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jbCinC_12

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About jbCinC_12

Profile Information

  • Gender
    Male
  • Location
    Ohio
  • Interests
    Photography and Indy filmmaking
  • My cameras and kit
    BMPCC, Panny G7, Fujifilm XM-5 with a hosts of lenses.

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    None at the moment
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  1. That's greed for ya. The consumer pays the price — BIG TIME! As an American (that didn't vote for the Orange bomb) I dread it, but I see it through and hope that the nightmare is over. A real shit-show in the making.
  2. Hence the pun. Meanwhile the courts had blocked the tariffs, only for it to be appealed and some of it relaxed. It's and up and down situation that can be frustrating.
  3. It's a damn shame! Thank goodness I bit the bullet and got the Fujifilm XM-5 (by sheer luck from a camera shop in the States, since it's going through backorders like crazy) before all the shenanigans start. I shutter to think what the future will hold.
  4. I'm curious to know which is best too: the XS20 or FX30. I was wanting to gun for the XM5 but it's quite dicey at the moment being on pre-order in some places.
  5. So sad to hear. I hope you stay strong in such a difficult time. Sending 🙏🏼 🙏🏼 🙏🏼 🙏🏼
  6. Since it’s APS-C camera, is close to Super35 territory, like the Fuji XT3/4?
  7. I have said lens when I tried it with the Original Pocket. I got the Viltrox and it seem to work for me. I've been contemplating on getting the 4K or the 6K. Yet, once the P4K gets the firmware update, it will have something that would be close to Super16 crop. Can't wait to see more.
  8. I agree! That's the sweet spot right there.
  9. I have been intrigued last Thursday when they announced the 6k version of the Pocket. Hits/misses, but very exciting times in the videography field. I'm not gonna hold my breath in purchasing as I feel their stock can be a bit dicey. I witnessed the P4K orders and long times for stock and ship so I'm not hard pressed - probably next year or a few until they are solid. Funny they're pushing P6K fast than the P4K so, there you have it.
  10. How can we ever forget that episode "The Long Night". Where the DP chastises the viewer that we need a new TV or calibrate in order to view - this coming from a Alexa or Red. Like other's said, lighting is key to engage the audience, not leave out of it.
  11. Exactly @MeanRevert. I'm pretty much bummed about that as well. :(
  12. In regards to Resolve, you may have to consider the studio version. I tried the free version of Resolve with h.265 file and it won't read it even with installing the HVEC extension. I had to transcribe to ProRes
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