92F

https://www.youtube.com/watch?v=CTFBjaKApV4

Everything is compromised according to our use, our needs, our efficiency in production...and our aesthetic sensitivity.

We win on one side, we lose on the other.... which is the best?

What are your settings ?

Are you on a tripod with the 18-135 ?

4 hours ago, Kisaha said:

We all speculate, it will be strange for me to use this camera on any production that I usually work, but I get what are they doing, I guess.

👍

1 hour ago, Kisaha said:

Nous spéculons tous, il sera étrange pour moi d'utiliser cet appareil photo sur n'importe quelle production sur laquelle je travaille habituellement, mais je comprends ce qu'ils font, je suppose.

👍

8 hours ago, Evgeniy85 said:

 

it could have been shot with anything... and in FHD

Excuse me,  the texte of FoxAdriano  is  

21 hours ago, FoxAdriano said:

 I like to use V-Log for the large dynamic range. But I would like to get video with slightly more contrasted colors by changing the Menu in the GH6. It's possible? Thanks for some info.

20 hours ago, FoxAdriano said:

j'aimerais obtenir une vidéo avec des couleurs légèrement plus contrastées en modifiant le menu dans le GH6. C'est possible? Merci pour quelques infos.

It's ridiculous because it's precisely the concept: the log is no contrast because you want to settle it in post production.

If you don't want to work in post production you have to find the Picture Profile closest to the log but more contrasted like the Ciné D II or Flat  or ....

Make your choice and learn how to use it

https://youtu.be/nvoSMMhp1C8?t=193

https://www.youtube.com/watch?v=PttHBa-s_pI

" Test 2 of a7SIII vs S5II. 24-70 GM II vs Sigma 24-70 L Mount. 

AF settings are set to default on both setups and WB is set to 5600K on both the whole time.

The same LUT is applied over both clips with the only a few minor exposure tweaks to get them closer in color.

The S5II was shot in VLOG and the a7SIII was shot in S-LOG3.Cine"

Testing Sony a7SIII vs Lumix S5II - 24-70 GM II vs Sigma 24-70 L Mount.

EDIT – we reached out to Panasonic to clarify the base ISO’s of the GH6 with or without DR boost mode:

DR Boost “ON”: V-Log / HLG: ISO2000

DR Boost “ON”: other picture profiles: ISO800

DR Boost “OFF”: V-Log / HLG ISO250 (initially we thought 800).

DR Boost “OFF”: other picture profiles: ISO100

https://www.cined.com/panasonic-lumix-gh6-lab-test-rolling-shutter-dynamic-range-and-latitude/

Not everyone seems able to reproduce it? However for the AF of the GH5 all the Web spoke about it, finally.

A comparison in Standard PP mode with an R6 II or an A7IV would make it possible to better assess this less organic smoothing

https://www.cined.com/panasonic-lumix-s5-ii-lab-test-rolling-shutter-dynamic-range-and-latitude/

Ok with you ...

Subject to deepen by changing the settings but not so alarming .. the GH5 could also offer waxy faces

With the more solid codecs of the S5X will we have the same thing ?

Quelques comparaisons

Vous pouvez également récupérer des fichiers

https://www.youtube.com/watch?v=oBv28suvRP8

12 hours ago, Django said:

Oui, le matériel R8 n'est pas fou, mais rappelez-vous que le R6 avait le capteur 1DX3 et le R6ii amélioré et c'est ce que vous obtenez à l'intérieur du R8. Je trouve toujours assez fou que vous obteniez l'un des capteurs phares de Canon dans un appareil photo à 1 500 $. 

Neither back-illuminated nor stacked,

https://helpx.adobe.com/premiere-pro/using/color-management.html

To benefit from the metadata options of image stabilization and lens variation compensation of the XF30 you need  use Catalyst Prepare Plugin for Premiere Pro ($100/year) or exit in Sony Catalyze Prepare

An example of stabilization without post production

https://www.youtube.com/watch?v=WMdY0UpLU8Y

Exact....

I hope it's not a problem here

On 7/27/2022 at 7:00 AM, Emanuel said:

Let's not forget they had the C70 and R5C to launch! LOL ; )

Well I must admit they've convinced me with tne R5C though so I should be grateful to their fake limit... 8K60p is priceless to my book :- )

2 very good test very thorough with a good analysis

-https://www.repaire.net/forums/articles/canon-r5c-vs-canon-r5-des-performances-en-video-tres-differentes.1274/

-https://www.repaire.net/forums/articles/testbox-canon-r5c-comparatif-canon-c70-sony-fx6-red-v-raptor.1275/

Question to hyalinejim

Can you film for a long time without significant heat problems, whatever the codec?
What strategy do you use for the ventilator?

Can it be heard with an external microphone?

A good shot with the XF 605...

https://www.youtube.com/watch?v=Sm22jlRD60g

Yes ...but it's an all in one, reliable, nothing to add

Fashion is FF and there is the DVX 200 in M4/3 at the same price, only it won't have the look of a Hybrid M4/3...

It is a choice according to his real needs ... that of the customer

5 hours ago, 92F said:

What settings, Codecs etc ...

Filmed by hand ? With what stabilization setting ..? Normal IS / Powered IS ...?

Thank You 

What settings, Codecs etc ...

Filmed by hand ? With what stabilization setting ..?

Thank You 

Compact, light enough ... it seems to be a good compromise ...
You filmed in full automatic ?