enny

Hi guys what is your thoughts on Production Camera 4K compare to others ursa mini red mx gh4 ect.

Some questions

1 Is camera still supported by BM?

2 It comes in PL and EF mount can other adapters be used like CY mount on EF and PL.

3 you can get ursa mini 4k for same price of price Production Camera 4K EF what am missing here just update and support of ursa mini.

Thanks guys

My dream camera is one i can afford

9 hours ago, Jimmy said:

For those with a VR device:

 

that was really gay i was more entertained and scared with normal trailer

Here is the thing can you grade on consumer monitor sure you can will it be accurate sure it will not. There is no cheap pro way to color grade. But to get really close here is my setup. Davinci + decklink mini to dell u2410 via HDMI with i1pro probe then i use free DisplayCAL to calibrate resolve viewer in resolve while using my monitor internal factory settings and it gets me dam close to accuracy. DisplayCAL i create 3d lut that is stored in to resolve viewer via software is this the right way not really but it gets me there.

This is my setup but any good monitor like dell u2410 and up like eizo nec calibrated will give you nice starter accuracy

One of the best specially Nazi one, matrix, aliens. kill bill, hell boy, The professional

Unless porn industry takes and runs with it will be gone like 3d film or connect . not interested in VR meh not really. I been listening to cg garage podcast some really good interview on vr. huge population has problems using it but to trow in a joke when it comes out i will be playing Euro Truck simulator  many  hours i shall cruised through the French countryside delivering my load

6 minutes ago, Laurier said:

You get 1 stop of transmission extra , you also get wider field of view , on the terra you get almost full frame on a super 35 sensor.

I get the TERRA Basic Pack with the focal reducer canon mount  and it going to cost me between 5500/6000 usd , because I did the pre order /  pay in Chinese currency and have it delivered in china it s a bit cheaper .  Otherwise the same package is close to 7000 usd I think.

 

So super 35 sensor is not really full frame? are there any other cameras out there that are full frame like red arr ect. And can you explain Dual Shutter: Rolling + Global vs Rolling and why did you pick one over other. I mean the benefits.

Thanks for help

20 hours ago, Laurier said:

With the red mx sensor you have a nice look/colors out of the camera , redcode is fantastic in term of data management honestly .

The red one can have a m42/nikon mount for cheap and you can get cheap glass. 

Consumer product are consumer product , today you have a lot for the money, but you still usually have poor codec / dynamic range / colors compared to even older equipement .

 

For still, is use a mamiya ZD , it s a 22 megapixel medium format camera , it s native iso 50, it s slower than any new dslr and it s 10 years old .

But it was more than 15k when released and and paid 2k for it couple of month ago, but in term of highlight handling / image quality / look it s just way better than any sub 3/4k usd camera on the market today.

But that thing is made to be use in pro environment , with flash/lighting equipment ect.

 

If you want something easy to use / fast and your clients are low budget , go with the consumer grade stuff , then upgrade regularly.

If you want to get higher clients invest in entry pro stuff, or second hand high end .

If you plan to shoot fashion / music video I would avoid the red mx and the scarlet because of the lack of 4k slow mo.

Personally I pre ordered a kinefinity terra 5k , with the speedbooster you get T2 zoom and the vistavision look on a native iso 800 camera . raw/pro res and 4k 100 fps .

Tera 5K with soeedbooster i know what speedbooster does but what is the purpose on terra and did you purchase basic kit? and how much did you pay if you don't mind me asking

Hi guys thanks for all the info and posts. Did some hard thinking and decide not to go with MX because of weight and age. But decided to jump in to terra 5k just the options alone and anamorphic 4:3 slow mo in 4k at 100 and 200 at 2k is dam tempting plus i hear they have dam good support and regular update. I will just wait till Jan next year not in a hurry and see all the tests and reviews when it comes out. Plus red camera price should go down a bit when terra comes out.

