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bamigoreng

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Posts posted by bamigoreng

    Trading 1DC for a7R II?

    In: Cameras

    Posted

    3 hours ago, DaveAltizer said:

    Thanks Andrew! 4k is important to me. Ya...you're right. My 1DC is such a jewel. The 1DX II is too far out of my price range. What about getting a used a6300 or something for cheap 4k vlogging? The M5 video compression I am seeing looks pretty terrible. More so than even the 80d. I would rather get a Canon 80d than an M5 I think. 

    M5 is a decent camera. 

     

    "Spider Steadicam" or something else?

    In: Cameras

    Posted

    44 minutes ago, Gregormannschaft said:

    Ok, that's good to know. I've never used one of these before so a lot of it was hit and miss. For example, to extend the bar lower or to make the whole thing shorter? I had/have no clue what extending it might do. Often it would make it more unstable. And, put the weights to the sides of the camera or front and back? Weights close to the pole, or far away? There are so many variables it kind of drove me crazy.

    Glidecam Tutorials

     

     

    Lenses

    In: Cameras

    Posted

    1 hour ago, noone said:

    FF equivalency is sometimes useful if you have a FF camera and other formats as well.     Even for video (at least it is for me).    Geez my A7s has both APSC and FF video and my GX7 is M4/3 and I often use the same lenses on all of them BECAUSE they are different and it means I don't have to buy more lenses than I already have.

    Yes a 27mm lens IS a 27mm lens no matter what the format but the angle of view isn't the same.

    Didn't Fincher use other formats besides S35?      So you think he would have used the 27mm equally on S16?

    Dead horse flogged once more just in case it was just playing dead!

    Yep, FF equivalency is useful.

    The Game: NF - 16mm and 35mm http://www.imdb.com/title/tt0119174/technical?ref_=tt_dt_spec

    Lenses

    In: Cameras

    Posted

    11 hours ago, cantsin said:

    Have that lens too - gives the equivalent field of view of a 35mm lens on a full frame sensor, i.e. moderate, non-distorting wide angle. This is the ideal focal length for documentary and run-and-gun. - Small remark: Your images look like they have infrared contamination. Did you use an IR cut filter on the lens? 

    Are you sure? "FF equivalence is not used in cinematography..."

     

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