[vimeo]http://vimeo.com/136300528[/vimeo]
Give your Panasonic GH4 LOG already with the EOSHD LOG Converter.
The LOG Converter includes an instruction manual and my Canon 1D C style cinematic LUT, which is designed to mimic the Canon colour science of the 1D C for a more cinematic colour rendition on the GH4.
Read moreGet GH4 LOG now with the EOSHD LOG Converter and Guide
[vimeo]http://vimeo.com/135688240[/vimeo]
I have created a detailed guide to the Sony A7R II with my preferred best video settings for the camera as well as an exciting new colour-path for the camera which adds a Canon LOG style picture profile to the A7R II. This delivers much more satisfying colour and more easily than S-LOG.
Read moreThe EOSHD Sony A7R II Setup Guide and LUT Pack – Now available!
[vimeo]http://vimeo.com/101227369[/vimeo]
Only a few years ago S-LOG was a $3800 upgrade for the Sony CineAlta F3, itself a $15,000 camera. S-LOG made its debut on the Sony F35, a workhorse of Hollywood.
Now Sony have put this on a $2500 consumer camera along with the best full frame sensor I have ever used for video. How good is it? Very!!
I am sharing a pack of LUTs for the A7S which can be applied in Premiere, Resolve, etc. for an instant cinematic look to your A7S S-LOG 2 footage.
Three LUTs are provided in the zip. Dynamic – for best dynamic range, will suit a low contrast shot requiring high dynamic range and plenty of shadow detail. Also good for low light. Vivid will give a punchier look to those shots that benefit from it like a sunset and where some dynamic range can be scarified for higher contrast and saturation. S-GAMUT is for when shooting S-LOG with the Color Mode of S-GAMUT and compensates for the purple tint to reds I find I am getting in this mode. For the Dynamic and Vivid LUTs you must set the camera colour mode in PP7 to ITU709 Matrix.
Read moreGrading the Sony A7S with S-LOG 2 and some EOSHD cinematic looks for download
[vimeo]http://vimeo.com/79160137[/vimeo]
With the new version of Blackmagic DaVinci Resolve (10.0) you can grade and edit 5D Mark III raw DNG sequences, with image quality at the Adobe Camera Raw level for the first time and performance through the roof.
EOSHD Film LUT is an instant cinema style which quickly and easily improves the look of 5D Mark III raw video in Resolve 10. No grading skills required.
This LUT gives you a more film-like image, a less harsh electronic look compared to the standard Rec.709 colour space and default settings. It gives you more detail in the highlights and a smoother more natural feel to colour.
Read moreIntroducing the EOSHD Film LUT (for 5D Mark III raw and Resolve 10)
Cinestyle has transformed my Canon DSLR and footage looks so cinematic with it. The key to good looking CineStyle footage on Canon DSLRs is a LUT curve. Here is a guide on how to do all that, with Final Cut Pro and Adobe Premiere CS5.
Read moreHands-on guide to Technicolor Cinestyle, LUT curves and Canon 600D