enny

What i decided is to stay away from red mx since its dam big to handle but to get BMCC 2.5k with speedboster that ialredy have with my yashica ml prime lenses 2.8 this will give me close to s35mm plus 2.5k resolution. I believe this to be good choice for me.

Thanks again much apriciated

Hi there thanks for that info to answer some of you guestions I have comp that handle raw I already have  bmpcc with set of yashica ml prime lenses 2.8 old ones no auto manual. I am looking for bit  more resolution and something closer to s35 thanks 

I am looking for new camera that shoots RAW for personal projects and some vfx work all personal projects until i can start looking for clients with the work that i have. I was looking at used red mx cameras but downside is its heavy and old and not support but still shoots great 4k images my fear is the size plus renting PL lenses all round 4-5k for full package. I was also looking at BMCC 2.5k i can get ready to shoot for less then 2k plus  full resolve.

Iam leaning toward BMPCC 2.5k i have Contax Yashica Lens to Micro Four Thirds Speed Booster do i get MFT or EF for my speedboster to work on 2.5 black magic and when adding speedboster what would be the crop size? how close to super 35.

I mean do i need to have pro camera like red or do i have to shoot 4k at all to get pro looking images is 2.5 enough and is BMCC still good camera

My budget is around 4k Canadian what would you guys do.

I am actually looking to buy one tonight so looking for lots of opinions

Thanks guys

Hi guys thanks for reply i have few more questions.

I am leaning toward BMPCC 2.5k i have Contax Yashica Lens to Micro Four Thirds Speed Booster do i get MFT or EF for my speedboster to work on 2.5 black magic and when adding speedboster what would be the crop size? how close to super 35.

Thanks guys

On 8/30/2016 at 4:18 PM, Mattias Burling said:

Bo its ok. Ive hade more annoying cameras than that.

Yes you can.

What do yo think about bmpcc 2.5 with speed booster

1 hour ago, Mattias Burling said:

No problems with C/Y on the EF.

Dont have the Red any more. Pretty sad about it, its the nicest s35 image I know.

is it difficult to use for one person? and can you record slow motion on CF cards or just red mag

Thanks guys for that more questions.:) i have Yashica CY lenses can i use them with a adapteron EF mount would there be any distance issues between lens and camera.

9 hours ago, Mattias Burling said:

Its done as in recorded and ready. Just never seem to have time to edit and do the voice over.
But yes. Its a very good camera. I would say its for those that want a C300ii or FS7 but cant afford it.
Or because you want one of the many LS300 features those two camera don't have.

How is that red mx treating you any issues so far?

Is bmcc 4k still good camera for personal projects controlled shoots nothing dark. Any big issues that i should be aware of. and i have metabone speedbooster that i use on BMPCC can CY speedbooster be used on 4k at all?

Thanks guys

you money is gone live and learn dude. I bought and sold few items via western union hate pay pal and their fees but for me to buy and sell i reassure seller its me and it will be send by chatting on Skype so they can see my face showing the sold item, they can see my drivers license phone (no number no address) and and my city so if i scam them they have my full name and city i live in and same thing when i buy i will not send money till we skype i see passport or drivers license with current electric bill or mail which fake are not easy to provide at face to face skype at that moment never head a problem. And i record entire skype info video ect just in case never head any problems. And i send over 2k via western union and sold some expensive items

i got 2 27 dell and i could not be happy

homeless guy at end dam sad man whilke other own bazilion dollars IN USA this guy wants to sleep in nice home

I love the old asian guys he comes back lol

guy  at 3:9 min in  on the phone is young Ray Romano

i just ordered 3 of them

On 5/20/2016 at 10:12 AM, mercer said:

I liked the feel of the video and the romantic way you captured the subject, but I think it could have been nice to see the band playing in the background, as street performers, as you followed your subjects. With that being said... It still is quite beautiful and successful as is.

can i take this idea?

nice work man

BMW over priced dime a dozen and amount of dushbagery in that car is unbelievable (talking bout college guys) specially with ricer exhaust thinking they can intimidate me in my 2004 530 Horsepower Terminator Cobra until they get real sound of muscle car. Then they ask what car is that. I only get this dushbagery with BMW owners

But what M Carter said right on the money

Hi guys what is your thoughts on Production Camera 4K compare to others ursa mini red mx gh4 ect.

Some questions

1 Is camera still supported by BM?

2 It comes in PL and EF mount can other adapters be used like CY mount on EF and PL.

3 you can get ursa mini 4k for same price of price Production Camera 4K EF what am missing here just update and support of ursa mini.

Thanks guys

My dream camera is one i can afford

9 hours ago, Jimmy said:

For those with a VR device:

 

that was really gay i was more entertained and scared with normal trailer

Here is the thing can you grade on consumer monitor sure you can will it be accurate sure it will not. There is no cheap pro way to color grade. But to get really close here is my setup. Davinci + decklink mini to dell u2410 via HDMI with i1pro probe then i use free DisplayCAL to calibrate resolve viewer in resolve while using my monitor internal factory settings and it gets me dam close to accuracy. DisplayCAL i create 3d lut that is stored in to resolve viewer via software is this the right way not really but it gets me there.

