Snowfun

Isn’t the question “what camera should I take in addition to the Insta360?” Thats the starting point. Size wise FX2/3/30 might be worth looking at? I suppose it all depends, too, on the intended audience - family & friends, film festival submission, BBC documentary etc. I think if I was undertaking such a mammoth project I’d want a decent cloud account to offload files as I go. The Blackmagic offering might be worth investigating? Sounds fun. And hard work!

There is a tendency here to equate “I can’t afford it” or “it’s not what I need” or “I don’t like it” to “it’s too expensive” or “it’s useless” or “why?”. These are very different. This camera will sell - to those who can afford it and for whom it does what is wanted and who are attracted to the form factor, build and features. Notice how it is already being mentioned in the same sentence as the Q. That is already a win for Sony. Maybe not for “us” but I suspect that buyers are certainly out there. Including potential Q buyers. I’d have been a bit tempted but I’ve recently streamlined into a non-Sony system (more on this later when the rest of the new kit arrives!).

Just as a matter of interest. what grading did you suggest for this knowingly faulty kit?

(Deleted - apologies)

And, as Sham 69 once said... 'urry up 'arry.

I thought this was interesting: https://www.filmsupply.com/articles/j-cut-vs-l-cut/ Helps to understand the relationship between audio and video and how each engages the audience.

I think the best approach here is to analyse what you like and try to replicate it. Once we begin to understand why we like something about an edit the process is much easier. Much more fun than trawling through endless tutorials explaining how to do stuff you don’t even like…

Some of the AI generated Trump stuff on IG is superb. We’re in for a golden age of stand-up comedy. Although how can you make the Trump joke any funnier?

The worst thing about this is that whereas 5 of my papers/books appear, 37 of my wife’s make the grade!

Use the screw attachment holes on the body. I recommend Hawk-Woods batteries because they are cheaper than Sony but are reliable. There are all sports of options but only you can decide if you trust them. I didn’t find any issue with the open battery door (sold mine because I didn’t get along with the fiddly ergonomics). There is no magic solution - adding power to the camera will add bulk and cost!

Obviously it depends on “small” but a dummy battery to a Smallrig (I assume there are others?) Sony NP (F970 for example - Hawk Woods make decent ones) adapter is useful. It will, of course, attach directly so there is no need for a cage.

I’m not sure anyone would adopt that rather silly & superficial definition. “Buy local” is usually taken to mean that IFF a choice is available then one might reasonably decide to buy the one with fewer transportation costs, is supportive of a local economy and meets the needs of the consumer. Anyone naive enough to think that this applies to cameras - which are so obviously “global” it isn’t worth stating - possibly shouldn’t be contributing. As a relevant example I might look at Hifi - lots of options but certainly possible to “buy local” (thinking Sugden, Chord Electronics and Spendor in my own case). Or chickens.

If an (unintended) consequence of all this nonsense is “buy local and buy less” then that will, I think, be a good thing. Not protectionism. Not jingoism. Not anti-globalisation. But nevertheless possibly better for the planet and for our own health & wellbeing.

Well, you did ask… my memories of the Yashica Mat will always satisfy my artistic streak. But possibly no longer relevant to this topic!

If, for some reason, you are happy with the quality of the gopro12, why are you even thinking about other cameras? If you have found the camera which does what you need it to, isn't that sufficient?