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Sebastien Farges

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  1. Like
    Sebastien Farges got a reaction from andy lee in GH4 new 4K photo mode firmware in anamorphic 1.75x quick test   
    Thanks :) Video here :
    '?do=embed' frameborder='0' data-embedContent>>
  2. Like
    Sebastien Farges got a reaction from nahua in Very first samples : VIDEO in new GH4 photo 4K mode   
    GH4 new 4K photo mode firmware in anamorphic 1.75x quick test     Here is a quick test with the new firmware V2 "photo mode" 4K in 16:9, 3:2 and 4:3 Sorry I forget the 1:1, anyway for my 1.75x anamorphic...  :P   GH4 4K photo mode baby Berthiot Hypergonar 1.75x lens Qioptiq LINOS MeVis-C C-mount 35mm f1.6 @ f1.6 with the diopters and f4 for the others shot SLR Magic 1.3x + 0.33x diopters Vcine mode with EOSHD setting Premiere Lumetri 60's color correction + levels adjustments
  3. Like
    Sebastien Farges reacted to ADC in GH4 new 4K photo mode firmware in anamorphic 1.75x quick test   
    Looks bloody marvellous. Can't wait to see the video. Great work Seb. Thanks for posting.

    If this baby goes raw, too, then the GH4 is all I'm going to need.
  4. Like
    Sebastien Farges got a reaction from yannis.zach in GH4 new 4K photo mode firmware in anamorphic 1.75x quick test   
    GH4 new 4K photo mode firmware in anamorphic 1.75x quick test   Here is a quick test with the new firmware V2 "photo mode" 4K in 16:9, 3:2 and 4:3 Sorry I forget the 1:1, anyway for my 1.75x anamorphic... :P   GH4 4K photo mode baby Berthiot Hypergonar 1.75x lens Qioptiq LINOS MeVis-C C-mount 35mm f1.6 @ f1.6 with the diopters and f4 for the others shot SLR Magic 1.3x + 0.33x diopters Vcine mode with EOSHD setting Premiere Lumetri 60's color correction + levels adjustments     Video stills (video available later)              
  5. Like
    Sebastien Farges got a reaction from nahua in GH4 new 4K photo mode firmware in anamorphic 1.75x quick test   
    GH4 new 4K photo mode firmware in anamorphic 1.75x quick test   Here is a quick test with the new firmware V2 "photo mode" 4K in 16:9, 3:2 and 4:3 Sorry I forget the 1:1, anyway for my 1.75x anamorphic... :P   GH4 4K photo mode baby Berthiot Hypergonar 1.75x lens Qioptiq LINOS MeVis-C C-mount 35mm f1.6 @ f1.6 with the diopters and f4 for the others shot SLR Magic 1.3x + 0.33x diopters Vcine mode with EOSHD setting Premiere Lumetri 60's color correction + levels adjustments     Video stills (video available later)              
  6. Like
    Sebastien Farges got a reaction from ADC in GH4 new 4K photo mode firmware in anamorphic 1.75x quick test   
    GH4 new 4K photo mode firmware in anamorphic 1.75x quick test   Here is a quick test with the new firmware V2 "photo mode" 4K in 16:9, 3:2 and 4:3 Sorry I forget the 1:1, anyway for my 1.75x anamorphic... :P   GH4 4K photo mode baby Berthiot Hypergonar 1.75x lens Qioptiq LINOS MeVis-C C-mount 35mm f1.6 @ f1.6 with the diopters and f4 for the others shot SLR Magic 1.3x + 0.33x diopters Vcine mode with EOSHD setting Premiere Lumetri 60's color correction + levels adjustments     Video stills (video available later)              
  7. Like
    Sebastien Farges reacted to Andrew Reid in Canon 7D Mark II video specs vs the enthusiast DSLR competition (GH4, A7S, 5D3)   
    It isn't that simple. No line skipped or pixel binned 1080p from a 20MP sensor will EVER look cleaner than 1080p from a 4K source file.
  8. Like
    Sebastien Farges reacted to Andrew Reid in Canon 7D Mark II video specs vs the enthusiast DSLR competition (GH4, A7S, 5D3)   
    That makes zero sense.
     
    4K = clean 1080p!!
  9. Like
    Sebastien Farges reacted to Andrew Reid in World premiere - SLR Magic APO 50mm T2.1 PL mount cinema lens   
    Hong Kong, China (September 12, 2014). SLR Magic will present a new CINE lens to the public from the APO-HyperPrime lens family in the upcoming Photokina 2014 fair in Cologne at the SLR Magic booth (Hall 5.1, L-011). The SLR Magic APO-HyperPrime CINE 50mm T2.1 is the first lens of the family. It achieves outstanding images under challenging lighting conditions. When taking pictures with many image-dominant, open light sources, it is common for correction defects to show up. Because the SLR Magic APO-HyperPrime CINE 50mm T2.1 is an apochromatic (APO) lens, longitudinal chromatic aberrations are corrected by its unique optical design and special selection of optical elements. The color defects are therefore significantly lower than the defined limits. Bright/dark transitions in the image, and especially highlights, are rendered with no colorful artifacts.

    Read the full article here
  10. Like
    Sebastien Farges got a reaction from Andrew Reid in MOVIE 2 : (SLR Magic 10mm T2.1 on GH4 4K) A sunday afternoon in the parc Majolan   
    I’ve been asked to do a movie with longer clips, no digital zoom effect, movement, no indian ;) … Here it is ;)
 â€¨My impressions ont the lens : solid, heavy (420g), compact, sharp at full aperture T2.1, only 8.5cm minimum focus distance.
The ND filter : good first impressions, and two great options on it : lever and hard stop ! Perfect for video !
     

    A sunday afternoon in the parc Majolan
    (SLR Magic 10mm T2.1 on GH4 4K)
    SLR Magic 10mm T2.1 on GH4 4K and 96fps 1080p mode
     
     
    This is my second movie with the upcoming SLR Magic 10mm T2.1(eq. f1.8), and their upcoming variable ND filter ! (released in october 2014)
    1st movie is here :

     
    SLR MAGIC 10mm T2.1 (f1.8 eq.), shot between T2.1 and T5.6
SLR Magic ND variable filter
    GH4 4K cinema mode + 96fps 1080p mode
EOSHD cineV settings +0, -5, -5, -2, +2 (eoshd.com) but pedestal on 0
    No color correction
    Music : Robert Wyatt « Sea Song Â»
     
  11. Like
    Sebastien Farges reacted to Inazuma in THE FIRST MOVIE with SLR MAGIC 10mm T2.1 on GH4 4K ! EXCLUSIVE !   
    Sebastian, are you thinking of doing any real short film projects? With characters, dialogue, etc :)
  12. Like
  13. Like
    Sebastien Farges got a reaction from ToniDove in SAMPLES !Sony A7 + Novoflex adapter ring + Nikon 50mm E Serie f1.8 + Redstan clamp + Bolex System Moler 16/32/1.5X anamorphic lens   
    SAMPLES !
    Sony A7 + Novoflex adapter ring + Nikon 50mm E Serie f1.8 + Redstan clamp + Bolex System Moler 16/32/1.5X anamorphic lens
     
    More samples and larger on my Flick'r :
    http://www.flickr.com/photos/43243778@N04/sets/72157638698522816/
     
     

     

     

     

     

     

     

     

     

     

  14. Like
  15. Like
    Sebastien Farges reacted to Andrew Reid in THE FIRST MOVIE with SLR MAGIC 10mm T2.1 on GH4 4K ! EXCLUSIVE !   
    Really nice video as always :) Loved the music too, Trentemøller are playing in Berlin tomorrow, might go and take a listen.
  16. Like
    Sebastien Farges got a reaction from Andrew Reid in THE FIRST MOVIE with SLR MAGIC 10mm T2.1 on GH4 4K ! EXCLUSIVE !   
    Hello my friends,
     
