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  1. Julian

    Julian

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    • By Emanuel
      Show us something from your liking...
      In the meantime, here are a few for free:
      https://www.premiumbeat.com/blog/free-luts-log-footage/
      https://www.rocketstock.com/free-after-effects-templates/35-free-luts-for-color-grading-videos/
       
       
       
       
    • By Homme_en_Beige
      Hello,
      I am new to this forum (first post) and beginner filmaker and I will need advice ...
      Last June I started shooting for my documentary project on the local natural heritage, for now with my own money, so my gear is rather light...
      I'm shooting with a Canon Eos 70D DSLR, outdoor, and i'm shooting the natural spaces of a valley (along a river).
      At the start I wanted to film in RAW with Magic Lantern, but with my 70D i'm stuck in 720p (for a continuous recording), so finally i've shot in a compressed way, Mpeg-4 All-I 8bit 4:2:0 @1080p 29.97fps with a picture style (EOSHD C-LOG (0,-4,-4,2)) + Vari ND Filter, hoping to get myself out of it even in post-prod ...
      But here the quality of the images, in a context of shooting outdoors in shaded places very contrasted (...), do not satisfy me !
      So I would like to have advice to achieve a higher quality outdoor shots (natural light)?
      To illustrate my purpose you can see these few shots that I graded in Resolve + corrections in After Effects: https://vimeo.com/alexandrewebercom/riviereardeche
      The third shot is particularly ugly ...

      - Have I "pushed" the mpeg-4 too far by color grading it or is it simply the limitations of this compression?

      - How do I do with hyper contrast scenes (it was about 14h when shooting)?

      - Am I condemned to film in RAW whatever the chosen camera (to be able to uncork the blacks or to recover in the whites in post-prod)?

      - Is it better that I under-expose or over-expose this type of scene?

      - Can you suggest gear/ configuration more suitable for my use: Camera, Raw / Prores, Log, external recording ... ?

      Thanks a lot !
    • By Elliot M
      Hi all,
      Hoping someone can help with this edit workflow question:
      I currently shoot video on Canon DSLRs (in H264 MOV format), and edit on a late 2009 iMac (2.8ghz i7 processor, 16gb memory).
      The films I make are mainly for web rather than TV broadcast, and beyond basic colour grade / tidying up, have minimal effects added (no CGI).
      Until recently, I used Final Cut Pro 7, using FCP's Log & Transfer function to import and edit footage in Pro Res 422 format.
      Having just moved to Premiere Pro CC 2017, I'm trying to figure out the most efficient workflow with the best resulting image.
      Should I import and edit in native H264 MOV? Or ingest and edit as either Pro Res or DNxHD?
      If Pro Res or DNxHD, what's the best way to ingest (or import / transcode)?
      I've been reading mixed things via Google; mainly Adobe-related articles explaining a native workflow, vs various articles sponsored by transcoding software companies, saying that transcoding will have a better result.
      Any thoughts would be much appreciated.
      Thanks!
      Elliot
    • By TomazK
      Hello,
      For a review of Fantastic Beasts and where to find them i recreate the magical newspaper The Daily Prophet from Harry Potter.
      I would love to get your opinion on the effects.
       
    • By Sekhar
      Guys, I'm looking for some really good training material for advanced color grading that focuses on the creative aspects rather than technical stuff (how to use Resolve, etc.) and on color grading rather than color correction. I looked around and found some promising videos on lynda.com, but wanted to check here before signing up. Suggestions?
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