omega1978

The red screen indicator Panasonic has ad with the last firmware on the S-series free of charge 😉

Thank you ! 28-70 is a very big and heavy lens. We use digital IS in this case. It was to big to balance on weebill s, so all handheld. I think a 24-70 IS with speedbooster is a good option, altough AF is limted to 60% of sensorarea. We tested here Tamron G2 only with standard adapter an stablization and AF where fantastic( and very quite, on 28-70,35 1.4 you hear little clicking, but not significant )

In church 30 grad celcius with A6400 2 hours with no problem. Maybe with Ibis on A6600 is different ??

Depends on the lens, in advanced mode a small center area use PDAF and my EF 35 1.4 , EF 16-35 2.8 III is fast enough and reliable, EF 85 1.2 II quite slow on A6400 with Speedboster Ultra

But only for photography, AFC for video is very limited on Sony with MC11

Some rumors say 3795 €

I use Leeming LUT and skintones are nice.

With Sima MC-21 and adapted Canon lenses there is no AF-C on the S-series

This are some of this screenshots in cam processed with Lightroom mobil. 4k50p 1/100 natural profil only 8bit

I do this for the shooting with the couple, in 4K50p 1/100 and export direct from the cam screenshots. But it on Lightroom mobil and next day they have a couple of pics as gift, that i can post on FB.. When you go faster with the shutter, you lose the the motion blur for the film. Maybe 4K100p with 1/100 is an option, but at the end of day this are big files to storage and overheating is problematic. Had a discussion with my buddy weeding filmaker recently about photo(from film) and film, but we think that a photographer frames and use focal lengths differently as a filmmaker and pics indoors without flash from dance etc. are not nice.

A friend own the canon c70 with Rf 28-70 2.0 and we have made some testshots with other Canon lenses. He is waiting the Canon Speedbooster.. Nice camera, little heavy, very big on a gimbal.. 4K h265 4.2.0 10 bit Clog2 50 & 100p all handheld What do you think ?

In italy 169 € https://www.fotoema.it/accessori-foto-e-video/cuffie-speaker-microfoni-registratori-audio/zoom-f2-bt-registratore-digitale-bluetooth-con-microfono-lavalier.html or even https://www.cittadellamusica.org/home-26-studio-recording/registratori-e-player-professionali/zoom-f2-bt-field-recorder-bluetooth-2B-microfono-laval.html you mean https://www.vuetec.de/SW53/timecode/tc-generatoren/generatoren/614/ultrasync-one-timecode-fuer-kameras?c=1675 connect to the S1 and then sync with the F2s ?

Ok, but to have timecode on the S1 with the coming update you need the Tentacle Sync ? Tentacle Track 319+Sync 199+Cable 10= 529 for Zoom BT 169+149 Blue = 318 you can buy another Zoom..

Sad, cancelled my order. Tentacel Track E is expensive, but maybe a better solution in combination with the new S1 Firmware and timecode

I hope my experience is not that bad 😏

Ok, i´m sorry for your situation, but maybe with the vaccination in the summer we can start our work again. I am in the happy situation to are involved in a big film project for a supercharger system, so i have work for the next months. Have ordered yesterday the F2-BT and i had the same idea. Rode go to the speaker ( maybe later a second F2) and a F2 on the groom ( fix a F2, a white one to the bride is very delicate, and don´t think that is accepted here ), a Zoom H5 for musicans and a Rode Mic to 1 channel, and the Rode Go to the other channel on A-camera. On the B-Cam a NTG4 for Backup. I thing is stupid, that you can start the F2 wireless only once and not synced...

You but the 3 F2’s on bride, groom and speaker and the rode goes where ?

Nice work, never made a shoot with models, but maybe we are too little people in South Tyrol, that need a lot of models 😉

Thank all for the positiv feedback. In this clip i made a try to get away from the digital look..

Thank you. 4k 50p. Yes the 35 1.4 II is not so old, but has a good 3D Pop, the 85 1.2 II is a bokeh beast ...

This is the trailer for a new wedding website. I have to reframe some shot, was made in rush 😁. what do you think ? All shot S1 with Canon 35 1.4, 85 1.2 on MC21 4k50p natural profil

Warping with Ibis on wide angle lens is a problem. on the Jerusalema video i avoid this with zooming in to 20 mm. without ibis the stabilisation on weebill s is very bad ( my crane 2 was much better )

The 24-105 is a very sharp and contrasty allround lens ( If you like that ). I have filmed a entire wedding with it One thing that disturb me is a violett flare when you shot against the sun or any light..