BTM_Pix

I suppose the best thing about this is that it will drive the used price of the original one down even further into the territory of it being one of the best value MFT zoom lenses (With free camera) around. From a photo perspective, it's worth bearing in mind that the original version in its Leica overcoat form is decent enough for a lot of Leica users to take it as one of their own, so the improvements on the photo side will only enhance that. If it could be hacked to have Cinelike D on it then it would actually be quite appealing as an all rounder..... If it wasn't for the crop. For years, Fuji have made a very high quality 0.8x WA add on for the X100 (The latest incarnation quite cleverly attaches magnetically so you can pop it on and off) and Panasonic have missed a trick by not offering one for this camera. Having the ability to pop it on to give you 19mm in photo and get back to it being 24mm in 4K would really enhance it as an all rounder. If it wasn't for the lack of a mic input.

Haha...I'm just being an upstanding helpful member of the community. Who thinks everyone should be shooting on a Foveon sensor I use Aperture for sports work (which is primarily jpeg) as it is much faster for an editorial workflow and I've used it for years. This makes me a bit of an outlier as everyone else uses PhotoMechanic but I prefer the self contained aspect of Aperture. I use Aperture (standalone version) for RAWs because it plays better with DNGs off the Leica and Sigma and the inbuilt profiles for lens corrections are very useful and it also keeps up to date with new cameras better than Aperture which of course is a discontinued product. If I'm using the older Sigma cameras DP1-3M then I have to use their own software which is a bit quirky so I generally just use it to do basic stuff and turn them into TIFFs and put them in the other apps.

Whatever became of Atomos urging everyone to lobby their congressman to get manufacturers to output RAW over HDMI? It all seemed to go very quiet after all those videos from NAB of one of their chief's telling everyone to do it. Intrigued me that the video posted in the Nikon frenzy thread saying Atomos helped Nikon develop N-LOG so I would've thought that would have been an opportune moment for them to persuade a manufacturer to do it if it was indeed possible. And it would've given Nikon a bit of a coup as well.

I honestly don't think thats a bad way to go. Do you want me to do an X-T20 with 35mm f1.4 versus Sigma Quattro SD with 30mm f1.4 showdown ?

I think you might want to have a listen to what a used X-T20 has to say about having most of that fun for a fraction of the price.

Right, we'll make it A,B,C,D,E,F then so we can be twice as good No promises but I'll check it back in here if I get a chance to do it over the next few weeks.

There are some unsettling noises made by the 70-200mm f2.8 when it is on the adapter in the fella with the big hair's video about the launch. The thing is that Nikon have both sides of the puzzle with this adapter so it may get better as they tweak it for individual lenses but that lens is one of their holy trinity so it doesn't bode well for it being flawless just yet. Time will tell though I suppose.

You are actually waiting patiently for BM to release the Pocket 4K as this is what the hold up is about as it needs to support Panasonic, Sony and BM I haven't got a GH5 but I thought it had this feature in it ? Anyway, knocking something together that has big chunky on screen buttons like the BIG RECORD SWITCH app above wouldn't be a massive hardship though. How about A,B,C,D with move to each when you press it and a couple of speeds ?

I think in Nikon's case they needed to show the same degree of commitment to the new mount that they are expecting of people adopting it. It doesn't send that sort of message at all. I'd go as far as to say that if Canon's mirrorless retains the EF mount so can offer a genuine swap out replacement for their DSLR's then Nikon will have a big problem.

I'm sure someone else must have a perfectly logical explanation for this but.... For a company that makes its own lenses and who have been developing this new camera and mount for probably quite a lot longer than the last couple of weeks, why the f*** would you not have new versions of at least the 24-70mm f2.8, 70-200mm f2.8 and the 14-24mm f2.8 available at launch instead of at some indeterminate point next year and the year after that? For a long time "yeah but the lenses though" has simultaneously been a stick to beat Sony with and one of the main reasons to hang in there and wait for Nikon to release a camera. The change to a new mount was always going to be enough of a tough sell without turning up with such a half arsed collection of them, especially now the E mount has filled in most of the relevant gaps it had. They've brought a roadmap to a gunfight.

This immediately put me in mind of this scene from The Young Ones. It has a lot of positives but the bald figures of the pricing might mean it doesn't translate into too many going all in on it. It's too expensive.

