ntblowz

Meanwhile bm fan get so offended by this Netflix approval of S1H

I think I should really thank Harvey Wolfenstein and Kevin Spacey for their wonderful films, without them the cinema world is definitely less interesting. Thanks to RED to keep us stuck with H.264! I am really thankful!

S1H makes the netflix list somehow make BM & Sony fan go salty by looking at comments on facebook group & dpreview

Fp is about the same size as m6ii

Interesting that BMPCC6K didnt but this get approved.

Press release If they put on to the next R its instant buy from me

No hack if the camera doesn't have playmemories, they plugged the hole after that.

Gnarbox so expensive.. I see people on youtube commenting they use this device instead for much cheaper https://www.ravpower.com/products/rp-wd009-filehub

I m definitely keen after price drop, for now it is a bit pricey as you can get used e-m1 ii for cheaper

Maybe All-i is too much on R? I have no problem with my R on events so far, though I only shoot on IPB mode, it is quite a nice companion to C200 But sorry for your bad luck, some people just have bad luck on certain camera model. Didn't mattias having problem on his copies of a6300(or a6500) that all turn out to be turkey after 3 replacement. Here is C200 & EOS R shooting My Restaurant Rules for TVNZ

More like others are still trying to catch up while Sony is in a very comfortable lead with high profit margin on their cameras, 4K60P is not important for majority (99%?) of user tbh, sales have proven that 4K30p is enough for most user, no point to add extra cost (R&D, material, size) for heat related stuff on 4K60P. Anyway I do miss Samsung, they definitely give Japanese manufacturer some whoop ass. @androidlad You can probably start your own Sony alpha rumor site, the current SAR is a fucking joke

Well it seems people forget that company is profit driven, the more/higher profit margin the merrier! Now that Sony have the momentum atm i think they are pretty comfortable where they are atm. R&D cost a lot of money I guess 4k60p is reserved for their pro division camera

not highspeed mode (100P/120P)

Probably clog3, clog 2 is for 10bit only i think But yeah the eye af is really good now! Even in high speed mode it can detect pretty well. (Still no continuous AF ugh)

The only good thing with degrees is making some friends during the course which actually helped me getting to jobs because of their connections. Otherwise I think youtube is much cheaper and wont get u into student debt lol.

I m beginning the think the upcoming E-m5 III might be a sexy camera, world class IBIS with PDAF video.. hopefully it can bring 120fps high speed mode with AF.

Should have IBIS as none of their FF Z lens have IS ugh

Price with 45mm 2.8 is pretty good, like more than 50% off the lens

M6ii will also get update to 24p early next year

Better late than never i guess, 24p should have been included in the first place

This bit is interesting.. is that why it need +2 for slog2/3?

Price will be 220,000 yen for body only and 264,000 with 45mm 2.8 in japan https://twitter.com/nokishita_c/status/1181121096885489665

Used this combo for a TVNZ job recently.. I tried cage stuff before but found it wasn't for me, I prefer minimalist setup.

I have 16-35/24-105 and borrow 70-200 on my EOS R for event type work, sometimes use primes for some artistic stuff or need lowlight On GH5 I use 12-35/35-100 again for event type of work, speedbooster the EF prime lens if i need more artistic stuff/lowlight. I do think about the 10-25mm 1.7.. much lighter than 18-35/speedbooster combo and have AF which is handy on gimbal. The reason for having two brand of camera is because people i work with use those two brands.