androidlad

They are working on Cineform RAW.

Yes, but at 8K FF, you gotta look at it in totality.

1/2.3′′ 12MP CMOS Image Sensor – Sony IMX377 Ambarella H2 image processor FOV: 145° f2.8 Shutter: 1/8000-120s Video specifications: 4K60p with 8x slow motion, HDR and automatic time-lapse photography Shooting mode: single, AEB continuous shooting, countdown shooting, multiple continuous shooting, interval shooting

They are indeed using the same sensor IMX410.

F8 has the same pixel level DR as S6 and FUJI XT3 (~11EV) as they have the same 3.76um pixel design. But if we normalise the 8K footage from F8 to 4K, it'll have about 1EV cleaner shadow.

New CM-55C firmware released today: http://www.swit.cc/CM-55C-firmware.aspx 1. Signal format displays 59.94 instead of 60. 2. Default color temperature changed to “Native” 3. Signal format display and battery info display can be individually turned on/off. 4. Support 17^3, 33^3, 65^3 User Lut cube upload 5. Add “Saturation” adjustment in calibration menu. 6. Fixed audio meter bug 7. Add start-up background image instead of black screen KAIZEN!

Take a look at the original post, ISO 1000 is explained in detail. It can't and shouldn't be dropped lower.

Why would you grade on a TV? There are some good quality 24-27in monitors in the sub-1K range that are great for SDR grading as long as you calibrate properly.

A tip for quick access to format SD cards function very few people know of: Press delete button for 3 seconds, hold, then press rear command dial, card selection for formatting pops up.

Flip screen on p4k, non-destructive mod:

Yes it happens to all HLG FHD materials, but not 4K.

The metadata is BT.2020/HLG. I think it's Premiere/Windows 10 doing the SDR conversion.

Discovered something very peculiar today: Shot some internal FHD 120P H.265 clips in HLG, imported into Premiere Pro 13.1.2 and it automatically applied a gamut mapping (BT.2020 to BT.709), gamma was left untouched so no blown out highlights and such, just the gamut was mapped (more saturated colours). Can't seem to disable this gamut mapping...

That app is a god awful piece of s**t. For reliable wireless monitoring you have to go with HDMI transceiver.

Gosh, at least post the original source clip, not some random guy's "grade". https://drive.google.com/open?id=1-iSjiFOFVkD7i6mdyame5TYFQuW7JMhy&fbclid=IwAR3lx8-S0dp1CwysxKHRCFYX6agd2Yy0VMWB0WLwMoroX9fmqp-4ivDOfzg And it's not Super 35, or "S-log"....

UP3216Q is not an HDR monitor. To access its built-in hardware calibration 14bit 1D LUT + 3x3 matrix (slot CAL1/2), you need Xrite i1 Display Pro and Dell's Calibration Solution software.

You could, totally, for non-professional use. HDR is more than just a wide gamut. There's peak luminance, intraframe contrast, tone-mapping etc.

BT.2020 for now (and for the near future) is only used as a container, the actual encoded gamut for HDR is P3 D65.

Dell UP2718Q is a proper HDR monitor with FALD, about $1500. The new Atomos Shogun 7 also uses FALD and costs $1500.

What's the difference between Resolve cube and Premiere cube? Just clamping? Can you maybe put in colour space mapping LUTs with the matrix fixes combined? For example, HLG to Alexa 709 with matrix fix as one single LUT?

Proper HDR displays can't be low cost due to them having to use Full Array Local Dimming backlight, or just OLED panel.

No. Global reset: Global shutter: Rolling shutter: