Rinad Amir

The sharper the happier am 

Where is the freckknf bullet time effect at?🤔

The S1H was my weapon of choice when it came to professional work the image and DR was and still is outstanding. 

What id love to see in the mark ii version is internal ND or electric 

And bump in DR 16? Why not 

I care less about 8k or 10k 100%of people today  watch on phones or monitors that aren't 8k. 

33 minutes ago, Bandido said:

10 bit is better for green screen (chroma key).

Don't forget its also useful for white balance if you accidentally missed it on set 

1 hour ago, Thpriest said:

We've been here before but a GH6 will need the following to cut it IMHO:

Up to 4k 120 in 10 bit 422, no crop but with the GH5's ability to punch in without losing quality (GH5S doesn't have that and very handy when shooting events. Should be useable when already recording)

Dual ISO with clean image upto 12800

More DR

EVF like S1/SH (ideally with hinge like C100 mk2 and Bmpck6kpro)

Top quality LCD

Punch in to check focus when recording 

E-ND

Good AF (if we have a great EVF and LCD plus punch in to check focus this is not so important)

Make sure LCD doesn't block cables.

Best IBIS 

Easy streaming set up

Linear focus settings for lenses like S series

Vlog

Record in ProRes

Raw prores internally/externally

Admit it's a video camera first and foremost and treat it as such.

A cost of 2500€ max

A 25-60 f1.7 like the 10-25 but at 1300€ max. Maybe a 60-100 f2 as well. Lower the prices of these "video" lenses but sell more of them. Make it a compelling option because if it's not, I'm out.

 

 

I mean no disrespect to you sir but 90% of this spec u just listed is already in A7Siii except of eNDs the Prores is same as All-i codec as i have tested on Ninja V.  

2 hours ago, Anaconda_ said:

I don't see any point in getting an Alexa ever. No IBIS and no AF... total waste of time.

And dont forget the flip up screen while u at it. 

Well i know am gona get slated for this but raw is overrated 😄

11 hours ago, currensheldon said:

Very strange they didn’t update the design a bit. The off centered battery causes tons of mounting problems, the screen isn’t that bright for $1600, and no SDI is very strange since these are basically raw recorders now (which wasn’t entirely the case when the first Ninja V came out). Pretty lazy upgrade. 

Yup its 3X the price you would expect 1500nit screen at least since it can support hdr also no update on fan fix? It loud on V 😶 my rode video mic pro catches it and its  really annoying.  

Hey try using Resolves colour transformation to match them 

If you got colour chart that would be bonus too.

11 hours ago, Video Hummus said:

I can imagine this would be bad for some Sony cams that already have a green tint in the color. Maybe not so bad for Canon which almost always leans into magenta.

 

Yup true there is workaround for this as well from Gerald Undone in S-Log 3 Color Phase has to be set to +2 in order to shift colors towards magenta from green.

24 minutes ago, Video Hummus said:

Almost all variable NDs suck when it comes to color shifts and polarization artifacts. They will all tint your footage, especially at higher strengths.

But in general I would go with one that:

• Has hard stops
• Has smaller range; 1-5 and a 6-9

I use an aurora-aperture 1-6 stop ND. It’s pretty solid. The 7-11 stop version is not very good. I’ve been looking at the polar pro mist+nd combo going forward. Still haven’t made up my mind. 

This! Green tint from polorpro PeterMc edition old gen got both 1-5 and 6-9 only cure i found was to use gray card it basically adds slight magenta to tackle green tint.  

As soon as i get 35gm this will be on my go get list😁

My current set up, i use handle as well sometimes 

32 minutes ago, Simon Young said:

Yes but that is Prores raw with an external recorder which I absolutely hate.

I agree it gets cucumber some 

But gets job done , i do wish Sony will listen and include this feature(noise reduction) and true 24p😁 in next firmware update

2 hours ago, Simon Young said:

Haha yeah someone definitely profited from my stupidity. I really hope they’ll add some pro cine features via firmware down the line but I’m not holding my breath. The option to turn off noise reduction should have been there from the start though. 

I think you can if u film raw full control also 12bit converted from 16bit problem solved ?

Id love to to true 24p mode added! if fx6 has it and uses same internals as this

Other than that thank you Sony.

It better have internal raw and nd for that money other wise its halve baked a7siii😄

This is great news😁 

On 2/10/2021 at 1:28 PM, TheDudeAbides said:

Like many of you I hate Adobe's subscription pay plan. And bloated software. 

Affinity has been on my radar for a while for Photoshop and Illustrator replacements. 

They are 50% right now, desktop and iOS versions. 

Now I just wish they'd create a replacement for After Effects, which is the only app I have not been able to replace. 

https://affinity.serif.com/en-us/store/

I hate to brag but they also come as bundle with X-Rite monitor cal😊

On 1/20/2021 at 8:05 PM, Stanly said:

So happy I went with Sony a7S III

Same 

I need to try this  

Happy Newyears to you too mate😁👍

As always amazing work🎬👏🏼

And Happy New Years😁🧦🎬

Right tool in right hands 

Welldone man👍