fuzzynormal

Bidding my time for an EM5III. Loved the EM5II, but 'til they offer it w/4K, I'll keep shooting LUMIX. My only worry is that Oly won't get to 60p 4K. Anyway, the EM5's are still the best cameras I've ever used that really fits my ergo preferences. Shooting with them was always fun.

Yes. So can any camera released in the last 8 years. If you don't know why, then I kind of think worrying about what camera you're buying is just a little misguided. 2cents and all that...

I'm not a fan of Windows at all. I too "feel cheap inside" using it, definitely prefer to work in the OSX environment. Then again, to be fair, I've not had many crashes of Premiere on my PC. FWIW, I keep my PC super clean software-wise. Hardly anything else installed on it: pretty much the most minimal OS install I could manage, + hardware drivers, and then my Adobe apps. Would certainly love to get back to Mac someday soon, but PC's are cheap and fast --and the modularity of that environment is nice. OTOH, I'm fascinated by running Resolve on Linux. Probably a stupid rabbit hole to crawl into, but still interesting.

Is that a problem? Color is always manipulated.

Subtle, but effective!

I will eventually, but they just got the cams a few days before this particular volunteer project --and for talking head stuff it was fine as is. I mean, that's a $90 camera getting that shot. Not bad.

That's a bunch of bounce from nearby orange furniture, actually...but yeah, I could even it out in post; not gonna get too crazy though, just looking to get it in the ballpark.

It's an unhacked GH1. I'm currently in an edit seat not my own. It's a donated crap monitor/PC-setup, so I'm not really sure what's what... FWIW, I'm thinking the mids need to be warmer, but if it's decent, I'll roll with it.

Looking for color feedback based on what I'm doing during a volunteer gig. (shot using daylight)

Is this thread ironic? I don't know. Old guys aren't supposed to employ irony. It's against the rules once you're over 50.

Fine. Simple and useful. Any decent/old 2.8 on an M43 camera are perfectly acceptable as far as I'm concerned. Really, for less than $200 you're shooing with capabilities that any filmmaker from a generational ago would have killed for.

Well, in that particular example, absolutely no question about it! ;-) Everyone buy a Gh5 instead of renting an Arri. Random guy in the internet said so.

Back in the day lots of filmmakers would shoot on older-tech film stocks 'kuz they were cheaper than the less grainy stuff. Or, they used older film stocks because it gave them a look they were going for. Not much different from deciding what sensor to use now-a-days. The thing is, technology advancement blew through the financial barrier about a decade ago. At this point anyone that's deep into wrangling the best IQ out of something...is probably just doing it to wrangle the best IQ out of something. There's literally about a hundred consumer cameras for under 1K that will allow a "Filmmaker" to go out and capture awesome footage. Hell, to support a school's volunteer filmmaking club, I just bought a GH1's for $95 and a Pentax f2.8 prime lens set 18mm, 24mm, and 50mm for $50. A laptop to edit 1080 footage can be had for, what, $250? If that's not the doors wide open, what is? Someone with skill in the craft could make that look not only fine, but exceptional. It will never look AS GOOD as a better camera in a good craftsman's hands, but people don't watch narratives to pick at the technical details. Accomplish the goals of good storytelling with decent cinematography and you're on your way. Love new gear stuff, but there's so much else to concentrate on, just can't get excited about it anymore. One more anecdote: I'm on a film festival committee, one of our selected films was shot on the GH5, another on the Arri. Hand to god, while I can certainly tell the difference, the IQ is such a non-factor it's ridiculous. The lighting in the GH5 film was creative, the Arri film lighting was boring...

FWIW, I swim in a different pond on a totally different continent, so yeah.

Defining that is a sticky wicket, ain't it?

HA! I rent SD streaming movies to save a buck, can't tell the difference from the other side of the room, so...

I think the tools are fine. It's more a question of what one can craft using them.

How can you judge anything by that footage?

Ooo, fun. Gotta get this on my wife's x-pro. Will make a great b-camera for interviews.

Crop and clean, or do a re-shoot. Unless you can't afford it, definitely do the reshoot. School of hard knocks, baby.

Quick test: record that line under a blanket. If it sounds a lot better, it's a baffling issue and you're recording in a room that's too live. Deaden it a bit.

That's fine and all. What could happen and what probably will happen with the USA internet is ridiculous. I'm speaking anecdotally about my subjective opinion about how it all fits in my life. Damn straight people are getting manipulated every day. There's a whole deeper discussion about free will and how our perception of that is constantly, and easily, controlled by these big biz'nezz-ez. The ability of online companies to emotionally sway people is fascinating...and as I sad, insidious. I no longer consider the internet a safe playground. Haven't for about 15 years. And it's always getting a bit worse. Also, you can't fix stupid -- you take advantage of it ---which is why companies that want to make a ton of money turn to those people first to acquire it. But, like I said, I could just pull the plug on it and improve my life. What's stopping me though??

You know what? Yeah, it's a bit stupid and unfair. Egalitarian is better than segregation. But there's a silver lining. I'll play contrarian real quick. It's a bit of an outlier type of attitude I suppose, but here it goes: The older I get the absolute LESS I want to deal with corporate nonsense. When they segregate me from their mainline of "content" I'll just roll without it. Good lord, it's all mostly a pile of nonsense anyway. Can't stream Netflix? Ah well. Good, that'll save me 40 minutes looking for a mediocre film to watch and then 2 hours doing so. I'll just read that book I've been ignoring for 10 months. Seriously, the more ubiquitous the internet becomes the more annoyingly insidious. I could use an industry imposed firewall. I can tell you with complete honesty, if my access to the internet turned into 56Kpbs dial-up tomorrow then I'd be okay with it. I'd consider it a f'in' blessing. I swear to God it would IMPROVE my quality of life, not diminish it. Too much internet is not helping me be a better person. Full stop. My mesolimbic dopamine pathway has been turned into an Elon Musk hyperloop by this beast. Just getting off Twitter and Facebook would save me. Seriously, I know in my bones that I'm going to be lying on my deathbed someday with this running through my head, "Jeeze, way too much time online, wtf was I thinkiiiiiiiiinnnnng... gasp...ack..." Look, I'm older. I lived an interesting life without this stuff before, enjoyed that lifestyle, and I kind of want to do it again, tbh. Those with non-stop high speed don't know what they're missing. Stop looking down at your phones! You're wandering onto my lawn, get the hell off it you young whippersnappers.

I'm gonna hook a fancy smartdevice up to one of those old Letus FF lens adapters. That'll freak people out when I tell em my film was shot with a "phone"

I'm waiting on the E-M5III too... Then I'll be DONE. No more GAS.