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Posts posted by Jimmy
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There are a few shots in the "Forest" clip that are plain beautiful, especially the CU of her hands touching the plants.
Exciting camera.
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Lame, yes... But it is intriguing that they are still working on this product.
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Yeah... resolution is the stumbling block.... I have heard the Sony 4k phone helps, but think 4k per eye will be the real breakthrough point.
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13 minutes ago, Cinegain said:
Nothing special about it. You can pick up a RED Epic Dragon or Scarlet Dragon without much problem besides funding.
They are not full frame
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I mean actually available.
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btw - neither RED or Arri have full frame cameras
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I am starting to get more and more involved in VR and 360 work and have been running a few tests on Oculus and Samsung Gear.... Really cool tech that I will talk about soon in another post, with regard to VR narrative work.
What I wanted to discuss here though is the ability to watch 2D video within the VR theatres in Oculus Cinema.... At first I was sceptical, but it really is like viewing a film in a real theatre (or a theatre on the moon, or a theatre for ants!).
The sense of scale is unique and really effective. The way the light from the film changes the theatre just adds to the feeling. I think this will soon be a bone fide way to start testing your movies for theatre release and could be a really simple way to get test audiences for your film.
As with all things VR, explaining, showing videos etc just doesn't do it justice.... If you can get hold of a Gear VR or Oculus, be sure to check it out... It is stunning and sure to play a big part in the future of film consumption.
I found this video below that gives quite a good glimpse into how it all works... But really, you need to try this out for yourself... Exciting times!
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I found the 2K on MX is about as good as 5DII, in terms of resolution.... No amount of post can sharpen it to a reasonable level. The lack of detail, coupled with the poor ISO put me off ever buying one...
I have not used Dragon yet... But I would look closely at an FS700/O7Q combo before buying an MX based camera... Better low light, better HFR (4K/120fps, non windowed), better on-board sound, NDs, ProRes and much lighter, even with the Odyssey.
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1 hour ago, Ebrahim Saadawi said:
HDMI supports 14bit, actually up to 30bit. but only in ''video'' form, not RAW. hdmi cannot output a raw signal in anyway.
This is what I thought and Dan Chung was clearly thinking too.... I would bet that the raw model will have HD-SDI, but the guy was struggling for the right term to use.
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Listen to this at about the 4:40 minute point, he talks about 14 bit raw output via hdmi.... Of course, you would need a raw recorder, which makes it more chunky than the X5R, interesting. non the less:
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4 hours ago, Cinegain said:
Wouldn't people just buy the Terra 6 or 5K for less and get some add-ons themselves? I think that should come out around that price or even less for something new or what am I missing here?
This is available now
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Looking forward to seeing the raw output too.... This update is a a great reflection on Sony's way of doing things, well done!
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That scarlet kit is barebones.... isn't the raven kit a similar price? You'll need more media and power, possibly evf?
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Skin tones on the right are a bit grey ... could be the Sony or the new colour science on the 1dxii
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If I were an actor, i think that monstrosity would actually put me off. Amazing that all the REDusers are swooning over it. No wonder Arri still dominate
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Hopefully they are waiting for a really popular camera like the 5D iv
Not sure there are enough people buying something like the 80D who would go looking for ML
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I think the 4K 60p on the 1DXii gives alot of hope for 4K 30p on the 5Div... It is a nice, clear product separator
Without c-log though, i'll likely buy neither, unless ML can get something going.
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You can't go out of range with a DJI, if you try, it will just go into "return to home" mode (though bad GPS can affect this, i think being in ATTI mode does too, can't remember now). I think the range is about 2km and yea, you get a wireless feed to a monitor. You can get add ons so that you can see distance, height etc on your screen.
I think the phantom could potentially kill someone, if it dropped from 100m+ high, but it is unlikely... the bigger danger is from the rotors/blades, even the plastic ones on the Phantom... they are sharp and very fast.
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3 hours ago, Laurier said:
Yeah , but If you had the budget to go do a shooting on a glacier, you should probably rent/buy something like a c300 mk2 that is weather sealed with pro camera functions and internal ND. Because I don t think you want to go shoot a space where everything is white without zebra and peaking and on a 8 bits codec.
Then I would need a stills camera too.
Why can't people grasp that everyone's needs are different and there is no perfect camera for every single job?
New Canon 1DX Mkii Footage
In: Cameras
Posted
Care to point out these big flaws... I'm just seeing a nice image.