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Can understand it. Most artists I know want to share their work though and get huge satisfaction from it being seen. It's just that the self-promotional side, the marketing side, couldn't be further from the mindset of the most purist creative types. That's the bit I struggle with as well. Social media has become a cynical and dull chore, and the amount of work it takes to win the race for attention these days is just mind-boggling. Artists just want to create, they can't be arsed with all that shit.

I think you hit the nail on the head there. Gerald is a rigger, and a studio guy. He stuck to what he knew. Nothing wrong with that of course. It's interesting how vague he was in the goodbye video about what he's going to pivot to - something product based, but stuff that gives him joy, not very specific is it? Just shows how important enthusiasm and obsession are in this industry. If you lose interest, you're finished!

some people can't understand why some oil painters have no interest in selling their paintings ,the satisfaction is in the pleasure of creating the painting ,and even sometimes it may be better than the last one.

That's the definition of artist. Clearly, G.U. is not one. It's not a sin, though. Not everyone has the sensibility to become one.

gregxrx121 the developer has also got an Android version being tested

a fascinating look at how they recorded realistic cannon sound for 'Master & Commander"

CineD have just dropped a 13minute interview with Cathy at NAB on youtube about this camera

I don't know Gerald outside of what he presented to us, which is to say that I don't know him much at all because we all present what we want people to see online. But with Gerald and other content creators, the algorithms and audience steers you towards what it wants from you. Gerald might naturally just have been someone interested in clinical tests of cameras and not had an interest in being more creative, but I always wondered if part of the reason he (and others in his position) never explored more artistic expression in his videos was the fear that it would be torn to shreds. Sitting in the middle of four walls with a tripod, camera and teleprompter is safe. Creating something MORE and sharing it with folks makes you vulnerable, especially if you've already established yourself in a niche. "The nerdy long form camera review guy that you all put so much faith into fell on his face when trying to actually create something!" Just putting yourself out there at all you open yourself up to so much unkindness, let alone when you actually share something that is deeply personal and vulnerable. As I've gotten older, and experienced how shitty people can make you feel for just engaging in your passion, I've become more empathetic and understanding. I think it's important that while being critical we still remember these folks are human.

Nor I, but I do wonder if there's even a slim chance that enough people would search out alternatives as things keep getting worse.

As far as mainstream content goes, it's up to the audience to change their habits, and I can't see them all squirrelling off to a dozen internet bookmarks everyday when they can just get served all in one place by an algorithm. Half of them probably don't even own a computer and just use their phone for everything.

The GFX 100 II and, I assume, Eterna, have a 5.8k 2.35:1 full sensor width recording mode. And the Ursa Cine 17K has a 65mm sensor. And FWIW, any of the Red VV cameras have a 40mm-wide sensor which is exactly in the middle of the 36mm of a FF camera and the 44mm of GFX/Eterna. Since terms don't matter anymore, they should probably just call that "medium format" since, y'know, the GFX sensor is also substantially smaller than what would traditionally be called "medium format." Unless Sony have a big 12K sensor that can read out fast enough for video, how would that happen? There's only one 12K video sensor on the market, as far as I know, and BMD have it custom-made. There isn't huge economy of scale in it so manufacturing costs are high. But also, speaking as a person who owns a 12K-capable camera, there is almost never any reason whatsoever to shoot in 12K - including in IMAX. Mine is an 8K camera nearly all the time, except when shooting plates - and when I forget to toggle back to 8K after switching plates and facepalm.

I was excited for a microsecond when they said "vista" - but thats just name only. There is so much left to be desired... the full-frame 6K space is over saturated. Nobody is doing Medium Format above 4K. You want to invigorate and/or disturb the cinema space in 2026 and going forward??? Bring affordable IMAX 12K sensors into a small body.

Yeah, it does make me wish that an "old-fashioned-internet" niche' might be vitalized, retro-like. Can personal video online ever get boutique, avoid the corporate sadness of '"scale", and yet be worthwhile to those scurrying away to quieter internet corners? Seems like if one reflects on what happened at Vimeo, there would be a "no" to that, but perhaps the publc-corp culture of that entity made their downfall inevitable. A different mindset and private ownership might have kept it simple enough to thrive? Could some sort of modest market like that emerge from the current shit somehow? Is there a group of investors that are enthusiasts for a certain thing, like video hosting, that keep their service humming for austerity not avarice? Beats me. I'm pretty naive. If I had to guess all this is probably starting and failing in numerous places.

Agreed, I can't believe no one is talking about the only(?) camera to have native autofocus with manual/PL lenses. I guess we're too busy talking about YouTubers here these days. To me, the Vega H2 checks every feature box, so I'm excited to see if the image is usable. Too bad Blackmagic can't make a Pyxis 12k with that form factor, that would really be and endgame camera. The main issue with Bosma is that I won't consider any cameras that don't shoot log formats that are supported by Resolve's color management, which I somewhat doubt will happen. I'm not interested in GoPro, but the other standout of NAB is the RodeLink II, which checks every lav box for me. If they come out with an plug on XLR transmitter with simultaneous record/transmit and phantom power, it'll be the last audio recorder I ever buy.

