BTM_Pix

I've probably said it before but whoever makes an HDMI input version of this tiltable EVF will make a fortune.

Sorry, was joking. It will work because it does work...

It'll never work

If you reverse the order of a couple of words in that sentence you may be on to something.

The Grid one for the BMCC and RED LCD etc works with it At $241 its not cheap though unfortunately. https://www.gridaccessories.com/products/grid-5-0-viewfinder/ Hoodman do a riser to let their 3" loupe be used on a 4" LCD and I seem to recall someone made a 3D printable version based on that idea to attach to a 5". I think I made a note of it somewhere and can track it down if you're interested ?

Sorry, it was a bit naughty of me just putting that up like that with no explanation. If we told you what it is though, you might not actually believe it We will do in a week or so though.

Continuously so

A001_06201947_MOD.mp4

I use DNG on the SD and the DP0. I tried both against each other and didn't see anything that made me swap out the convenience! Don't have that luxury with the DPxM ones but I have a bit of an offline/online worlflow for them where I rate the JPEGS and only copy RAWs of the worthwhile ones into a folder and then batch them in the Sigma software. Truth be told, I'm not averse to just using the jpegs either!

For tightly controlled events like football, its not necessarily the capture side that is the issue but there are strict controls on delivery so you are not allowed to send a series of still frames that could be re-constitued as a video and there is a fixed upper limit of how many images per half you can send. Even with those constraints in place it is not unusual to get a tap on the shoulder from an official if you have live view on on the back of a DSLR. I even had an official threatening to have me removed from a Champions League final because I was using live view to set up my remote camera behind the goal as he thought I was videoing the warm up! Thats the prime concern with mirrorless like the A9 in that they can't tell if someone is videoing or not. Not that it is a big issue with the A9 as I never saw anyone using one full stop !

Definitely one for fans of Airplane that one

To be fair, the Sigma Photo Pro software has moved on a bit in the five years since that video not least with the addition of GPU acceleration although it is still slow in relative terms. Some comparison stuff here : https://sigmaphotopro.com/sigma-photo-pro-performance/ There is always the options of doing batch conversions to tiff or dng if you want to have minimal contact with it. Yeah, the only time I've used one with any of mine was specifically for long exposure shots. I'm curious how you get on with the H as I opted for the regular one because it was so much cheaper and I'd read that full coverage of the H sensor was an issue with the APS-C ART lenses so some of the extra resolution was wasted anyway. I've always had a nagging doubt I went the wrong way though as, of course, I never did end up buying the 18-35mm etc in SA mount and the M42 lenses I put on it would cover it anyway.

Funnily enough, that shirt he's wearing means the dalek is actually only the second weirdest item in that frame.

To be fair, I specifically said native lenses in the original post and also referenced the TechArt adapter. I have one or two of those non Z glass Nikon lenses myself.

I've got one and I have to say its pretty nice. I don't have a fancy phone so it acts in lieu of that for holiday stuff and although the video is the main story, the quality of the stills are actually quite good. One complaint I have with it is that it seems to have a habit of reverting its settings out of the Pro mode which is a pain in the arse. I never use it with a phone so maybe that has something to do with it in terms of sync or something but its intermittent. I've just got some magnetic ND filters for it as it definitely becomes a bit too camcordery in bright light. The hyperlapse stuff is fun and the stabilisation is good in terms of being a tripod substitute and some slider type moves but walking with it is definitely going to give you some bumping unless you are disciplined in doing the silly walk. As I use it on holiday, the fact I'm wearing shorts is enough to make me look ridiculous without doing that as well. It struggles a lot in quite low light of course but these grabs are from footage I did in less than broad light and its does an alright enough job for what I'm using it for, especially considering the convenience factor and the tricks it can do. 1

Lets cross over to Harry Callahan for his thoughts on this one.

Whoever shot those two pieces will be wetting themselves in anticipation of the Sigma FP letting him plaster the Teal and Orange on at source.

Judging by the discounts and cash back incentives on virtually all of the brands, I don't think any of them are having a particularly bumper time sales wise. The problem for Nikon is that the L mount is building momentum through the upgrade of the S1, the announcement of the FP, the availability of the new Sigma lenses, the release of the S1H, the upcoming Sigma FF Foveon announcement and I suspect the new Leica SL isn't far off being announced now either. None of that makes the Z6 a bad camera of course but Nikon need to wrestle some of that momentum back and a statement on when the upgrade is actually going to happen would be a start. There's probably never been a better time NOT to buy a full frame camera though as within a few months Sony might be along with something that could blow everything out of the water, the Sigma FP might just be the full frame version of the original Pocket Cinema camera or the S1H might tick every box of being a full frame GH5s, or... if none of those things come to pass then the deflating prices of the S1 and Z6 etc will have no doubt continued anyway and they will become fantastic bargains, particularly used.

