stv

I'm in a very similar position, wanting to upgrade my take everywhere camera from my loved GX80 to something with a mic input at the very least. IBIS is amazing, but I think there are other things in a camera that are more important. (codec, bitrate, etc.)
For a few weeks, I've been to-and-fro-ing between the Fuji XT30, XT3 and XH1 (and every now and then the Sigma FP, but I'm pretty sure that's ruled out after a conversation in that thread).
XT30 is amazingly cheap at the moment, and similarish in size to the GX80. - But I feel like if I go with that, I'll be pining over it's bigger brother in a couple months.
XT3 has the best video specs of the three with 10bit DCI 60p and the best 1080/120p
XH1 tops out at 8bit DCI 24p, but it does have IBIS.
As for Black Friday deals. I'm not sure if it's the same where you are, but in Europe Fuji has a €200 cashback on many of their cameras. This will last until 5th Jan, so it can give you more time to think about it. I think the worst thing you could do is rush into a decision just because there's a sale. After all, if you're only now upgrading from the 5-year-old g7, this next one will likely need to keep you happy for another 5 years. There will be another sale in January, then an easter sale, then summer sale.
@thebrothersthre3 - XT3 can shoot in h264 as well, unless you want DCI60/50p - any other resolution or frame rate is fine for h264

The jump in IQ is definitely more noticeable with the XT3. 

The GH5 has the best 1080p though, virtually no moire/aliasing. The XT3 is definitely more prone to moire and aliasing but less so in 4k. The XT3 definitely is ahead in the 4k department having 10 bit in 4k 60p. Its 120p also beats the GH5's imho. The extra stop and a half of dynamic range is noticeable on the XT3 coming from the GH5, even more noticeable coming from a G7.

If you have a slower PC the GH5's H254 10 bit is nice, especially in 1080p. 10 bit H264 200mbps All-I runs nicely in premiere. Fuji you are stuck with H265 which is a bitch, but if you have a better PC its no problem. 

If you can link up with some local video people and test out the cameras that's always the best way. You'd be surprised how many people would be willing to do that. 

I think you'd definitely appreciate either camera. The IBIS on the GH5 can be magical. 

I think a lot of you (all of you?) come to this thread to learn more about the camera, so I'll save my lengthy apologies for a blog post.
It's not been my finest hour, but frustration will do that to a man.

I am certainly not bigger than a camera company, or more important than Blackmagic and I think people may have seen the hysterics as a bit silly.
I accept that yes, possibly I have shot myself in the foot.
Having said that, EOSHD is bigger than me as well and is a real community. I was standing up for the community and not just for myself.
This was a perfect storm for me. A combination of several factors which caused me to get upset enough to write that article...
First the Canon EOS R launch and the new levels of invasive of PR offensive we are seeing from the camera companies to quell dissent and turn even Caleb Pike into a "it's not perfect but WOW what a great camera" kind of guy. Rather than the person he should be, a "1.8x crop sucks" kind of reviewer.
Secondly the overwhelming feeling of shithead sycophants climbing above my site, in the VIP lane, completely undeservedly.
Thirdly the geographical positioning of the Blackmagic event, it being on my doorstep.
Next the fact Cinema5D were paid to fly in. I could have walked in.
Finally, the John Brawley factor on here and the lack of support from most of my own readers, honestly all this is enough to give someone a nervous breakdown.
It's hard to really get across how I feel, because it is a weird situation and I think the internet is a bit weird as well. In real life, people don't say the things I say or say the things to me that I have had to put up with. People need to calm down, myself included.
It's only a camera.
But I do feel the future of camera and tech journalism is at stake. In fact it may already be absolutely dead. And the most depressing thing of all is that the reader is fine, unawares, and on the most part notices no issue.
No, that wasn't my intention.
Yes I have dug myself into a very silly hole.
I'll be the first to admit that.
Yes Johnnie at Cinema5D is laughing his business head off as we speak.