    Here is my first hand's on with the SLR Magic 10mm T2.1 I just received on wednesday in premiere, and also with their new variable ND filter :)
     

     
    SLR Magic 10mm T2.1 on GH4 4K and 96fps 1080p mode     My very first impressions : solid, heavy (420g), compact, sharp at full aperture T2.1, only 8.5cm minimum focus distance. The ND filter : good first impressions, and two great options on it : lever and hard stop ! Perfect for video !   SLR MAGIC 10mm T2.1 (f1.8 eq.), most of the clips @ T2.1 SLR Magic ND variable filter   GH4 4K cinema mode + 96fps 1080p mode Vcine mode with Andrew Reid presets (http://www.eoshd.com)   No color correction   Music : Trentemøller « Come Undone (Trentemøller Remix) »
  17. Like
    Sebastien Farges got a reaction from Inazuma in THE FIRST MOVIE with SLR MAGIC 10mm T2.1 on GH4 4K ! EXCLUSIVE !   
    Hello my friends,
     
    Here is my first hand's on with the SLR Magic 10mm T2.1 I just received on wednesday in premiere, and also with their new variable ND filter :)
     

     
    SLR Magic 10mm T2.1 on GH4 4K and 96fps 1080p mode     My very first impressions : solid, heavy (420g), compact, sharp at full aperture T2.1, only 8.5cm minimum focus distance. The ND filter : good first impressions, and two great options on it : lever and hard stop ! Perfect for video !   SLR MAGIC 10mm T2.1 (f1.8 eq.), most of the clips @ T2.1 SLR Magic ND variable filter   GH4 4K cinema mode + 96fps 1080p mode Vcine mode with Andrew Reid presets (http://www.eoshd.com)   No color correction   Music : Trentemøller « Come Undone (Trentemøller Remix) »
  18. Like
  19. Like
    Sebastien Farges reacted to Andrew Reid in SLR Magic 10mm T2.1 world premiere, 1st video stills !!!!   
    Really nice shots sir.
     
    Looks to perform pretty well. Mine has arrived, will check it out soon.
  20. Like
    Sebastien Farges got a reaction from Andrew Reid in SLR Magic 10mm T2.1 world premiere, 1st video stills !!!!   
    Hi everyone,
     
    I've just received today the upcoming SLR Magic 10mm T2.1(eq. f1.8), and their upcoming variable ND filter !
     
    My very firsts impressions : solid, heavy, compact, sharp at full aperture T2.1, only 2cm minimum focus distance.
    The ND filter : good first impressions, and two great options on it : lever and hard stop !
     
    Here are some pictures of the lens and of the variable ND filter, photo stills and video stills from GH4 C4K footages (most of them @ T2.1).
     
     
     
    THE COMPLETE SET OF PICTURES IS HERE :
     
    https://www.flickr.com/photos/43243778@N04/sets/72157646791136410/
     
     
     
     
    Movie is coming soon  :)
     
    TECHNICAL INFOS PRESS RELEASE at the end of this post
     
    Thanks for your interest
     
    THE LENS :
     
     
    SLR Magic 10mm T2.1 by sebfarges, on Flickr
     
    SLR Magic 10mm T2.1 by sebfarges, on Flickr
     
    SLR Magic ND variable filter by sebfarges, on Flickr
     
     
     
     
     
    SLR Magic 10mm T2.1 + SLR Magic ND variable filter by sebfarges, on Flickr
     
    PHOTO STILLS with GH4
     
     
     
    SLR Magic 10mm T2.1 photo still by sebfarges, on Flickr
     
    SLR Magic 10mm T2.1 photo still by sebfarges, on Flickr
     
     
     