With Nikon, it is difficult to 2nd guess their intentions for this camera and lenses to be considered for professional use, just as it is for its existing products. In theory, you might inagine that if they consider it a professional camera then it will appear on the qualifying list for NPS. https://www.nikonpro.com/ProductList.aspx It doesn't yet of course but when it's actually available I have no doubt it will do as when you take a look at the cameras and lenses (especially the DX ones) that are on the list you will find many which you would at best consider prosumer ones. There are plenty of single card slot cameras on that list too by the way. Admittedly because they use a points system you would need a fair amount of the lower end stuff to reach the 750 point threshold to qualify for membership but Nikon do acknowledge in this way that you don't have to have their most expensive equipment to be a professional photographer and receive the same benefits as those that do. Which is good for the user (as professional photography is a broad church where not everyone needs the features or build of the higher priced equipment) but bad for trying to win internet arguments.

Surely you'd have enough room in the Tardis or the boot of the De Lorean if you are time traveling though? Sorry.

I think in support of that, if you look at the G9 flickr pool then you can see a big difference from what I imagine is a very similar camera to the GH5 but just in the hands of more predominantly still image creators. The first page of the GH5 pool that I looked at was nothing to write home about. Unless you were writing home to say that you weren't going to buy it.

Cheers. I'm not sure the stall selling the "Here I am with General Franco" framed picture was doing much trade though.

Yeah, whoever that guy is he sounds like a right dick Its promising actually that they've enabled it in the GX9 as it will need to be selectable from the app which makes it possible. I won't be anywhere near one of these cameras for a while but I'll certainly be interested in checking it when I see one.

I'm on a bit of an M mount acquisition exercise at the moment and picked up a used Voigtlander 15mm Super Wide Heliar III f4.5 a couple of weeks ago. I've only used it for stills thus far but I'm going to mount it put it on my A6500 and see what happens, though there is a native E mount version as well. First impressions are that its a good performer and its an especially decent focal length on APS-C (these are from a Leica T) if you are using it for street or run and gun stuff as you can set it to f8 and have everything in focus from 1m. The hood isn't removable but it does have a 58mm filter thread so you can add ND. Usual nice Voitglander build quality and, of course, it is very compact, especially for a lens that will also cover full frame.

Ah-ha... I found Nikon's handy compatibility chart. https://imaging.nikon.com/lineup/accessory/camera/ftz/spec.htm Yes No Maybe. I was presuming that you were referring to D lenses without an in built motor but there are D Type lenses that do (those with the AF-S designation before them) For example AF-S Zoom-Nikkor 17-35mm f/2.8D IF-ED and AF Zoom-Nikkor 18-35mm f/3.5-4.5D IF-ED are both D type lenses but the former has an in built motor so will work with the adapter and the later doesn't so won't. The best way to check is for a specific lens is to got to Nikon's exhaustive lens/body compatibility page here and download the excel sheet. https://www.nikonimgsupport.com/eu/BV_article?lang=en_GB&articleNo=000005532 Then go to the tab of a Nikon body without an AF motor in it (like the D40 for example) and check it against that.

The original LX100 was not exactly resistant but did something really odd in terms of extreme contrast shift. I'm interested to see if this one being based on a different board might actually work. It would certainly make the mark ii slightly more interesting.

No

Don't drag me into it I have by virtue of its more flexible lens mount and the more or less comparable form factor but better quality stills of it versus the Panasonic GX80 reached what I would describe as a cordial understanding with it. I don't love it on its own merits necessarily but I'm liking it a lot more when viewed as a poor man's Leica CL. Like many strained relationships, we have saved it by indulging in a little role play !

Let me see... You've only ever made two posts on here. Both about DJI products and both with links to their official online shop. Give me a minute to work out what might be going on here...

Ah...that makes sense. Thanks

I'm not going to say "Its only 11 days to go until the 3rd of September" but, well, it is only 11 days to go until the 3rd of September. Are BM going to drop a big surprise and stick to that date or is there anything even semi-official regarding an actual new date?

Which just makes matters all the more confusing when you have them at exactly the same price in the case of the D850 and the Z7. If I'm looking to swap my D810 for example (which I am) then I'm now being asked to decide between the camera and the spec. Except its a bit more than that because no way would I, or anyone else who has even a modest Nikon lens collection, be looking at buying any of those new 'meh' lenses so we wouldn't feel the benefit (if any) of the new mount until some vague point in the future. So we are also reliant on the adapter giving 'as native' performance on our existing lenses in the meantime otherwise we will be suffering from inferior AF. There just isn't the incentive there to give up what they're asking us to give up and especially not at the same price. But I'm just one (small) part of their target market so they will hopefully fare better with the rest of it !