This is my setup but any good monitor like dell u2410 and up like eizo nec calibrated will give you nice starter accuracy

One of the best specially Nazi one, matrix, aliens. kill bill, hell boy, The professional

Unless porn industry takes and runs with it will be gone like 3d film or connect . not interested in VR meh not really. I been listening to cg garage podcast some really good interview on vr. huge population has problems using it but to trow in a joke when it comes out i will be playing Euro Truck simulator  many  hours i shall cruised through the French countryside delivering my load

6 minutes ago, Laurier said:

You get 1 stop of transmission extra , you also get wider field of view , on the terra you get almost full frame on a super 35 sensor.

I get the TERRA Basic Pack with the focal reducer canon mount  and it going to cost me between 5500/6000 usd , because I did the pre order /  pay in Chinese currency and have it delivered in china it s a bit cheaper .  Otherwise the same package is close to 7000 usd I think.

 

So super 35 sensor is not really full frame? are there any other cameras out there that are full frame like red arr ect. And can you explain Dual Shutter: Rolling + Global vs Rolling and why did you pick one over other. I mean the benefits.

Thanks for help

20 hours ago, Laurier said:

With the red mx sensor you have a nice look/colors out of the camera , redcode is fantastic in term of data management honestly .

The red one can have a m42/nikon mount for cheap and you can get cheap glass. 

Consumer product are consumer product , today you have a lot for the money, but you still usually have poor codec / dynamic range / colors compared to even older equipement .

 

For still, is use a mamiya ZD , it s a 22 megapixel medium format camera , it s native iso 50, it s slower than any new dslr and it s 10 years old .

But it was more than 15k when released and and paid 2k for it couple of month ago, but in term of highlight handling / image quality / look it s just way better than any sub 3/4k usd camera on the market today.

But that thing is made to be use in pro environment , with flash/lighting equipment ect.

 

If you want something easy to use / fast and your clients are low budget , go with the consumer grade stuff , then upgrade regularly.

If you want to get higher clients invest in entry pro stuff, or second hand high end .

If you plan to shoot fashion / music video I would avoid the red mx and the scarlet because of the lack of 4k slow mo.

Personally I pre ordered a kinefinity terra 5k , with the speedbooster you get T2 zoom and the vistavision look on a native iso 800 camera . raw/pro res and 4k 100 fps .

Tera 5K with soeedbooster i know what speedbooster does but what is the purpose on terra and did you purchase basic kit? and how much did you pay if you don't mind me asking

Hi guys thanks for all the info and posts. Did some hard thinking and decide not to go with MX because of weight and age. But decided to jump in to terra 5k just the options alone and anamorphic 4:3 slow mo in 4k at 100 and 200 at 2k is dam tempting plus i hear they have dam good support and regular update. I will just wait till Jan next year not in a hurry and see all the tests and reviews when it comes out. Plus red camera price should go down a bit when terra comes out.

22 minutes ago, Jimmy said:

That scarlet kit is barebones.... isn't the raven kit a similar price? You'll need more media and power, possibly evf?

yeah scarlet is bare bone but small factor is nice, but mx comes fully loaded and with lens. And i am not sure is scarlet can shoot 120fps

Hi guys looking getting new camera 4k and i am looking at ursa 4k or 4.6 but buying it in Canada will cost me 7k plus other accessories will add up. But i can also go with MX fully loaded with one prime PL red lens 50mm for 10k or scarlet x for 9500 but no lens. I am looking for 7 years camera what would you guys do. i am also planing to rent prime lenses from project to project mostly personal projects

Red Scarlet

RED Scarlet MX - 250 hours - EXCELLENT CONDITION
2 REDVOLT batteries
1 x 64gb SSD Card (REDMAG)
5'' RED touch screen
pelican case
all other cables and accessories you'd expect with the above

And Red one MX

RED ONE MX Serial#0127
RED EVF
RED LCD
RED Power Supply Serial#098681
RED Battery Charger w/ (4) Batteries Serial#00319-4
RED Compact Flash 8GB Cards (x6)
RED Compact Flash 16GB Cards (x5)
RED Drive 320GB
Redrock Micro Mattebox 3 Stage Filter Tray for 19mm Rods
Element Technica Breakout Box
Allstar A-Mount with 6 Nikon to A-Mount adapters
Allstar PL Mount to A-Mount adapter
RED PL Mount
Pelican 1610 Case w/ foam (x2)
Base Production Pack:
The Base Production Pack includes:
(1) Universal Mount
(1) RED handle (Right)
(1) RED Bottom Plate
(1) Shoulder Dovetail
(1) Top Mount
(1) Top Handle
(1) RED Cradle (including Battery Plate)
(2) 18'' Steel Rods
(2) 12" Steel Rods