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Found 7 results

  1. I've already the gh4 and I must buy either one very soon (12-35 or the lx100) but i want the sharpest. Does someone has the gh4 with 12-35 and the lx100 to make a 4k video comparison or advise about it ?
  2. I have not seen this comparison yet so I decided to test it out.   I tried to match the shots and then colors as closely as possible, setting the look with the raw footage (starting from BMD Color Space) and then trying to conform the AVCHD to it. The severity of the grade was moderate:   5D Mark III (Raw DNG)     FS100 (w/ Frank Glencairn's G-Log Ultimate)     And here is where the codecs really show their differences:   5D Mark III     Sony FS100    
  3. Last week we bought the BMCC MFT stepping up from compressed DSLR dslr filmmaking to the delightfulness of shooting raw. While doing some bmcc research i came across the comparison test 'Some Like It RAW' by Ryan E. Walters. He basically compared the Arri Alexa, BMCC and Red Epic in three short tests: IR filtration, Low-light and overexposure. I found the results quite useful and certainly contributed crossing the threshold and purchasing the bmcc.   Without giving away the results, I asked myself how you guys think about the bmcc image sharpness. Many filmmakers/DP's seem to find the b
  4. Hi i am wondering about buying a GH3 it will be used for landscape/nature footage but i am uncertain about how much better the GH3 dynamic range in video mode is? I know that the GH3 is superior in photo mode but how much better is it's dynamic range in video? The GH3 and a decent lens is a large investment and i want to know that there will be a big different.   I want a smooth organic image quality. I have seen alot of sample footage and yes the GH3 is much sharper and certainly superior bitrate compared to the RX100. But i am more uncertain about the dynamic range.   Would be
  5. [url="http://www.youtube.com/watch?v=WNrctjyPqxs"]http://www.youtube.com/watch?v=WNrctjyPqxs[/url]
  6. [color=#222222][font=Helvetica Neue', Arial, Verdana, sans-serif][size=4][background=rgb(255, 255, 255)]I'd like to propose a collaboration: If forum members (or forum watchers) are able to submit clips shot with ten or more different anamorphic lenses, we'd have the most comprehensive anamorphic shootout on Vimeo. If we are able to put together shots from twenty or more anamorphics, this thing would be a definitive one-stop video for anamorphic footage comparisons [i]anywhere[/i]. To keep things cohesive, we need a common element. Something standardized, readily available aroun
  7. [color=#7b8084] I mostly film snowboarding and have been considering investing in a dslr of my own as I have been filming with them for a while. I do take some photos but I mostly film 90% of the time. [/color] [color=#7b8084] The new 650d looks amazing (with all the new features that I won't mention as I assume you know all about them), however would the 60d or even a 7d be any better for filming? I know they have a few advantages like improved weather sealing, but when it comes to filming what core advantages will the 60d/7d have over the 650d?[/color] [color=#7b8084] I hope this do
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