Emanuel

They simply rock — the best cinema camera manufacturer nowadays, IMHO. Their cameras work like a charm, and the user interface is not only intuitive, it’s truly one of a kind. Japanese menus are a shame: ugly and counterproductive as hell — enemies of the shooter. Apples to oranges compared to these effective tools. Tested AI... here's the result: Your description matches Blackmagic’s “signature” approach almost perfectly. What you said narrows it down a lot: “They simply rock — the best cinema camera manufacturer nowadays” That’s exactly the kind of praise Blackmagic gets from shooters who value workflow and usability over brand prestige. “the user interface is not only intuitive, it’s truly one of a kind” Blackmagic is one of the very few camera brands where the UI is widely described as exceptionally modern and cinema-first (big touchscreen logic, direct controls, minimal menu-diving). “Japanese menus are a shame: ugly and counterproductive” This is the classic comparison people make between Blackmagic vs the big Japanese manufacturers (Sony / Canon / Panasonic / Nikon), whose menu systems are often criticized as dense and overly technical. So I didn’t “know” with 100% certainty like I had a label in your sentence — I inferred it confidently because the exact UI contrast you described is basically the standard Blackmagic vs Japan menus argument shooters make. If you weren’t talking about Blackmagic and meant another brand (like RED, ARRI, even DJI on the UI side), tell me which one — but your wording fits Blackmagic better than almost anything else. Funny, isn't it? ; ) - EAG :- )

«As a Fuji user, that smooth autofocus on the BM6k makes me cry.» «I sold my X-H2s and all the lenses a few months ago to get BMD Cinema 6K, and I never looked back since.» source «The most significant thing about all this, as you pointed out in the video, is that Blackmagic is essentially giving autofocus to all of us who already bought their camera, instead of releasing a Blackmagic 6K Full Frame Pro with autofocus just to make us open our wallets again. They may be losing money in the short term, but in my view they are gaining in the long term, because the trust the brand inspires is truly remarkable.» source Disclaimer: Happy camper as Blackmagic shooter over here! Looks like I am not alone... - EAG :- )

The verbal diarrhea won’t stop. https://news.sky.com/story/trumps-extraordinary-letter-to-norway-about-greenland-in-full-and-fact-checked-13496272

Here is one. Hope this helps as much as I am pulling the trigger there too... - E.

From robot vacuum cleaners universe... go figure! 10-bit 1/1.3" 8K/4K 120fps on the smallest form factor nowadays... à la DJI Osmo Nano older brother: https://leaptic.dreametech.com/

You said mini laptop?

Here is one under €1000 mark.

2021? More than a decade later. Well, too late for me then... :- )

They’ll arrive at my Danish supplier by mid-January (next week for the adventure combo) and the end of the month (for the standard combo). That said, DJI deserves credit for cross-generation battery compatibility when not between distinct models such as the Action series and the new 360. It saves money, reduces clutter, and it’s a real factor in choices like Osmo 360 vs X5 and Action 6 vs Ace Pro 2/1 (all of them are great devices BTW). Let alone the single piece Osmo Pocket series is. I was into RED for a while, but the proprietary stuff eventually made me step back. - EAG

Yes, Andrew’s spot-on, and he’s still at it.

Ignore it today, it's stuck in the past. E. :- )

FX30 is more than just a cinema-line camera for people who are used to shooting with it. Those damn, counter-intuitive Japanese menus — so shooting-unfriendly (a PITA, and truly a shame; these guys have no notion of photography/filmmaking at all) — are the only thing I’ve got against it, and the only gripe I’ve ever collected. - EAG

Very true. And here's another one: At same time, I am buying all of them... Pocket 3, Osmo 360, Nano and Action 6 ; ) An all-star lineup ;- )