Now we're talking ! I didn't realise you wanted the precision option Simplest would probably be a velcro cable tie behind the clip on the transmitter to strap it to the mic then. Old minds think alike

The simplest way to attach something to a mic is to just use an additional basic mic holder further up the body of the mic. That will give you an adjustable arm to then attach to something that will hold the transmitter. Then unscrew the brass mount and put one of these thread adapters in the base of the holder. This will give you a standard 1/4" 20 screw which you can use to attach this expandable phone grip into which you can put the transmitter. Now, the snag to this is that the minimum opening size of the phone will likely be too wide to hold the transmitter. My one for example has a minimum opening of 52mm which is 8mm too wide for the transmitter. However, this is an easy and permanent fix as you can just glue (or epoxy for maximum DIY hacking cred ) additional padding material to either end of the jaws to reduce this minimum opening distance. You can use anything but some cut foam or polystyrene will be ideal. If you add 8mm of material at each end then you will have reduced the minimum opening to 36mm which will mean that the expandable jaws will then clamp the transmitter tight. Total cost is about £9 (£4 for the mic holder, £1 for the thread adapter and £4 for the phone holder).

I got quite nostalgic there seeing those vintage cars as I regularly went on Sunday trips to the beach in one of those as a child. Sadly, it was the Ford Anglia and not the E Type Jag ! Got to admire a man with the self assurance to still be able to dole out a suspicious "what on earth are you up to?" look at someone else when he's the one casually taking his Dalek for a walk.

Slashcam refer to the crop as being in the specification "The Sigma fp will be equipped with a 35mm Bayer sensor with 24.6 effective MP exposed at the back (so not with a Foveon sensor like the Sigma Quattro). In the technical data for the camera, however, a crop of 1.5 is mentioned, which will most likely be effective in film mode." If you look at the specification, the crop (or Clop as its spelt in the document ) is actually mentioned in reference to still formats rather than video. So the crop reference is purely there is to indicate the resolution you will get in stills mode when you attach an existing L mount APS-C lens like the Leica ones or Sigma's own upcoming crop lenses. I will have to resist all urges to refer to this as Jurgen mode when I attach an APS-C lens to it.

I think they need the actual release of the ProResRAW update to happen pretty soon. Probably by their own traditional measure of "how are we doing against Canon?" then Nikon might well be satisfied as the Z series has largely received a better critical response at least than the R series though who knows what that translates to in sales. They can't live in that duopoly vacuum any more though. In the time its taken them to not get that update out, Panasonic have moved the game on significantly on the S series and Sigma have given the whole L mount situation a big boost not just with the FP announcement but with the lens announcements. This is Sigma's lineup for release by the end of the year 20mm F1.4 Art 24mm F1.4 Art 35mm F1.4 Art 50mm F1.4 Art 85mm F1.4 Art 135mm F1.8 Art Where are Nikon's native Z lenses to match that lineup and at what cost ? The politics of the L mount alliance probably means that those lenses might remain L mount exclusives for a while as well. Obviously, ProResRAW isn't going to move the needle any for sales to stills people but if nothing else it will get the Z series a re-boost in terms of attention with all the YouTube videos from the "Hey whats happening, its your boy Fred Knows Zed" bros. The TechArt adapter should have been the icing on the cake for the Z but without the actual release of ProResRAW its still all a bit "jam tomorrow" for a lot of video people. I don't know which end the issue is coming from thats delayed it but I have to say Atomos have also not released two of the three AtomX modules for the Ninja V yet either.

It is this cable. The SD Quattro has a dummy battery set but this one is a DC cable that plugs into that port on the camera. No spec on it as yet.

Yeah, I think for anything remotely serious it will be difficult to see (no pun intended) beyond it not having an EVF. Presumably from a stills perspective Sigma look at it as an RX1 type of offering with interchangeable lenses but how close it gets to that FF compact concept when you whack on a lens on it is debatable as its only the 40mm f2.8 that is anywhere near being an appropriate size but is a bit slow and a bit not 35mm! With m mounts then its far more appropriate but that then causes its own issues manually focusing without an EVF. They claim to have a mitigated a lot of the issue with only having an electronic shutter according to Yamaki but yeah that sync speed is useless. [In announcing the camera's development, Sigma CEO Kazuto Yamaki acknowledged the rolling shutter effect but said 'the sensor used has a very fast reading speed. It is able to shoot without major problems in most shooting scenes.'] Ah-ha! Its on the lesser seen right hand side of the camera.