED Epic versus Blackmagic Cinema Camera – Part 2 – Resolution and conclusion

Epic - Iscorama

Above: the Epic with anamorphic lens

In the second and final part of this mini-shootout with the Epic and Blackmagic Cinema Camera, we take a look at the resolution chart.

Read moreRED Epic versus Blackmagic Cinema Camera – Part 2 – Resolution and conclusion