mercer

I swear storm clouds are made for ML Raw. Looks great. Love the walk button shot too. Are you going the Raw Magic to Resolve route?

If it were my money, and I could afford either, I'd go with the Mark IV. Just take a look at Vimeo, IMO there are way more nicer 5D4 videos than GH5 videos even taking the fact that the 5D4 has been out 6 months longer into account. Also, I find it peculiar that everybody gets the GH5 or the a7sii and then try their damnest to create this LUT or that LUT to get Canon color... Ummm... Or they buy this camera or that camera because it has focus peaking but then complain about its autofocus. With Canon you don't really need focus peaking because the DPAF will be spot on every time.

Yikes. That's rough. How about breathe some new life into the XT2 with some old lenses. A set of Contax Zeiss should do the trick... the 35mm 1.4 would probably sing with that Classic Chrome Profile.

Yeah that Nepal video is gorgeous. Why don't you just order an NX500 from Seoul?They're fairly inexpensive on eBay... not the $350 I paid for mine new, but still not bad for a camera that is part of a cult classic line of cameras.

Okay... I thought we were just having a discussion here. Unsure when I told people to "shut up" but whatever. I wasn't asking you to prove anything, I was actually feeling a little nostalgic about my NX500... I just watched one of my old videos and I just figured you'd have a lot of material on hand. Not that I really care about some made up person on the internet, but you are the one that comes out swinging at me every chance you have, and all I ask is how you can compare hundreds of tweaks and LUTS to Fuji's straight OOC colors, and I am the bully? When did I ever say you didn't have the right to express your experiences? Seriously? When? I stated I thought the Fuji won and you replied to me.

I am glad to know you consider yourself a... full.. grown up??? So you consider hundreds of tweaks and LUTS the same as Fuji OOC colors? But Seriously, I don't know why you go to all ends defending the NX1? It's as if I cursed your family name because I prefer Fuji colors to Samsung colors... I would think most people would. Honestly, Samsung made fine cameras. I enjoyed my time with the NX500. It was a fun camera with great ergonomics. Do you have a Vimeo or YouTube page? I don't think I've ever seen any of your NX1 work. I would love to see what you're getting out of her.

Well, if you're using it to judge colors, then the XT-2 wins hand down. It also wins for character of image and a system you can grow.

It looks good, but how far can it be pushed after using comet color? Obviously, I don't know enough about this specific "product" but aren't people afraid that everybody's videos will look too similar?

How is the X-T20's 1080p? It seems to do native 24p, which I have found helps with motion cadence. Also is the 60p in 1080p any good? That Acros B&W is simply gorgeous and for the price, the X-T20 seems like a fun get up and go camera. Also, can you adjust highlight and shadow tone in movie mode with the X-T20?

Yeah, that could be it, but the camera has only been out for about 6 months... seems a little soon to stop packaging bodies only, especially since they still produce them for the G7 or maybe it's a glitch on BH site like IronFilm thinks.

I'm sure you're right, but maybe the G7 is a better seller than the G85... maybe the GH5 took the steam out of the G85's sales... so to speak.

BH has the G85 Body Only listed as discontinued? Hmm. Does that mean a new model is coming out soon to replace it? https://www.bhphotovideo.com/c/product/1280825-REG/panasonic_dmc_gm85kbody_lumix_dmc_g85_mirrorless_micro.html

Nah, only on my Zeiss Master Primes.

Man, that sucks... you should have just used toilet paper or a sheet from a dollar store roll of paper towels. I like to use Kleenex... especially the kind with lotion built in. No, but seriously I've used a Q-Tip before too but only after I used it in my ears and picked it out of the trash the next day...?

Competition? The FS5 has it. The Ursa Pro has it. Without it, what benefit is there to get the Panasonic? And unless the camera is going to shoot 12 bit 4K at high frame rates, what would be the benefit of paying $4500 more for this camera when you can get a GH5?

Yeah 48fps would be great. I tried it the other week and although I did get it to work, it was at such a low resolution, I almost think the 60p from my D5500 would have looked almost as good... probably not... but it definitely didn't seem worth the trouble. Have you tried matching the 60p Micro footage with ML Raw? I wonder, if it is simple enough to color match, if it would be good enough for short shots... especially close ups, B-Unit shots?

Our conversation got slightly side tracked, but even if most amateurs can't afford to shoot Raw, it doesn't negate the fact that Panasonic should include it in a $6500 camera. Either way this is all conjecture at this point and we will know more in a few weeks.

I know I am in the minority here, but AC or DIT duties do not exist in any kind of production I am currently working on and to be honest, the idea that people like me, with all of the available equipment to make a professional looking movie, at our fingerprints, are treating their productions as if they were filmed on a Hollywood lot is completely nonsensical to me. But whatever, not really my place to judge other people's scenarios. But again I'm a hobbyist that works with friends and first time actors. The goal is to get in, get the shot and move on... a 3:1 shot ratio at most. I have enough cards to get an hours worth of footage and it's highly unlikely I will ever need anymore than that on a day's shoot. I get why Raw would not be possible on low budget films when you have a Line Producer breathing down your neck, and every minute is scrutinized before lunch is called... but I don't have those limitations. But I also see your point for my scenario where a simple production workflow could be more beneficial... it all depends on the project and schedule. So to get back on topic, I still believe with the rumored cost of $6500 for this cineX Panny camera, it should output Raw, especially when every other camera, at that price range, shoots external or internal Raw. Just my opinion of course.

That's not too bad to get that look... especially in FF. I assume you shoot in 2:39 or 2:35 to assist in the faux anamorphic? The screengrab of your daughter in the foreground looks great by the way. I swear ML Raw can make any shot look cinematic. After having it for a few weeks now, how do you like the 5D3 compared to BM Raw?

Yup all of their best material they have been honing for years shows up in their first album... if they can make a halfway decent sophomore attempt, they have a chance.

Definitely. I almost think I should preface every opinion I have as... I'm a hobbyist with dreams and no real deadline.

Haha, we are still talking about two different kind of no budget productions. The kind I am referring to has a budget of a grand, follows Dogme 96 rules, is literally a ONE MAN band production, from writing to shooting(I am the crew) and editing. If it takes an extra 20 hours to process the footage, it's my time. So for me Raw makes sense... or a camcorder... LOL. Seriously, I would shoot Raw but if I thought that would slow the production up too much, I'd shoot it on a bridge camera... 65mm or S16... LOL.

Not really if you think about it. If the C100 Mk ii is selling good, then why update the model? Now it's time, I guess. As easy as it is to release a new update every year, it cannot be a sustainable business plan for the likes of Sony. Even a two year cycle goes against tried and true product line development over the last 50 years. It really wasn't until electronic corporations that were cross marketing products between different divisions did this business model change and it only started happening in the past... 10 years or so. If Canon doesn't want to release a new camera every other second, they shouldn't have to just because Sony does. Slow and steady wins the race.

Your first example with the through the glass rack focus is a wickedly cool shot and completely impossible with any AF... I don't even think Canon's DPAF could do it, but that's the only AF that would even come close to what you're describing... but we already know that nobody on this site would dare shoot with a Canon DSLR even if it's their best bet for the AF they apparently need and require. If their work requires AF, then get an 80D because the GH5 will not help them. I work in the trade show industry and the overwhelming majority of videographers I see shoot with a Canon DSLR... the reasons are obvious. Hell, to be honest, if AF is important to a narrative filmmaker, most likely their work will be shown entirely online, a place where 1080p is more than enough, so get an 80D and be happy with great AF and place your efforts on story. Or if they still desire better IQ and great AF, then get a 70D with ML Raw.

Always the voice of treason...