Danyyyel

You might have a winner with the bigger mount for ibis, that could be why they choose a bigger mount so that the sensor can move a bit more.

That's not knowing Nikon and in its history. They take pride in there lens design and heritage and they consider them foremost as an optical company. They don't want you to adapt Sony or whatever company lens, they want their native lens on their camera. The worst thing is that they have already adapter for the Nikon fmount and you to use their lens or to a lesser extent Nikon mount compatible lens. If the adapter is good, it might be better in some way as you could adapt 50+ years of Nikon glass at worst for them all the zeiss, tamron, tokina sigma lens that can use their advance metering and auto focus. I have been a bit disappointed by Nikon video feature that I am a bit dubious. My benchmark would be a Nikon D850 level video spec. So no 10 bit and log profile. But I guess a very good autofocus, peaking etc will give a very good all rounder, with very good 4k and 1080p, with great low light (even better with the 24 megapixel model) and above all else Nikon colours. In overall a very very good photo/video hybrid camera but spec sheet wise not the top of the line.

In fact the big lens mount might be to put this camera in a league of its own, not the technology of the camera but the lens. As many are suggesting on Nikon Rumors is that the teaser is hitting about very very good low light capability and not about the camera itself but the lens capabilities it will give Nikon like these 0.9 and 1.2 lens patent. https://nikonrumors.com/2017/09/07/new-nikon-patents-nikkor-52mm-f0-9-and-36mm-f1-2-full-frame-mirrorless-lenses.aspx/

Latest updated rumors https://nikonrumors.com/2018/07/09/additional-nikon-mirrorless-full-frame-camera-specifications-af-and-more.aspx/ Over 400 AF points, not sure about the exact number, it should be somewhere between 430-450. The AF is supposed to be very fast. The rear LCD screen is tiltable just like the Nikon D850. There is a second LCD screen on the top of the camera (just like the Fuji X-H1 pictured above) My understanding is that there is only one selection wheel on top of the camera. The camera's "prism" with the EVF is a bit less angular/smoother when compared to the Sony a7. I can now confirm that the new 24-70 mirrorless full frame kit lens will indeed be f/4. I see 8K listed in the technical specifications, but it is hard for me to get the translation - I don't think it's for video, maybe 8K time-lapse just like the D850? The new Nikon mirrorless camera will have a nice finish and a very comfortable grip. The overall handling/feeling is supposed to be excellent - this is coming from somebody who is/has tested the camera. Most likely no built-in flash. The promo materials should include dancers. Potential names: Z300 and Z500 (not confirmed at all, could be just a guess).

I was thinking it would be at Photokina in sep/oct this year. As a Nikon shooter, I don't care that much anymore, I will get the BMPCC4k to complement my Nikon photo gear. If they come with some killer apsc hybrid, with some great auto-focus I will consider it to complement the rest.

People always take some CEO or sales person word for granted. Do you think that such a company is only now looking at who is going to manufacturer in six month when they must have started the design at least a year ago, more so when they already announced the delivery date and price. I am sure they already have half a dozen manufacturers with at least quotes and availability manufacturing capacity on the table. My only concern is that they chose to go to some new (at least to BMD) material, that could cause some problem, they also have 5+ years of camera manufacturing behind them now.

You have been very dismissive of that camera until now, I remember you talking about the motion cadence not being good, perhaps we got the answer with the stolen footage, that the camera is not final by all means (dropping frames etc) and better wait to make any conclusion. In the end, I don't see them dishing any of the spec features, some spec might miss some target, like the DR might be 12.5 rather than 13 for example. But what reassures me most is the Sony chip, these are very mature tech, i don't think we will have like balck sun, fpn etc.

I will just play with some png, a normal grade

Too big for me Thanks anyway for sharing it

These bloggers have zero journalist skill, they keep asking 10 times the same question, if you are not the first on a news, take your time and try to ask different question or even if you can't record from the camera you have a big 5 inch display that you can zoom in. Take that fucking camera and comment at least what you are seeing. Take for example rolling shutter, I mean it is so easy to pan right left and have at leat an impression about rolling shutter, but until now zero. I don't know if he is an actor or what, it is as if he is chocking, when asking the price at least 3 times, as if the whole world didn't know it two days before.

So go back to your science, in the artistic world 1+1 doesn't necessarily make 2. By the way raw or even prores in 4k camera was unheard of in 99.9% of pro camera 5-10 years ago.

I think speculation are off the chart, this clearly doesn't seems to be the same sensor tech used by BM since now. Them advertising +1600 ISO is a massive change from their camera before this one. Many thing points at a Sony sensor and we know what we can expect a bit from Sony sensor's and it would be much better that what was the case from previous BM cameras. So I say, better wait before applying some general rule to previous BM cams and workflows. Playing with the file, nice

So he faked the shot of the audience from the external drive that he ingested and played back on Davinci. There are tens of videos now from the camera at the show with at least live view, why you don't go there and find out those liars Mr Sherlock.

I would not say that until it has a Canon or at least a Sony phaze detect autofocus and I would add a lighter long gop codec. Not everyone will want 100's gig of data and continually manual focusing. But for filmmakers and docu it will trash anything around its price range.

We should perhaps lobby them to put a hole for a locking pin, its too annoying whenworking with Dslr and it is always twisting, and they do listen to customers.

Someone should do a 5 inch loupe like DSLR days, with a 5 inch 1080p screen it would be better than a lot of evf and give another contact point.

Do we know if the HD is full sensor or windowed, because it seems in the Cinema interview he implied it was windowed. The second thing is that I find no mention of 120 fps Hd, but I think he mentioned it in the Cinema5d interview. Hopefully people attenting NAB can tell us about quality of the screen and lastly does it have autofocus. But still it is WOW WOW WOW

It amuses me when someone just correlate cinematic to 4k. I mean there are so many other factors like DR. frame rate, lighting etc which are so much more important when you have at least good 1080p.

Yes, at least a micro 4/3 sensor, with much better low light even better DR, audio, monitor, etc, would valid an increase to dslr size model for me.

Firstly it is the consumer base dslr that have had the most difficulty since 2012 because of the advent of the mobile phone, the prosumer and pro cameras market has mostly remained the same. Secondly why do all the chevrolet, honda, renault, peugeot or even mercedes and a plethora of consumer based car manufacturers are investing billions in sport racing. Because they know the image impact that it projects to the consumer who will never drive some indy car or Formula 1 performance car. It is the same for photography and a lot of other domain like sport, who needs some costly Kobe or Jordan shoes or that super light carbon fiber tennis racket used by Federer. It a perception that brand use by pro's are better because they are used in difficult situation or environment. You cannot go wrong with the camera brand that went to space or war.

No pros are people like me who have to spend 4 to 12 hours holding a camera. Believe me it can get quite painful if you don't have a good grip to hold your camera, more so that you will at least have a 24-70 most of the time on your camera. Secondly is we are actual human beings and muscle memory is going to be always faster than looking into endless menus, until someday we have brain controlled cameras.

yep miss it lol

Very nice camera for the price but one thing not covered in his video, which that so visible, I got my confirmation at 12.40, the ugly yellow/green zombie skin tone, it was an evidence when you look at the colour on both side of the face.

I think the most complete review for now, very very nice camera for the price but the dreaded yellow zombie skin tone is very visible for me.

The difference I think is not being mirrorless but having pdaf on the sensor, which the Sony have while the Pana don't. I remember Nikon saying that they would not use on sensor pdaf oon its Dslr because it could create artifact and that they were not prepared to do any compromise on image quality. I thought it was BS, now I am more incline to believe them. But I still think they will use it in their future mirrorless cameras.