Andrew, the comments about grading weren’t intended for you specifically.  Read the post.  I was talking in generalities about recent facebook groups I’d left and a similar entitled tone here. It was not a personal attack but you chose to take it that way.
Cmon, I shoot these shots for BMD for exactly this purpose. To be downloaded and graded.  If I was truly precious about it I wouldn’t do it again and again would I ? 
You’re throwing a tantrum, publicly, because you dind’t get an invite to a BMD event that is seems like few even knew about.
Somehow you think that’s got something to do with me so you went and wrote a post about me. A really lovely piece too.
I’ve said it already a thousand times.
I don’t work for them.  
I don’t have that much to do with them day to day.  Last contact I had with anyone at BMD was weeks ago.  
It’s not my job to make sure YOU get some attention from them.  That’s on you to make that case.  
And by the way, this kind of childish unprofessional behaviour is exactly the kind of reason any company would think twice about working with you.
Instead, you launch a highly personal assasination blog post as well as numerous personal attacks because I dared to try and explain that to you in a way that you thought wasn’t deferential enough ?
You don’t do this for free.  You sell something.  I don’t but you actually do.
Having traffic come to this site means you have a greater chance of selling something.
You sell LUT’s and you sell guides and you use the traffic here to do so. So don’t pretend all this free traffic is somehow a favour to BMD and free publicity.
I didn’t even see the post you made about the BMD footage till your personal attack on me,  but I noticed when I read your BMD post you’re mixing in a bunch of references to LUT’s you’re trying to flog.
How about this...
Delete every single post of mine.  All the IP that I’ve posted and shared on this forum? All those posts where I’ve shared my knowledge and experience.  
Go ahead and put your money where your mouth is.
JB

I always hesitate to comment something that is so widely explored... so, as my best (and nothing special clever) I'd say that maybe the best answer is to try as much as possible solutions. It really depends of type of shots, usage, scenario, possible control over circumstances, monitoring solution, decision about AF or MF etc...  Except for walking shots, I think that GH5 IBIS is safely enough for near all creative tasks if you have ultra wide lens in front (I had no it in above case – but I found that in some other occasions I had success even with running with 10mm m43 lens). Although gimbals are so popular, and with the reason, they are, of course, clumsy... I think that we have to have at least two cameras for comfortable usage of gimbal, one of which might be permanently tied with gimbal - constant putting on/off camera with balancing is not something that I enjoy.
Actually, I'm in process of selling my Zhiyun Crane 2... Even if I have no prospect of usage of gears just for, say, two months, I'm selling without regret such expensive and fast-loosing-value technical adds... Who knows what will be the next... Olympus with even better Ibis? Or DJ Ronin S mini? 
What I find the most important is - impression that you have imagination to resolve tasks and problems in the creative way, which is power that is impossible to buy!

Nice stuff stv, I thought the film effects and leaks were well done.  Especially when the leaks were timed to the little bursts of static in the music (unless those were added in post?).  I agree with anonim about the structure of the train travel breaking up the stops for travel moments was really effective.  There were a few train station shots that lasted a bit too long IMO but overall well done.

Yeah I enjoyed this very much. I love a good vintage look so that was also appreciated. What kind of overlays did you use? Also what lens/es did you shoot with? Obviously the G7 is working good enough for you, but if you’re looking to upgrade, I’m sure the IBIS of the G85/G9/GH5 would definitely help a lot with any shakes you’re encountering. And if you want some rock solid video, the Olympus IBIS is even better than Panasonic’s. I had the E-M5ii for a spell last year and I almost had to try really hard to get shaky footage.
Anyway, if this is what you are capable of as an “armchair enthusiast,” I can’t wait to see what you do when you get up from that comfy chair.

Hi, I've been a longtime lurker on this forum but never had a reason to contribute as I have next to zero experience in film making and cameras despite being quite interested in them. I guess you could call me an armchair enthusiast; I watch and read a lot of stuff online but haven't really acted on any of it. That said, last year I went on a trip to Japan and set myself the task of recording a bunch of footage with the intent to produce some kind of "travel" video clip. I soon realised that the process wasn't as easy as I initially thought it was going to be as I struggled to get any smooth stable shots. Just about everything I shot was marred with micro jitters and vomit inducing shakes (I was travelling light and did not bring a tripod). In an attempt to salvage my barely usable inconsistent clips, I did what all good amateurs do and threw on an excessive amount of overlays and light leaks to try and create the overly used "old school vintage film look". I know it's probably below the standards of this forum but here's the result.
 

