Matt Kieley

And here's the finished test video of the Rokinon 12mm cine with the bmpcc. Ignore our messy house, and don't tell my girlfriend I let all of you see it.

I got the Rokinon 12mm cine lens for my bmpcc, and I love it so far. These were all shot wide open, and I was surprised by how sharp it is. Nice bokeh. And I love the perspective of this focal length on this sensor size. I usually prefer a wider lens, previously owned the Rokinon 10mm, but much prefer this lens now. Maybe my focal length tastes are changing. This might be my new favorite lens.

I love the image out of the pocket as-is, even if it "only" shoots 1080p. If they re-used the sensor in other camera, all I'd wish for is a camcorder form factor (with an interchangable MFT mount not a built-in zoom) with a fold-out articulating monitor, full-size HDMI and/or SDI, false color, and takes larger Sony, Canon or Panasonic camcorder batteries, instead of DSLR batteries, for improved battery life. It wouldn't be a pocket camera, but they already have the Pocket camera for that. I like the BM doesn't create "MKII" versions of their cameras, they hold more of their value in the used marketplace, as opposed to a DSLR that gets replaced every year or two with a new model.

I have the juicebox battery this time around and it's fantastic. I shot a music video on Tuesday, it all day (8 hours, with a couple of brief travel breaks), never had to charge it during the shoot. I have it on the back of a rig with 10" rails and acts as a good counter balance.

I bought the Pocket again last month because nothing else would cut it. It just has such a pleasing, rich image to it, with great color.

Damn. Now I wish I hadn't just spent $450 for a used G6, 14-42 lens and other accessories. I would have paid an extra $50 for a new G7.

Let's keep the shitty digital videos coming. https://vimeo.com/13324192 Another one shot with the GS90. Anamorphic HV30. GL2.

Thanks for all the compliments, it means a lot. I like the D5200, but I wasn't crazy about it. I originally did a pass with FilmConvert, and everything but the blood looked good. It was Tungsten lit/balanced, but the blood would look orange or brown depending on the stock, so the final grade is just Vegas color corrector and curves.

I've always loved lo-fi video and music. This is a re-edit of a short I shot in 2005 with a Canon GL2 (my first prosumer camera): And of course I shot my first feature on the DVX100. I still kinda like the look of it. This was the movie-within-the-movie of my first feature, shot on the Panasonic GS90:

I made a new horror/comedy short film for Halloween. Shot on the Nikon D5200 with Nikkor Ai Lenses (and the kit lens).

Thanks, guys! I gave the T2i a shot, and I believe I got some good images, but I've decided to move on. I bought a Nikon D5200. Maybe I'm just not as good as Kendy, or he does a lot of post processing or even has an anti-aliasing filter, because the noise and moire are horrible, and you can't even push the exposure or color temperature...like at all. I've only shot a little bit of footage with the D5200. It's detail level is closer to Panasonic, but just a little softer in a pleasing way. It's clean even at ISO3200, and man it grades nicely. You can push the exposure and color temperature surprisingly far without creating a ton of banding (at ISO 3200, I haven't even tested it in more well-lit situations yet), and there's barely any moire. Also, I've really missed having an adjustable monitor. The real test will be my next short film shoot. Of course, this camera is 4 years old so I still believe you can get great stuff with old tech. I still think a lot of stuff I did with a hacked GH1 looks good. But I need a little bit more flexibility than the T2i can deliver. I've also used the 7D and 5DMKII on other people's shoots and they still hold up pretty well. They did something right with those cameras (and the 5DMKIII from what I've seen) I think.

I made a new music video for nonnsha with the T2i, Magic Lantern, Sigma 30mm, and Sigma 18-50.

I you're broke, young and just barely learning, do what everyone does: buy those cheap hardware store clamp lights with the reflective dome, diffusion gels, and a bulb. Ikea LED bulbs have a pretty good CRI. And the sun. Maybe a white poster board from a Dollar Store for bounce. You can also get light sockets and China balls from filmtools. You can also get 4 socket light heads and cinese LED panels for under $30 on ebay, though I'm not sure how good those are. They could end up being an unreliable waste of money. http://www.filmtools.com/ligdep/lighting-equipment/light-fixtures-kits/chinlan/12chinpaplan.html http://www.filmtools.com/chinlansocas-7860.html https://www.bhphotovideo.com/c/product/31919-REG/Lowel_D2_72_Frost_Gel_for_DP.html http://www.ikea.com/us/en/catalog/products/30257485/ http://www.homedepot.com/p/75-Watt-Incandescent-Clamp-Light-HD-200PDQ/205139241

I like it a lot so far, especially with Magic Lantern. It's nice having False Color built right in, no external monitor required.

It's my only camera, aside from my iPhone. I had to sell the bmpcc to pay for the T2i and lenses. I am hoping later down the line to add a GH4 and/or DJI Osmo to my bag, whenever I can afford them.

Sigma 30mm 1.4 with T2i

Thanks!

Bill tells Jennifer about a dream he had. BMPCC/Rokinon Lenses/FilmConvert.

I met Tommy Wiseau at a screening of The Room. As my friends were finding seats, I decided to get in the line for photos. After a series of group photos, I approached Tommy Wiseau and said "It's just me." meaning I wasn't part of the group behind me, He took what I said to mean I came to the movie alone. He then starts calling out "Ladies! Come take a picture with us! He is all alone!" Then a group of girls crowded around us for a photo. The screening was wonderful. It was one of the most fun movie experiences I've ever had.

Birdemic is a classic and an American treasure. Right alongside Troll 2 and The Room.

Now all they need to do is make a Cine Zoom lens and they'll have a perfect line-up of manual cine lenses.

By native Prores support do they mean the ability to render it in-program? I'm using Vegas 13 and can edit Prores. It edits probably more smoothly than other compressed formats I've used. Still, I've been using Vegas for 12 years so I'm looking forward to seeing what else this change brings.

I got a Nikon Nikkor 50mm f/1.4 Ai in the mail today, and I love it. I tried it out on my T2i along with Magic Lantern and Visioncolor CineLook, and I'm loving this combination (graded with FilmConvert). I'm sure everyone already knows this/has posted about it, but this lens really is sharp at f/1.4 (which is the aperture of these grabs). I'm liking the 28mm 2.8 Ai as well: Wonderful lenses.

Thanks for the recommendation, I definitely will. In search of video examples I also found LightForm. Any experience with that? The videos look great.

Thanks. I was definitely taking in mumblecore films at the time I made it (2009) but I was more influenced by Wes Anderson, Noah Baumbach and Jim Jarmusch. It was shot on a Panasonic DVX100 (original model, not a or b). I may have to buy that pic profile. I'll probably give Magic Lantern Cinestyle a shot first, and if I'm not satisfied I'll buy Kendy's.