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Posts posted by Dan Wake
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On 1/18/2022 at 6:51 AM, billdoubleu said:
I've always wanted a Blackmagic camera, but the lack of IBIS is the main gotcha for me and my use case. I also wish they put the tilt screen on the 4k from the jump. Better yet, in my opinion, Blackmagic are in the best spot to pioneer a detachable screen you could mount anywhere. You're already providing a large, high quality screen. Just give me a cable and let me mount it wherever the fuck I want! I don't know that the big boy companies could pull that off, but BM has right clientele for it.
I think for the price they're going for on ebay I would rather buy a Sigma fp. The two are neck-and-neck on the used market. I don't know if the fp gets the love it deserves. It was a bold move on Sigma's part. But, hell, by the end of the year Blackmagic may be the only company left selling affordable cameras with a high quality image. Might as well get on board now.
Same for me. If they can make a new model with IBIS I'm very likely sold for it
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Hi, I remember about 10 years ago I was following a marvellous photographer who were shooting in anamorphic. He was doing street photography, expecialyl night time, the location was China or maybe Japan. Can you help to remember his name? Thx
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Hi, I'm still shooting with my old Canon 7D, and I'm looking for a new buy.
Does exist a camera with those features under 1k euros?
feature list: the camera don't overheat; at least "apsc size" sensor; the video is stabilized, zero colored moiré effect; compatible with vintage lenses; having a good codec able to recover darker areas in post producion (good for color grading).
which is it the price for such a camera?
thx for your attention
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2 hours ago, noone said:
In a word, NO.
There ARE a lot of APSC cameras now that are much better than they used to be.
What zooms are you going to be using? Why the need for f5, dof? 2.8 would bring a lot more cameras into play (meaning you might only need a usable 12800 or so).
In a pinch how about a Sony APSC camera with a fast prime used as zoom (clearzoom). Not perfect but it works ok.
Hi thx for help. I need f5.6 because I needs to use zoom lenses as for example 28 - 300mm.
For the majority of the shots I just needs to get closer to the subject from the distance with a tele (that’s why apsc). And the quality must be very good during bad lit places during night.I need it for documentaries
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Does exist a super 35mm /apsc camera that have very good low light iso (similar to sony a7s2) and good internal stabilization? Thx
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On 8/17/2020 at 5:32 AM, IronFilm said:
24,000 ISO is kinda getting ridiculous for most purposes, what do you need it for? Why not just use T0.95 lenses then you could get a Panasonic G9/GH5 for sub US$1K?
Because I need to use zoom lenses during night. Those lenses are tipically dark like f5
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Read this please https://www.reddit.com/r/FilmicPro/comments/a4n22h/is_the_log_on_filmic_pro_fake/
basically says it’s impossible to have log on ios devices.
question: does it works like that also for android devices? -
Hi, how many money I need to buy a camera with those characteristics?
An effective internal stabilization; very very clean high iso up to 24000 and possibly more, flat profile and good for color.
Compatibility with cheap but good zoom lenses
thx
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5 hours ago, scotchtape said:
Don't do it, unless it's an experiment. Just stick with the approved media unless you want headaches.
IF you do do the experiment, let us know what happens (dropped frames etc).
But the whole thing about this camera I thought it was about be able to shoot HQ RAW video on the budget. A guy told me that the approved media storages are damn expensive.
There is no way to buy cheap storage that works very well for this camera?
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Which limitations does the blackmagic pocket cinema camera 4k and 6k have on basic SSD? I mean those “cheap” SSD we can find on amazon made for computers.
Does the cameras (both 4K and 6k) record at any bitrate and format on those commercial PC SSD?
thx
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Thx for reply. Which is it the best workflow for creating proxy after shooting footage today?
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1 hour ago, leslie said:
as far as i'm aware your editor has to generate them. i know resolve can generate proxies, i have seen it in a menu somewhere. Pretty sure my p4k cant and i'm pretty sure i have played with most of the settings available. Personally i think that would have to be some type of gun camera to record two separate video streams at once but maybe some one out there can prove me wrong. It wouldn't be the first time . i know stills camera can take a raw and jpg at the same time. but i think video with its 24 frames per second is a different kettle of fish compared to stills
Read here https://www.manualslib.com/manual/994675/Canon-Eos-C300-Mark-Ii.html?page=111
Nobody here use camera proxy workflow instead than process all the footage to create proxy after shooting? Isn’t it a huge waste of time?
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1 hour ago, Adam Kuźniar said:
Computational Photography is the future whether we like it or not
Why they are the future?
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Hi, which cameras give us the simultaneous recording of proxy clips? And are those clips useful to smooth the edit workflow for people who use proxy to edit large files as raw format for example? Or do you need to manually create proxy files anyway when you have to start editing?
Thx
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thx for help I solven in another way
I opened the same exact xml in Adobe audition and this problem were not there.... mah
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45 minutes ago, BrunoCH said:
- feature 4 ("All the tracks must have a safety backup track recorded to tot. -db to prevent clipping") is absolutely useless with good preamps and an analog limiter like on MixPre series.
- All features with MixPre 10T
- Only 4 preamps with MixPre 6 and limited timecode support.
- For feature 3 : A ambisonic plugin for MixPre 6 and 10T https://www.sounddevices.com/product/ambisonics-plugin/
- For feature 7, you need some wireless audio monitoring system like comtek.
thx, do you mean that the MixPre 10T can't make safety backup tracks? For my experience with limiters on the recorder I used I can notice when the limiter is pushin in. but with a safety track is all another story. I really wish to hear an example urgh
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38 minutes ago, sanveer said:
Wait foe the Zoom F6. It should tick all the boxes, and some more.
thx, is preamp noise level of the Zoom F6 > of the Zoom F8n? which is better?
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Hello,
I need to buy a new audio recorder can you suggest something with those features please?
1) It’s important I can custom names the files before starting recording, for example the name of the ciak scene, I mean all the info useful for people which will make the post production
2) I need to record 5 tracks with phantom power
3) I need full support for ambisonic audio
4) All the tracks must have a safety backup track recorded to tot. -db to prevent clipping
5) Very good low noise levels, way much better than another model I already own called Zoom H6 but is not enough. The new one must be so good that I can record room tones (I really need to record good quality room tones for work also).
6) Full timecode support
7) I need to send an audio monitor wireless to the script clerk
Low battery consume or offering good solutions for it
I prefere a recent model if possible
Thx!!!
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I went to this link I found in the news to take the firmware for free https://promotions.panasonic.co.uk/promotions/promotions/view_terms/299
but it ask me a redeem code. where can I find this code please?
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what is it the difference between DC-S1ME-K and DC-S1E-K? thx
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Thx so much @Anaconda_ I'll check it out!
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Hi, I have a Premiere project for a documentary. It's a long one about 130min. The video edit is done, I mean I have the final edit, but I need to insert the boompole audio in the the project. There are tons of audio files in a folder that I need to sincronise and I do not know where to start.
The only way I know is to manually syncronise each video clip by searching for the ciak volume click, so I need to enlarge every clip to find the ciack, manually synch than adjust the video clip as the original in the edit. This process may require a week but I have no time because I need to work at the audio edit (sound design and final mix). I have a short deadline.
So does exist a plugin built in premiere, or an external third party plug in that see the boompole audio folder and syncronise everythig for me?
thx a lot I'm really grateful if you may help me
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23 hours ago, kaylee said:
yes
this is really funny spot lol
I need help to remember the name of a photographer
In: Cameras
Posted
I have found him: https://www.flickr.com/photos/jamesyeung/page3