Hi, I've been a longtime lurker on this forum but never had a reason to contribute as I have next to zero experience in film making and cameras despite being quite interested in them. I guess you could call me an armchair enthusiast; I watch and read a lot of stuff online but haven't really acted on any of it. That said, last year I went on a trip to Japan and set myself the task of recording a bunch of footage with the intent to produce some kind of "travel" video clip. I soon realised that the process wasn't as easy as I initially thought it was going to be as I struggled to get any smooth stable shots. Just about everything I shot was marred with micro jitters and vomit inducing shakes (I was travelling light and did not bring a tripod). In an attempt to salvage my barely usable inconsistent clips, I did what all good amateurs do and threw on an excessive amount of overlays and light leaks to try and create the overly used "old school vintage film look". I know it's probably below the standards of this forum but here's the result.
 

Hi, I've been a longtime lurker on this forum but never had a reason to contribute as I have next to zero experience in film making and cameras despite being quite interested in them. I guess you could call me an armchair enthusiast; I watch and read a lot of stuff online but haven't really acted on any of it. That said, last year I went on a trip to Japan and set myself the task of recording a bunch of footage with the intent to produce some kind of "travel" video clip. I soon realised that the process wasn't as easy as I initially thought it was going to be as I struggled to get any smooth stable shots. Just about everything I shot was marred with micro jitters and vomit inducing shakes (I was travelling light and did not bring a tripod). In an attempt to salvage my barely usable inconsistent clips, I did what all good amateurs do and threw on an excessive amount of overlays and light leaks to try and create the overly used "old school vintage film look". I know it's probably below the standards of this forum but here's the result.
 

Maybe it will be nice to share fast unpretentious vacation-shots around the world... At least I'm always glad to see them, so that's mine last one.
 

Thanks! I like your core concept very much - actually, I found it quite inspiring... continuous train-traveling transition and than stop to pay attention to something new and important. Filckering damage effects and vigneting are so nice incorporate in global fluidity; leaks, I'd say, in less extent but also are often adding some mysterious mood as, say, connecting flash holes in memory (?) Micro jitters are enough controlled and even contribute to effects... All in all, for my eyes and taste, I can say just: thanks and bravo, nice concept and inspiring, very consistent exercise.

Hi, I've been a longtime lurker on this forum but never had a reason to contribute as I have next to zero experience in film making and cameras despite being quite interested in them. I guess you could call me an armchair enthusiast; I watch and read a lot of stuff online but haven't really acted on any of it. That said, last year I went on a trip to Japan and set myself the task of recording a bunch of footage with the intent to produce some kind of "travel" video clip. I soon realised that the process wasn't as easy as I initially thought it was going to be as I struggled to get any smooth stable shots. Just about everything I shot was marred with micro jitters and vomit inducing shakes (I was travelling light and did not bring a tripod). In an attempt to salvage my barely usable inconsistent clips, I did what all good amateurs do and threw on an excessive amount of overlays and light leaks to try and create the overly used "old school vintage film look". I know it's probably below the standards of this forum but here's the result.
 

Hi, I've been a longtime lurker on this forum but never had a reason to contribute as I have next to zero experience in film making and cameras despite being quite interested in them. I guess you could call me an armchair enthusiast; I watch and read a lot of stuff online but haven't really acted on any of it. That said, last year I went on a trip to Japan and set myself the task of recording a bunch of footage with the intent to produce some kind of "travel" video clip. I soon realised that the process wasn't as easy as I initially thought it was going to be as I struggled to get any smooth stable shots. Just about everything I shot was marred with micro jitters and vomit inducing shakes (I was travelling light and did not bring a tripod). In an attempt to salvage my barely usable inconsistent clips, I did what all good amateurs do and threw on an excessive amount of overlays and light leaks to try and create the overly used "old school vintage film look". I know it's probably below the standards of this forum but here's the result.