McSaint

I love how the URSA 12k is released and everyone gets mad because "who asked for this?" and "12k is overkill when all you will ever need is 4k". So Sony releases the A7siii. It only shoots 4K, it fixes the major issues that plagued it's camera, invested in better, not more pixels. Practically eliminates rolling shutter, adds 10 bit h.265 as well as 16 bit raw output and can shoot in full resolution up to 120p and SOMEHOW everyone is saying "this isn't enough" or "I was expecting more". 

You aren't filmmakers, you're hobbyists!

I love how the URSA 12k is released and everyone gets mad because "who asked for this?" and "12k is overkill when all you will ever need is 4k". So Sony releases the A7siii. It only shoots 4K, it fixes the major issues that plagued it's camera, invested in better, not more pixels. Practically eliminates rolling shutter, adds 10 bit h.265 as well as 16 bit raw output and can shoot in full resolution up to 120p and SOMEHOW everyone is saying "this isn't enough" or "I was expecting more". 

You aren't filmmakers, you're hobbyists!

I love how the URSA 12k is released and everyone gets mad because "who asked for this?" and "12k is overkill when all you will ever need is 4k". So Sony releases the A7siii. It only shoots 4K, it fixes the major issues that plagued it's camera, invested in better, not more pixels. Practically eliminates rolling shutter, adds 10 bit h.265 as well as 16 bit raw output and can shoot in full resolution up to 120p and SOMEHOW everyone is saying "this isn't enough" or "I was expecting more". 

You aren't filmmakers, you're hobbyists!

I love how the URSA 12k is released and everyone gets mad because "who asked for this?" and "12k is overkill when all you will ever need is 4k". So Sony releases the A7siii. It only shoots 4K, it fixes the major issues that plagued it's camera, invested in better, not more pixels. Practically eliminates rolling shutter, adds 10 bit h.265 as well as 16 bit raw output and can shoot in full resolution up to 120p and SOMEHOW everyone is saying "this isn't enough" or "I was expecting more". 

You aren't filmmakers, you're hobbyists!

I love how the URSA 12k is released and everyone gets mad because "who asked for this?" and "12k is overkill when all you will ever need is 4k". So Sony releases the A7siii. It only shoots 4K, it fixes the major issues that plagued it's camera, invested in better, not more pixels. Practically eliminates rolling shutter, adds 10 bit h.265 as well as 16 bit raw output and can shoot in full resolution up to 120p and SOMEHOW everyone is saying "this isn't enough" or "I was expecting more". 

You aren't filmmakers, you're hobbyists!

He/She is angry that the 'RUMOURS' said that BMD would be releasing a camera with AF and IBIS,  and this cinema camera doesn't have those features. 
Despite this, he/she keeps coming back to a thread about something he/she has zero interest to keep he/she's anger boiling.
Makes a lot of sense right?
To add to the confusion, many users of EOSHD and the owner of the site himself says they have every right to be angry because this is a forum for users of small DSLR like cameras and Solo shooters so AF and IBIS should be mandatory .......but then the forum owner continues to post news articles of cameras that don't appeal to his user base and the circe of anger just continues to go round and round....
I love it, it's hilarious!
 
 

I think there is a bit of a political move here as well. Studio execs LOVE big numbers. "Oh, that new camera is higher resolution than any other camera? I want my films shot on that". Now, I think the move away from bayer pattern for full RGB and the insane gradability this footage will likely have is in my mind worth the price. But they made a good decision being higher resolution than their competition, and rest assured this camera is not in direct competition with the A7s or S1h, its with RED and ARRI. They are making the feature film and TV industry sit up and notice them and this is a good thing.

I think there is a bit of a political move here as well. Studio execs LOVE big numbers. "Oh, that new camera is higher resolution than any other camera? I want my films shot on that". Now, I think the move away from bayer pattern for full RGB and the insane gradability this footage will likely have is in my mind worth the price. But they made a good decision being higher resolution than their competition, and rest assured this camera is not in direct competition with the A7s or S1h, its with RED and ARRI. They are making the feature film and TV industry sit up and notice them and this is a good thing.