Emanuel

No idea why, you don't find anything better for such price range. Even for higher, I'd dare to state, follows this impression of mine : -)

Because at times people post stuff related to P6K in the other thread...

The best capture tool nowadays IMO as we all know LOL : -)

Very true. I can confirm I've reached you through private message to mention it and you've never told me to not do it. Point made. Censorship only hurts free information and legitimate users' interest. - E.

Unfair to say the least. Even because no one has ever blocked or refrained anyone to post here their content. I am a solid witness of this friendly EOSHD policy. - E : -)

Yeah, and I guess variable bitrate might also be helpful in order to overcome potential issues.

Still in the process. I'll open a thread on topic in the footage section : -)

https://www.cnet.com/news/sony-xperia-1-ii-review-for-phone-filmmakers-these-cameras-will-be-hard-to-beat/

Of course, this camera can be as much cinematic as any other with similar specs and from talented handling ; ) However, I've seen very promising combo this time. The same for their new smartphone BTW, except the 4/60p you can find on the Xperia 1 II sales they're somehow protecting to couple the rest of their cameras range, I guess. Or overheating may be sorta issue from such 1" sensor and compact package, I wonder. And how can we ever see some similar sensor size going along a smartphone with heat dissipation?

Ah Araldite, one of my first lovers...

Agreed, their 1 Mark II name is pretty nonsense, unless they plan to strongly bet on different series of same kind. Actually, they have it but their smartphones lineup is weak. What surprises me is how they are delivering great consumer tools for pro usage. A very good surprise indeed.

You know who will be your number one, correct? The accessory launch of the year IMO ; -)

https://www.gsmarena.com/sony_xperia_1_ii-review-2115p6.php Several sample tests there either on video or stills... Here's another one where softness is going mobile now BTW SOC works! ; )

So why are we, both of us, waiting for that new Samsung's 150-megapixel nonacell-based sensor? Because of no less driving a hybrid-cinematic-fisherman's tool to couple those terrific Android filmic apps, isn't? ; -)

Don't underrate this one, because that's a pretty milestone. Cinematic outcome going along affordable is not even anything new : ) Jurij, ain't you the guy claiming for 1" sensor smartphone side? Hard to follow you : -) Take a look on 5:33/5:34 minute and how they've improved their CS on this one: IMO it can work out as a perfect vlog/pocket camera BTW, kudos to Sony and their customers with full pixel readout and no pixel binning. To my taste, the beef looks like the absence of 4K/60p nobody seems to care... Now let's wait for DJI with the next Osmo Pocket ; -)

LOL Right : ) I mean the way their distinct CS contribution handles the output from : -)

Well, I'd just tend to disagree on that one anyway... : ) I immediately get when find the greenish Panny's sensor trace behind and my eyes don't "feel" the same from Aussies' footage ; -)

What's your input versus P6K BTW Dennis @deezid?

Some additional useful information here: https://www.youtube.com/watch?v=bfSRlszQxh0

Because they don't match the DSLR or DSLM/MILC/DMC concept or their market segment, I guess. The most funny is Panasonic has introduced the DC designation since GH5 at least, so a bit sorta media convergence today, I second the notice. Same here : ) Just posted half day ago how creative can end for hybrid use:

Indeed : ) And if Spielberg's Saving Private Ryan is typically the finest example for high shutter speed creative use from Janusz Kaminski's tip, Mel Gibson's Apocalypto (cinematographed by the Aussie Dean Semler) is the opposite for a 360 degree shutter or open shutter, that is, double motion blur when a video smear look ends as purpose. Just for our matter of taste on the basis of need, function and alike. Not everyone sees it in the same way, no matter what. We can't all share the same yellow colour in point of fact. a7RII release, as for instance, came along its slower shutter speed capability in video mode beyond the 360º shutter as a very special hybrid acquisition experiment tool as you wish (I am used to shoot both video and stills with my Blackmagic Pocket series in 2020). Here's Dan Chung's sample: https://indietips.com/shutter-speed-and-shutter-angle-explained/

I'd rather play with PotPlayer than with VLC... Just sayin' : ) Good tips above : -)