mirekti

1 hour ago, Andrew Reid said:

It's pixel binning in full frame so rolling shutter should be ok.

In Super 35mm I'm surprised it is 10ms, seems optimistic to me!?

Right, 10ms sounds crazy good.

I’ve also read (can’t remember where) that even FF 4k might be recorded 10 bit 4:2:0 internally, but that doesn’t match you chart. Are the specs you posted official ones from Leica source?

One more topic, please. How big is the real life difference between pixel binning and regular 4k readout? Would there be a noticeable difference in footage if one combined SL2’s S35 and FF clips or one would only noticed it when pixel peeping?

The reason I am asking is that I own M240 and few M lenses, plus S1H. I understand compromises need to be done, but the idea of having a single body to use for both, video and stills is very compelling. I am yet to do a more thorough comparison between M240 and S1H photo modes, but initial shots done by S1H didn’t hit the nail compared to M240 so far.

What about rolling shutter? I’ve read on film 5d an article it is only 16ms in FF and expected under 10ms in S35.

5 hours ago, funkyou86 said:

See for yourself, download the samples from my blog: https://blog.presstige.sk/post/187207698230/bmpcc-4k-raw-vs-panasonic-s1-v-log-i-just-did-a

 

A bit off topic. From your blog: "I had to dial the temperature down to 4100 in Resolve"
How do you dial the temp down in Resolve to 4100K. I didn't know one can set the temperature by Kelvin there.

8 minutes ago, JeremyDulac said:

You should probably put your money where your mouth is and fund him quitting his day job.

What do you think I am, a sponsor? Get real. 
BTW 

On 10/5/2019 at 7:27 AM, Julien416 said:

I guess the once planned GH5s version has been scrapped since then... I bought your lut thinking it was about to be released. A year and a half later I guess I was wrong. 

Same here regarding the GH5S.

I can understand this is a time consuming project, but it’s been almost two years.

9 minutes ago, Video Hummus said:

Yes, I’m well aware. But I highly doubt we will see an organic sensor based GH camera in 2020. I’m taking the more conservative speculation route of latest CMOS sensor from Sony semiconductor.

You might be right, and I have posted a wrong link above. ?
Check it at 2.20

56 minutes ago, Video Hummus said:

Hoping faster sensor readout speeds or global shutter will allow them to remove the physical shutter in the camera and use that space for an eVND or some kind of built in ND.

 

Did you watch the video?
The organic sensor itself is also a built in ND filter i.e. the sensor itself is bringing: more dynamic range, global shutter and ND filter capacities 

If you check the end of this video there's a statement this organic sensor will be used in Lumix series too, starting with the end of Olympics 2020. 

We are talking about built in ND, higher dynamic range and global shutter sensor. This is revolution!!!

@Sage Any update on GH5S profile?

@Sage Any updates on GH5S profile?

On 4/17/2019 at 6:19 AM, Sage said:

You'll be fine there; the in is the same as the out and timeline (no transform). Here are the defaults (or can set to 'DaVinci YRGB', and Rec709 2.4 Timeline):

I see your Input Color Space is set to Rec.709. Is this for CineD or you use it for vlog-l too?
My impression was that input color space should match what the original footage was recorded with.

BTW Any updates on GH5S profile?

Thanks and cheers!!

Rolling shutter?

This looks nice 

@Sage Hi there. Are we close to getting GH5S conversion? 

On 4/1/2019 at 11:04 AM, Romano_Soprano said:

Will try to expose to direct sun and UV light. Will use the lens as-is. Thanks for info

While it looks bad if it doesn’t spread towards the center you should be fine. I was surprised how small the circle is used, I think it was less than 10mm radius from centre point.

How loud is your PD Movie? 

I have received Live Air and it’s super loud. Not sure if it is faulty it is simply loud.

22 hours ago, Renato PP said:

Does anyone here know the real difference between Feelworld F5 or F6?

Did you register to ask this?
Googling could have been faster. 

So there’s been an ongoing thread on Z Cam Facebook group related to their Fall to be released S35 camera. The company is really trying to get customers’ input regarding the features. There’s also a rumor it would be presented on NAB. 14+ usable DR, 6k 60 fps, probably EF and M43 mounts will be available.

Anyone here excited about it?

On 3/17/2019 at 1:10 PM, Deadcode said:

Unfortunetaly neither of these options will give you 1080 24 fps rendering while using Temporal NR (Better) with 5 frames averaging. You will get around 20-22 fps

I saw in this video that Radeon VII can actually work in crossfire. https://www.youtube.com/watch?v=NFoPwxr-75g&t=1540s  (Warning: It is in German).

Do you think/know if Resolve could make use of such configuration?

On 3/11/2019 at 7:01 PM, Emanuel said:

Ljudi su cesto zarobljeni u sopstvenim osecanjima. ~ Tamara Stamenković

? 

3 minutes ago, buggz said:

Rec 2020 HLG ARIB STD-B67 for Timeline Color Space

Should I have HDR monitor for this to be used on timeline? Rec 709 sounds correct to me, but of course I might be wrong.

I am using P4000 in my system. Adding NR and other OFX in Resolve slows down my 1008p timeline.

Would it be wiser to sell P4000 and buy Radeon VII or invest in another P4000, and having dual P4000 in the system?

@Sage I was thinking of experimenting with HLG a bit, but didn't find much description in v3.0, only that PRE needs to be used.
What about the input Color Space in Resolve, is it supposed to stay Panasonic VLog or something else should be used?