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John Matthews

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Posts posted by John Matthews

  1. 16 minutes ago, MrSMW said:

    That’s about the sum of it John.

    Except I’d swap out the word ‘reassure’ for ‘excite’.

    To quote a famous movie line, “build it and they will come”.

    In the case of Panasonic Lumix, build it and they will come, but of as much importance, build it and they will stay. But if they already buggered off elsewhere because instead of telling them something they wanted to hear, you said nothing and 🤷‍♂️

    I just commented on the Lumix Live weekly upload asking for a modern, small MFT camera- most liked comment. IMO, there are so many people, for whatever reason, want this. It could be practical or nostalgic for the Lumix fans. Just do it Lumix.

  2. @Ilkka Nissila, I think you're chasing a very different camera than me. Just because a camera is small doesn't necessarily mean it must have bad ergos. Panasonic has said nothing at CP+ 2026, except a stupid microphone that supposedly someone wants. In this interview, they said virtually nothing, a feat in itself. Really, I think they should have been a little more reassuring to the customers. No investor would have watched this anyway.

  3. On 3/10/2026 at 9:10 AM, Ilkka Nissila said:

    No manufacturer is going to reveal a future product before it is ready to be sold unless they are in dire straits and their current products have zero chance of selling.

    That's a rather absolute statement and probably easy to debunk. Also, hinting progress isn't making an announcement of any kind. You'd probably agree that it shouldn't be expected that Lumix would make a announcement with CINED either. But, saying there's development is certainly doable.

    On 3/10/2026 at 9:10 AM, Ilkka Nissila said:

    IBIS makes the camera significantly more expensive.

    Does it? This is mature tech now and certainly not on the cutting edge. I think the cost is more in weight than anything else. Although, the E-P7 is only 337g and has proper 5-axis IBIS.

    On 3/10/2026 at 9:10 AM, Ilkka Nissila said:

    To me it seems that manufacturers consider small cameras more entry-level and make a progression so that in each level up, most aspects of the next higher-level camera is better than the level below, except for size and weight, and the cost increases along with weight, features, performance, and quality.

    I agree with this, except the new market could easily accept premium compacts too. There's also room for in-between products similar to the GX9, which wasn't really a bottom feeder either. A newer version of that camera would be exactly what I want, perhaps even smaller and lighter and even more premium. My feeling is that if they can do stuff in a phone, they could also do it in a camera. @Andrew - EOSHDwas right in saying that there's been an "Americanization" of these cameras, meaning bigger, chunkier cameras and seemingly without too much consideration for how components could be miniaturized. (I believe he said something like this in his GH6 review). The difference in size between the GH6/7 and a GH1 is massive; unapologetically ignoring all advancements in smaller components. I want smaller with M43, not more capable if it means massive bodies.

     

    On 3/10/2026 at 9:10 AM, Ilkka Nissila said:

    ull-frame telephoto lenses have also gotten much smaller and lighter in recent years. 

    Yeah, that really depends on the manufacturer. They're always giving up something, with a few exceptions.

  4. On 3/5/2026 at 10:29 AM, Andrew - EOSHD said:

    MFT is Not Dead — Tsumura-san pushed back on concerns about MFT being sidelined, pointing to recent releases like the GH7, G9II, and new LEICA MFT lenses, framing the dual L-mount/MFT strategy as one of LUMIX's core strengths.

    Why would anyone use MFT today?

    1. They want a small, capable camera setup (under 500g with lens);
    2. They want high-end telephoto quality without the extreme weight.

    Almost everything else can be done with a larger sensor without too much weight penalty, which is the point. You'd think in this interview he'd at the very least mention that there's a small MFT camera in the pipeline. Instead, they say they're committed to MFT (and simultaneously discontinuing lenses like the 20mm f/1.7). They've had that G100/D since 2021, using the same tech as from 2015, only worse (no real IBIS). Meanwhile, the now old and abuse GM5 is poised to pass up cameras like the GH6 on MPB. Does anyone need more proof than that to know there's a serious want for consumers today? Come on Panasonic! Get your $hit together!

  5. My take: Panasonic’s Head of Imaging practices a rare art: saying almost nothing with exceptional stamina. The translator deserve a standing ovation for turning sprawling verbal marathons into neat, meaningful summaries. I read each phrase 3 times before moving on to the next.

