mercer

I know this is a frowned upon phrase around here... but... does it have that mojo like the 1DC has?

Aren't you from Canada? ?

That's pretty nice too. I've noticed you have started using some more muted colors with your more recent videos whereas your Fuji videos are very vibrant. I would love to see what your Fuji work would look like with your newer color work. That is always a concern with monopods but you learn to keep a foot on the feet and not leave it unattended. But then again I see the appeal with IBIS. This whole process is a never ending struggle with wants and needs, really. And in the end it doesn't matter... just grab a camera and shoot with it. Tell engaging and/or entertaining stories. That is all.

Nice, I had a cheap one and it not only caused a blue spot, but also a blue veiling flare wide open. And I am a lazy operator, I only shoot wide open with a fader ND.

Yeah IBIS is pretty nice, especially with old, manual lenses, but after getting some Canon OIS glass, I don't really miss it. The IS Canon lenses are pretty damn steady. And when I am using a manual lens, a monopod with feet is usually enough. But yeah I get the appeal of IBIS.

I like it Jon. I think your G85 needs a break and that X-T2 needs a workout.

I also have that lens and love it. It mixes well with the newer AT-X zooms as well. If you can find a good price on one, the 24-40mm f2.8 is one of my favorites. Watch with that Pixco outdoors though... you may get the blue blob flare.

That's a good idea. I like doing a twist on that logo. I guess a separate thread should be made for it, since it's not limited to any specific cameras?

No I don't believe so, but I haven't used it in years. It rotates 360 so if my memory serves me, as long as you hold the button down, it will pan. I had a cheap one... well I found it on clearance, so other variants may have more options.

Man, you're starting to get some color mojo.., I am digging the muted colors. The first few seconds I thought were ProRes but when you started panning, I wasn't so sure. Either way, the color is looking pretty damn good.

Yeah the motorized module looks nice. For panning, look for a mount for security cameras I bought one at WalMart years ago and it work pretty well. I think it even came with a remote control.

OT: is that in camera or ProRes?

Yeah I love that 50mm f2 Nikkor. That's slick as shit. @kidzrevil

That sounds good to me. I like Super 8 Bit And the gorilla pod is a great idea as well. I heard about people doing that years ago and it seems perfect. Thanks. Which gorilla pod do you have? I saw the video SLR model, and it looks promising.

No I'm pretty sure that lens, due to the rear element's design (maybe the macro function) doesn't work with any speedbooster. Btw, I read that you can use a "slim md to ef adapter" with an ef speedbooster and get infinity focus. I still think that lens won't work but other MD lenses might. The Minolta MD 24-35mm and 24-50mm are a set of primes in a zoom. I like the 24-35mm better because it is tiny and faster. I think it was a really old article on Lens Bubbles blog. I tend to doubt it but the guy did have photographic proof.

Also remember to use a strap, keep it taut with your elbows to your side and turn your waist not your arms. It's a good ab workout too.

I have that lens and it's awesome. But I can't use it on my 5D3 and you can't use it on a speedbooster... so unless I go Sony FF, it kind of lies in limbo land. I love Minolta lenses but going forward, I have decided that almost any lens I buy needs to adapt to every camera I own. This also keeps me from buying dozens of new lenses to try. Because... seriously I would.

I haven't bought one yet, but that Tokina/Angenieux lens is on my list. I am so happy with my Tokina 24-40mm and its sister the 35-70mm, I may never end up getting one. However, I do remember I didn't love the 24-40mm on Panasonic cameras. I tested it with the G7 and GX85 and it was meh. On Canons and Nikons, it shines. I am on the lookout for a fast 35-70mm for the 5D3. The Nikkor f/3.5 is probably the way I'll go but I am looking for something entirely different for a one lens solution for an upcoming short.

Pretty good video, thanks. That's pretty much how I expose. Of course he recommends using a light meter, but I'm a little too lazy for that, but with trial and error, I can find how the in camera meter works corresponds with a waveform. I never saw any of this guy's videos, but they seem like a great resource. I think we should probably get Andrew's approval to use EOS HD in the title, so maybe something as simple as Back2Basics Short Film Challenge. But since it was @mat33 's idea, I'll concede that decision to him. Another point up for discussion... do we make it a rule that you can only use one lens? Now if you want more freedom, you can use a zoom, or you can really challenge yourself with a single Prime.

Definitely, but just to be clear, I do actually work on films. I know I'm on here a lot but I've been shooting a film on the 5D3 since April. My problem is I do have GAS and I want more than one camera. So this idea to go old school, as they say, is my way to stop testing every other camera and work on multiple projects... my more "serious" shorts with the 5D3 and some, for lack of better word, impromptu video/shorts with a GH2. My hands are pretty damn shaky after a pack a day and a few cups of coffee, so I think I am going to go with a Monopod and a mini slider. Of course, last winter, I had some pretty good results with my Benro Monopod, collapsed with the feet open and pressed against my chest. So maybe some kind of shoulder/chest stock will work well, but I'd like to keep the footprint as tiny as possible... Any ideas?

Yeah the 50mm f/2 is a special lens. So sharp. Love the look of that 85mm in the first shot.

Sure that sounds good and should we include that if anyone else wants to join, then they at least have to shoot in 1080p? Or do we want to limit this to GH1/GH2/GH3? Yeah, the 5D3 is just like nothing else I've ever used and it's probably the easiest camera to shoot with and grade. The conversion process can be a little tedious but there are ways around that now. I hope the GH2 is all I think it will be. If not, it's my own fault and I'll have to work on those things I feel are lacking.

Live action or animated?

I think what's really interesting about it is that it seems like a comic strip. So keep making them and keep them short. Maybe try and get one out every few weeks or a month. And then I guess spread them across the internet. Post them on Facebook and Twitter and YouTube and Instagram along with Vimeo. I assume there is a huge following for 2D animation, so I would assume you can get it seen, if you find your audience. Hell Adult Swim may have some type of Forum or comment section, at least a Facebook page. Post a link there. Either way, nice work and keep at it, I look forward to the next installation. If you go forward with it.

Honestly at first I was put off by the simplicity of the animation but after 30 seconds or so, the rhythm of the back and forth banter sucked me in and I appreciated the basic animation. I understand your point about voice actors, but don't sell your work short. Obviously you wouldn't be doing it if you didn't believe in it. So own it and be proud of it. Also, there are plenty of beginner voice actors that would work for free and if you sell your intentions with pride, they'll be happy to jump onboard. Remember, most people lack creativity... even people pursuing creative endeavors, and when they see quirky work, they believe it's very artistic and want to be a part of it. Use that... exploit the shit out of your quirkiness. I've never done any animation, so out of curiosity... how long did it take to produce? Are you planning on entering it in any contests?