Jump to content

92F

Members
  • Posts

    65
  • Joined

  • Last visited

Posts posted by 92F

  1. GH6 and S5

     

    "  Comme vous pouvez le voir dans la vidéo, le S5 et le GH6 se marient à la perfection ! La nouvelle color science du GH6 est presque quasi-identique à celle du S5. D'ailleurs, je vous met au défi de me trouver les plans filmés en micro 4/3 et les autres filmés en 24x36. Nous avons aussi été bluffé par la stabilisation du boitier assez incroyable. Tous les plans du GH6 ont été tournés en run & gun !  "

    Google Translate

    " As you can see in the video, the S5 and the GH6 go together perfectly! The new color science of the GH6 is almost identical to that of the S5. Besides, I challenge you to find me the shots filmed in micro 4/3 and the others filmed in 24x36. We were also amazed by the quite incredible stabilization of the case. All the plans for the GH6 were shot in run & gun! "

    Google Translate

     

  2. 23 hours ago, Emanuel said:

    There's no competitor nor will there ever be for P4K... :- )

    It's your opinion... but it's obvious that he is very close to him with his internal Prores and his bad AF...
    So the target is more documentary and fiction  and is less reportage. Who is going to film reportage in ProRes !?!

    When you put an external battery, an external SSD you will understand the comparison...

    Sell your P4K and try a GH6 ? 

  3. 24 minutes ago, Juxx989 said:

     

    The comparison with the GH5 is a bit dishonest because it is not all intra 400 Mbps while the GH6 is ProRes 800 Mbps... isn't it!?!  😊

  4. No battery grip...!? This is the first time...thanks Panasonic  great 😏

    USBC for 800 Mbps and more but how long time?!?
    I think that the GH6 will be not a substitute for the P4K   yes  (it will take some market share )...  but he have the same issues ...no ?

    Ok ...Carte CFexpress AV PRO MK2 4To.... 2000 € 😭

  5. 56 minutes ago, Llaasseerr said:

    Yes, the sensor in the FX6 and potentially the FX3 is more or less the same as the sensor in the a7sIII. But the a7sIII does not have the WDR feature enabled. 

    As for Fuji, I assume you mean the Sony sensor in the GFX100. The dynamic range of this camera is still within the bounds of an X-T3/X-T4, around 12 stops. It doesn't have the particular WDR method enabled that is potentially going to be in the FX6 and possibly the FX3.

    You  sure.....https://www.repaire.net/forums/articles/sony-alpha-7s-iii-dual-iso-pas-vraiment.1081/

  6. On 12/21/2020 at 2:51 PM, 92F said:

    I think Fuji uses a Sony sensor, so it uses the same technology as that of the Aptina patent acquired by Sony.

    It's a dual gain as explained here  . https://www.photonstophotos.net/Aptina/DR-Pix_WhitePaper.pdf

     

     

    1 hour ago, Llaasseerr said:

     

    There are numerous white papers authored by Japanese imaging engineers about this sensor tech, and this looks like it could be first to market for a mainstream consumer/pro camera release. 🤞

    Some of the white papers:

    https://ieeexplore.ieee.org/document/9281334

    https://www.mdpi.com/1424-8220/19/24/5572

    https://www.ingentaconnect.com/content/ist/ei/2020/00002020/00000007/art00003

     

    Sony A7SIII has it too...

  7. Yes ...In the case of a native dual ISO (Panasonic), the dynamics offered via each of the two native  ISO concerned,  is exactly the same ( "X" stops above the medium gray, "Y" stops below)

    On 12/15/2020 at 11:25 PM, Mark Romero 2 said:

    That would differ from Black Magic sensor....

    I d'ont know ...

×
×
  • Create New...