22 minutes ago, Jimmy said:

That scarlet kit is barebones.... isn't the raven kit a similar price? You'll need more media and power, possibly evf?

yeah scarlet is bare bone but small factor is nice, but mx comes fully loaded and with lens. And i am not sure is scarlet can shoot 120fps

Hi guys looking getting new camera 4k and i am looking at ursa 4k or 4.6 but buying it in Canada will cost me 7k plus other accessories will add up. But i can also go with MX fully loaded with one prime PL red lens 50mm for 10k or scarlet x for 9500 but no lens. I am looking for 7 years camera what would you guys do. i am also planing to rent prime lenses from project to project mostly personal projects

Red Scarlet

RED Scarlet MX - 250 hours - EXCELLENT CONDITION
2 REDVOLT batteries
1 x 64gb SSD Card (REDMAG)
5'' RED touch screen
pelican case
all other cables and accessories you'd expect with the above

And Red one MX

RED ONE MX Serial#0127
RED EVF
RED LCD
RED Power Supply Serial#098681
RED Battery Charger w/ (4) Batteries Serial#00319-4
RED Compact Flash 8GB Cards (x6)
RED Compact Flash 16GB Cards (x5)
RED Drive 320GB
Redrock Micro Mattebox 3 Stage Filter Tray for 19mm Rods
Element Technica Breakout Box
Allstar A-Mount with 6 Nikon to A-Mount adapters
Allstar PL Mount to A-Mount adapter
RED PL Mount
Pelican 1610 Case w/ foam (x2)
Base Production Pack:
The Base Production Pack includes:
(1) Universal Mount
(1) RED handle (Right)
(1) RED Bottom Plate
(1) Shoulder Dovetail
(1) Top Mount
(1) Top Handle
(1) RED Cradle (including Battery Plate)
(2) 18'' Steel Rods
(2) 12" Steel Rods

3 hours ago, Michal Gajdoš said:

 

why was it so bad for you ? It's a comic book movie, i expected humor, action and a bit entertaining plot (not very complicated). What I got for nice story, pleasant natural jokes, great action scenes that were done realistically. I was happy it was fun . 

because its same old shit man  it was fun at beginning but when you keep Regurgitatig same shit its gets old and not interesting. I am big comic book collector i have over 11k comic books been collecting since 92. In my opinion Hell boy 1 and 2 blade 1 and 2 and avengers since i love VFX evrything else its meh

I am watching civil war as we speak they could have use every camera on earth and could not have saved this crap it suck big doneky cook

good for studios i dont have million dollars so they can make as many as they like, plus Civil War movie will suck fat one Revenant was awesome they also used iphone 5 in one of the scenes can you guess which one?

http://www.provideocoalition.com/Anamorphic+URSA+Mini+NAB+2016

i will never watch 3d film why because it takes me out of the film it ruins color and some of them you have to put glasses on then take them off

Shrek say noooooooooooooooooooooooooooooooooooooo

Hi guys i shoot a music video for no money no budget done in 7 H on BMPCC with 24 mm Yashica Ml lens 2.8 and few lights. Pro Res HQ. it was a good learning experience.

Hope you like it any comets welcome

On 4/16/2016 at 7:05 PM, DBounce said:

Armen, why is it soooo dark looking? I seldom see bright lively footage from Blackmagic cameras.

Dark?  I think it look good probably used ND filter since its outside on sunny day plus film emulation. But to blame camera . Maybe he should have use best camera in the world (CAMERA NAME HERE PLEASE) instead of BMPCC. Yeah Armen why are you not using best camera in the world instead of BMPCC

if you are in it for the money and fame you are doing it wrong

Lets see camera spec then first used in the field and then some, before asking for money

For 29.99 you guys can have this bad boy

4 hours ago, Axel said:

OS? NLE?

osx maverick premiere with apple prores codec 422 installed

thanks

3 hours ago, Geoff CB said:

Start with vimeo 1080p preset then:

Export in 1440p CBR at 90 mbps for 1080p

On 4K export 120 mbps CBR.

 

This is a 1080p that I upscaled to 1440p for vimeo.

 

Just to be clear 2,560 x 1,440p oh and really nice video nicely done

What is the best export for vimeo out of premiere pro I read some people export 2k files size where original was HD so when vimeo does its compression it keep more quality. I seen some vimeo where picture is dam good and some dam bad both shoot in HD there are so many opinions out there on exporting for vimeo. Even premiere has preset for vimeo but quality is ok. What do you guys do to get best quality out for vimeo.

Thanks

Hi guys i just finished mysuc video and would like to delete all the files for next one o create space on HD My question whit is the best option to export best quality for Archiving purposes since i will not have original source files any more do you export QuickTime uncompressed or h264 HQ 422 what do you guys do in this situation

Thanks

5 hours ago, Germy1979 said:

For real.  It turned into another pissing contest on a forum again.  

ahhhhhhhhhh ok i am out