This is interesting to see whether internal H.265 will be better than shooting R3D NE and converting it to H.265 RED Log3G10 with 500Mbps bitrate in Resolve. R3D NE bitrates are not that bad, but not having the possibility to save trimmed R3D NE files as R3D NE is THE problem. Shame on Nikon and RED if they don’t fix this. With NRaw it works, so it is up to RED SDK to support R3D NE trim.

Exactly, he chose to play the PR game instead with Sony and a few others, chose to focus 100% of his enthusiasm on YouTube studio tours and YouTube gear setups, there was never any interest evident in filmmaking or photography, which is strange as these are usually the thing people get most excited about! Even more strange was even after so many years of using the gear, he couldn't seem to shoot decent footage - which for me, shows that he never practiced it. Even if you're not naturally talented you can still become pretty proficient at aiming a lens. What also kills passion is having no immediate community to engage over it with (in real life) and it all being online. It might be that he's boxed into a clinical suburban environment with his wife and doesn't have that environment of fellow camera nerd enthusiasts around him where he lives, it only exists online.

His choice... It's always a choice. Needless to say there's only so long you can go on liking cameras but never shooting anything with them. And the social media skit can make one thin skinned and insecure - people look up to you like a God, which is ridiculous, or tear you down - not much in-between. So while part of me understands The Gerald Dilemma, the main part of me thinks, well, he chose to milk it for all it was worth didn't he? And it was a very privileged position that many would kill to be in, he could have used it as a springboard into an artistic career, but there wasn't an artist inside, nothing on the springy board. The problem is the system. YouTube / Alphabet is a billion dollar industry based off the hard work of content creators, who get a very small share of the overall pie and Google's Ad Business the lion's share. The internet has pivoted from a place where the artist owned the platform themselves (own website, own server) thus able to keep the benefits of 100% of their labour, to big tech owning the platforms and us becoming mere commodities as consumers/creators in a hive mind, whereas before we were founders, builders and owners as well as artists. The shift is noticeable in the language too. In 2012 we were all saying 'filmmakers' or 'musicians', but now everybody is lumped in together as a 'content creator', which got shortened even further to simply 'creator'. It's really dystopian shit. This is at the heart of what created The Gerald Dilemma - being a little pawn in a PR machine and ad industry rather than an individual. Being on a treadmill of content creation for the benefit mainly of big tech platforms. I don't see how anyone can take any personal satisfaction from it other than the money.

Storage: Built-in 240GB SSD + CFexpress Type B. Power: Native LEMO 2P DC-IN + NP-F550 support. Monitor: 4-inch High-brightness OLED Retina Touchscreen + Dual full-size 4K HDMI. I/O: Built-in Mic + 3.5mm Mic (TC support) + Headphone jack. Build: 600g CNC Aluminum body.

I’m surprised no one reputable in the YouTube space has really talked about this outside of News Shooter. When you look at what Bosma is offering with the Vega H2, especially the specs and features, it’s pretty significant. It even has an OLPF. What’s interesting is that even though it’s clearly designed for solo shooters, it feels like it’s being overlooked in favor of something like the Vista, which to me is a pretty uninteresting camera. It doesn’t even have autofocus. To me, the Vista falls short mainly because it’s missing key features like autofocus and doesn’t feel as dialed in for real world flexible, solo workflows. The Vega H2, on the other hand, comes across more like a complete, modern system that actually supports real production needs. Seriously, go to News Shooter’s site and read the specs. It’s a highly production ready camera. Anyway to me, the GoPro Mission ILS and the Bosma Vega H2 are the real standouts at NAB.

I’m waiting for retired Gerald’s review before commenting.

Another good example. I'm think we are all guilty of minimizing things because they don't appeal to us. To a certain audience Gerald's reviews were incredibly engaging. It's not what I want out of a review, but I'm sure someone enjoyed it.

well what do you think of these sorts of reviews ? Runs for 13 minutes and no examples of photos or video taken with the lens

A close relative illustrates user manuals for a high end audio equipment company. Not my cup of tea but it certainly qualifies as art.

Content is art. Not all art is equal, but it's still art. It's like arguing that the people who write instruction manuals or textbooks aren't writers. They are, but that doesn't mean they're Stephen King.

I'm sure the owner of this site would object to that statement LOL Camera reviews are not art. They are content. There's a huge gap that exemplifies why this sort of youtuber just fades away. At no time during the past 10 years did I see one of his reviews and said "wow, now that's art right there". There's no soul, just data. Clicked on a video, saw it, and 5 minutos later forgot all about it. It's NOT his fault, it's just he's made from a different material than artists. I repeat, it's NOT a deficiency, it's just his way of presenting his videos: cold, clinical, analytical, operational. Curiously enough, his pal from Camera Conspiracies has had some very artistic videos where he actually shows some soul. His technique is dreadful, but you can see HIM and his EMOTIONS through the video. Cheers.