     

  6. 3 hours ago, kye said:

    Come on John...  everyone knows that anyone who wants better footage than a smartphone can provide is 100% totally fine with a camera the size of a microwave oven that looks like a Borg prototype!

    Being slightly serious though, it's easy to criticise, but as someone who wants flexibility and better sound options, this is FAR better than the previous options, so it's a welcome addition in my eyes.  The worst enemy of progress is criticising everything that isn't perfect in every conceivable way.

    Fair enough. I just wish they'd spent time and resources elsewhere. I want a small, up-to-date, Panasonic M43 camera, not an overly complex version of a on-camera mic. This seems like a great product for 2010. But what do I know, maybe this THE MIC, the one that everyone was waiting for. What I can tell you with 100% certainty, people are ready and willing to pay vast sums of money for old gear, only because it's small. What happened Panasonic? The whole miniaturization of components thing has been apparently disregarded. 

  7. 2 hours ago, MrSMW said:

    Yes.

    This to me is just a somewhat expensive, limited use, vloggers device that has zero serious use case for my needs.

    I already have 2x Sennheisers that fill this role at €150 for the pair of them.

     

    Lumix has involved themselves in gimmicks for some time now. Anyone remember OZO Audio on the G100? What about DFD Focus "technology"; and somehow, the Olympus cameras without PDAF (like the E-M10 iii, iv) did much better in CAF. At least this on-camera mic seems like an actual product, but I'm just not sure how useful it is since it's a rather large device taking up you hot shoe. I think I'll pass for that reason alone. Just give us 32bit with ANY mic internally, not a whole contraption on top.

  8. It's great they came out with something new, but I wish they'd spent their time elsewhere. This product just doesn't seem like a priority. If audio is the priority, I'd rather a set of 2+ wireless lav microphones that connect and record to the camera via bluetooth or wifi. Why hasn't anyone done that?

  9. I just thought I'd ask because I'm enjoying this starting point rather than the Panasonic Standard profile for the GH4. I'm shoot the GX800. ProColor is giving me a really nice starting point for different film stock looks. I think @Andrew - EOSHD was going for the 1DX mkII when he made the profile in the first place. Ultimately, if you like it, it's good.

  10. 1 hour ago, MrSMW said:

    It would not surprise me in the least if Mattias packed it all in due to:

    A. Having a YouTube channel can be very taxing, especially if trying to do it as a business rather than just for fun as it’s a beast that never stops increasing it’s appetite, plus,

    B. It can get so toxic in the comments and most take it too personally and it only takes one or two toxic trolls and it can stress them out so much, it ruins it for them.

    Based on a couple of pals and their own YouTube experience…

    Yes, very likely too.

  11. I really feel for Europe and how it’s been bullied by the US for decades—through trade agreements, military operations, and more. I’ve been telling people here in France for years to stop following the US blindly. Europe gets screwed every time. I’m a leftist in France, but I vote in the US; believe me, I do it consistently. Right now, that’s the best way to make a difference. And remember—the US is full of well-intentioned, humane, and kind people. The only way things change is through voting, in my opinion.

    As for Mattias, maybe he just wants to disconnect. I get it. I’m into politics, but sometimes the sheer mess of it all is too much. To recharge my political energy while keeping my sanity, I go back to season 1, episode 1 of The West Wing and start over. I focus on my family and, importantly, on voting in the real world—with my attention on policy, not culture wars. These days, my priority is taxing the obscenely wealthy, and I figure the rest will follow.

  12. I've seen this before, but usually it's with channels (especially old ones) that have been hit with copyright strikes and such. Mattias's channel take down seems to be voluntary and perhaps political.

    5 hours ago, tupp said:

    I miss Gunpowder!

     

    Burling's YouTube channel went down a few days ago, and the only thing that remains is the title, "ICE was here."  It's a shame, because he created some exceptionally informative videos.

     

    Some of the transcripts from his videos are archived here.

    I simply don't have the hard disk space to save all the videos I really enjoy, but it makes me really sad to say goodbye. It feels like it's the digital equivalent of burning books and erasing history. Personally, I don't think I could do that. Then again, we don't know the exact circumstances. @Mattias Burling, care to respond?

