jbCinC_12

Thanks for the response. It does look clean, even on the 1080p DNxHD untouched clips. It's the Union Terminal in Cincinnati - shot in a late midday. I used both the Panny kit lens and the Canon EF portrait lens. The kit lens I shot the facade, and the Canon some in the interior. I felt what I did was shot too dark with the ND filter I used. I may try other things via Resolve to get my image to pop, I'm just not confident in my overall clips I did - who knows I might change my mind. I hope to replace my old tripod for an AmazonBasics 67" with double handles. I would love to make a rig, and of course a slider. I too like to learn things in the independent film/video set, so I'm all in.

Wow, I'm jealous... just kidding. Really, these look really good. I wish I can master something like that, as I am getting used to mine. My settings were said profile untouched, while trying to set the right white balance. I don't mean to hijack, but I did some shots on CineD as well, tweeked with the color of Davnici Resolve and the end results. Two sets (before and after)

I say give it a try since you have the option of shooting in 4K and shooting 4K photo mode be it 4:3 (for anamorphic). I snag one which was on sale in the US, I wind up getting the German version (dmc-g70), and I like it so far. It was well worth the money.

Thanks for the clarification. If I want to record on my EOS-M, I would have to otherwise go on Magic Lantern, which I may, or get a Sony a6000.

Does it have to have a clean HDMI output, or can it work with regular HDMI out of the box?

Nice shots you did there. I too have a Canon EOS-M, and had tried the ML 2 years ago, and I couldn't for the life of me wrap my head around the process of doing the raw. I still like the camera though, despite it's cumbersome (IMO) correcting on h.264

I felt the same way too, even on my Dell Inspiron 660s -- now that they support OpenCL 1.2

So far, with the Beta 2, it seems to run smoothly (fingers crossed) on my end, it was slow in some parts, but I did played with editing (not fully) and grading, and a chance to render - even on Intel HD Graphics, 1GB physical memory with OpenCL 1.2, so who knows...

Thanks Julian, for that. I can't wait.

Quite interesting... even at the $299 price point. Question, would it work on a Sankor 16C lens? p.s.: ...and without the need of a diopter??? That would be a steal

I got mines by email as well. It's been told it's the alternative to AE. I tried HF2E when they offered it, and I concur with Andrew, it's really nice. "Also couldn't find a way to apply a LUT." Actually, they have starter pack, I think. http://hitfilm.com/store/hitfilm-3-express as per their Colorist Pack: Give your videos the professional look they deserve with advanced grading tools and support for cinematic LUT files. Learn more… Color vibranceA splash of intensity for your effects, or a vivid color tint for your videos.CurvesThe colorist’s essential tool, providing fine control over brightness and contrast with an intuitive graph interface.Grading TransferInstantly take the look from one video or image and apply it another. Want to replicate the look from your favorite movie? This is how.LUTInstantly create an evocative, distinctive cinematic look. ... Hope that Helps

​Wow, mercer. I can't wait to see it!

​ I too been wanting to get the a5100 after having both the Pany GF2 and Canon EOS-M, and heard so much about the XAVS-C codec. Maybe Sony Vegas would do the trick, Resolve - I don't know either.

As with the previous BMD Resolves, will it rely heavily on hardware and graphic cards use for example NVIDIA, to do editing/color correcting?

Quite interesting. I just now found out about it throug the NoFilmSchool site via Facebook. I can only imagine what it's competitors are thinking now (hint: Adobe)... Kinda wish that Resolve can work on my system.

I voted for your project, awaiting confirmation. Bonne chance!

Great, can't wait to see what they'll say.

I checked out your short movie and... Wow, you bring forth inspiration to me. I'm a chicken when it comes to being creative, and I too, like to delve in making a movie. Good settings, camerawork, lighting, sound they truly resemble a short movie, and only YOU and the support you have helped made that. Be proud of yourself, better yet like others have said, put your work out on sites like Facebook (also, have you ever heard of Nofilmschool?). Keep up at your craft, and I hope to see/hear more from you.

I have often wondered that Resolve takes only NVIDIA CUDAs (how many cores is anybody's guess), but again, I haven't even delved in their system specs. Yet, they don't even put in the system specs in their Resolve site, but with one their configuration guides, and still I can't put my finger around it. I managed to get Resolve 11 on my computer system (then the OpenCL reliant/need of hight GPU error popped up), let it work on my C drive, logged in, select my project, locate my clip (in ProRES), and like you, BOOM crashed. So, I'm at a crossroads of finding a good editor/grading system. How's Premiere's Color Correcting system -- any good?

I'm trying to upgrade my video graphics card since I'm using Intel HD Graphics and Resolve seems to rebel against it... it's that or it's back to Vegas. Thanks for the input, andrgl.

So, in order to use h.264 files on a Windows machine, it has to be converted to ProRes? Is there a tool that can do that (convert or re-incode to ProRes)?

Interesting. Too bad that they didn't have the sale last year when I bought me a EOS-M (okay guys, go easy on me). Sadly short on funds here, and just cheking the reviews on the make/model and the workflow of it. My question is this - is it true that you can shoot 2K with the BMPCC or is it still 1080p?

I watched it, and was quite impressed by it. Goes to show you that you don't have to go to film school, or be a big shot just to make a movie - short or otherwise. It's done by a short filmmaker... Patrick Boivin (http://www.imdb.com/name/nm2281464/?ref_=tt_ov_dr) Cheers!

Wow, I have a Minolta MD 50mm 1.7f lens that a friend gave me with the camera, and had to buy an adapter for my Canon EOS M (the cheaper version mind you), now I find the link that would go with MFT. Thanks.

While discussing about gear and a storyline -- this comes into mind. http://nofilmschool.com/2013/03/oscar-searching-sugar-man-shot-iphone/ Some scenes shot on an iPhone, and won an Oscar for best documentary. Proves that you can create a compelling story and convince an audience, regardless of what tools you use. Just thought I share.