  13. Wide angle and shallow DOF isn't for M43. Recently, I got the Laowa 28mm f/1.2 for my S5ii/S9. The rendering looks and feel like medium format. If your subject is 4-7 feet away, you get a really interesting look that is impossible on M43, showing plenty of context, yet quite a bit of blur. That lens is my indoor lens. I absolutely love it.

  14. 13 hours ago, FHDcrew said:

    I second that.  They seem to wear out fast too.  This summer when I briefly owned the S9, the rear dial just felt mushy and very easy to turn.  I recently tried a Lumix S9 at a bestbuy that seemed to be in good condition; the rear dial felt better.  And on a Lumix S9 FB group I've heard reports of the dials going bad and becoming less responsive.  A major reason I went Panasonic G9II instead of S9 this time around.  I also never really loved the Smallrig grip for the Panasonic S9; the grip felt lose half the time even when tightening.  With all this being said, the S9 is still quite the value for the money.  I think it smokes the Sony ZVE10II for example.

    Yes. I haven't tried the G9ii, but I bet the build is in a different league; yet, the pricing of the S9 would indicate otherwise when it first came out. Not having that EVF meant to me they were not going to cheap-out elsewhere, but they gave us GX800-level buttons. I got the SmallRig cage and it does feel much better to hold and it has all those rigging options now. Still, it does have a lot going for it in terms of output. Personally, I thought it would be a major problem not going above 1/100 in artificial lighting, but it doesn't seem so.

  15. 10 minutes ago, MrSMW said:

    Needs to be lockable on the next gen camera…if there is one.

    Plus more robust everything!

    The 2 "cheapest feeling" cameras I've ever used (and there are many) are probably the Olympus e-p7 (which felt hollow) and the Panasonic S9. The S9's rear d-pad is simply ridiculous, feeling much more like a GX800 than anything remotely premium. It really needed proper front and back dials and go for buttons on the d-pad for a minimum. Also, give us similar buttons as on the other FF cameras. I would have also preferred a flip-up, not out screen.

  16. 18 hours ago, Andrew - EOSHD said:

    It's a bit of a vanilla option when you can get a used S1 for same price which is same spec but a much more premium body, or pay a bit more and get an S9 with PDAF

    This logic rings true for so many cases. "With just a little bit more you get" will make you end up at 2k. In this case (S5 vs.S9), I think some people would pay more for the S5 over the S9 (and it's PDAF) to not have the limitations of continuous lighting only and no indoor shots at high SS of 1/100 (no banding in PAL regions)... never mind the weather-sealing, mic port, better IQ (in 4k, especially with RAW) and EVF. Doing it all again and a lower budget, I'd probably get the S5D + 18-40 for 799 euros (new with 5-year waranty). After, I'd get some awesome Konica lenses.

  17. 19 minutes ago, Andrew Reid said:

    Providing a five-year social media history to border agents may become a pre-condition to entry as part of the rise of fascism in America.

    https://www.bbc.com/news/articles/c1dz0g2ykpeo

    The new entry-rule is doubleplusgood. Giving five-year socmedia record to Borderforce is only goodthink. Right citizens with nothing to hide welcome full truthcheck, for it keeps out crimethink, facecrime, and all ungood elements. Freedom is Strength, and more watch means more freedom.
    The Party merely sees what all goodthinkers already show. Only unpersons fear oversight.

  18. 19 hours ago, fuzzynormal said:

    Oh god.  That thing.  When online people complain about lousy footage with the cliche "was that shot on a potato"?  They're probably talking about the D90's codec.

    Yes, I think even my Pentax K5 (the first ever capable interchangeable lens camera with built in, sensor shift IBIS) shot better video than the Nikon D90.

  19. On 11/28/2025 at 6:06 PM, fuzzynormal said:

    Surprisingly, I found the EM10iii footage the most pleasant looking color-wise when exposed correctly.

    Not surprised. I love the video from this camera when I see it online. I love the footage in this simple family video. Shot in "muted" with FilmConvert applied on top. Kit lens.

    I once filmed a wedding with a GX80, a Sony 1080p pro-level camcorder, a Nikon D90, and a Nikon D3400. It wasn't easy to match to say the least, but I was able to keep the story center-stage, not the crazy colors of each camera.

     

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