    4K VIDEO STILLS from GH4
     
    SLR Magic 10mm T2.1 4K video still by sebfarges, on Flickr
     
    SLR Magic 10mm T2.1 4K video still by sebfarges, on Flickr
     
    SLR Magic 10mm T2.1 4K video still by sebfarges, on Flickr
     
     

     
     
     
    TECHNICAL INFOS PRESS RELEASE :
     
     
    NEW: THE SLR Magic HyperPrime CINE 10mm T2.1 and SLR Magic 77 ND 0.4-ND 1.8 filter

    SLR Magic expands its micro four thirds lineup with new wide angle lens
     
    Hong Kong, China (September 3, 2014)  - SLR Magic expands the micro four thirds lens lineup with the new SLR Magic HyperPrime CINE 10mm T2.1 wide angle lens. With this latest addition, the portfolio of lenses for the micro four thirds system is now comprised of thirteen focal lengths. The product will be officially introduced during upcoming Photokina 2014 fair in Cologne.
     
    The field of view of this new HyperPrime Lens corresponds to a 20mm lens in 35mm format and this fast wide angle of view opens up many new creative composition opportunities, particularly in the fields of interior, architectural and landscape cinematography and photography. Additionally, a fast max aperture of T2.1 makes the SLR Magic HyperPrime CINE 10mm T2.1 ideal for available-light photography.
     
    We place our highest priority in the development on our lenses to fulfill the demands of professional cinematographers and photographers. The design and build of the SLR Magic HyperPrime CINE 10mm T2.1 is solid and reliable.

    The SLR Magic 77 ND 0.4-ND 1.8 filter is a solid variable neutral density filter providing a reduction of about 1.3 to 6 stops. The 0.4 to 1.8 density creates a darkening of the entire image, allowing you to photograph with a wider aperture or slower shutter speed than normally required. The degree of density is easily controlled by rotating the front filter ring via the non-removable lever. By slowing your exposure time you are able to control depth of field and convey movement more easily. Both filter substrates are combined into one filter ring, this filter is low profile and helps to eliminate vignetting on most lenses. The front filter ring diameter is 86mm in diameter, further helping to reduce vignetting, on wide angles lenses such as the SLR Magic HyperPrime CINE 10mm T2.1 lens. 
     
    The SLR Magic HyperPrime CINE 10mm T2.1 (MSRP: $799 US) and SLR Magic 77 ND 0.4-ND 1.8 filter (MSRP: $179 US) will be available from authorized SLR Magic dealers starting end of October 2014.

    The SLR Magic HyperPrime CINE 10mm T2.1 will be first presented at Photokina 2014 fair. The SLR Magic stand would be in (No. L-011, Hall 5.1) during the fairs which are to be held in Cologne from 16th to 21st of September 2014. For all those who want to visit Photokina 2014 fairs.
      SLR Magic is currently looking for volunteers to test this lens at a special price. If interested: Send an email to support@slrmagic.com with the subject "SLR Magic 10mm T2.1 volunteer". Include sample videos/photos or link to photo/video reviews you have done in the past.
    Technical Data          

    SLR Magic HyperPrime CINE 10mm T2.1

    Lens Type:      

    Fast wide-angle lens

    Compatible Cameras:             

    All micro four thirds mount cameras

    Optical Design:           

    13 elements in 11 groups

    Distance Settings:                               

    Distance range: 0.20m to ∞, combined scale meter/feet

    Aperture:        

    Manually controlled diaphragm, 11 aperture blades , Lowest value 16

    Bayonet:         

    micro four thirds

    Filter Mount:                                       

    Internal thread for 77mm filter; filter mount does not rotate.

    Surface Finish:                        

    Black anodized

    Dimensions:                

    Length to bayonet mount:

    approx. 79.45mm (approx. 3.12in)

    Largest diameter:                    

    approx. 80.00mm (approx. 3.14in)

    Weight:                                   

    approx. 420g (approx. 14.8oz)          

             



    SLR Magic 77 ND 0.4-ND 1.8
      Type:

    Variable density 
      Size:

    77 mm 
      Filter Factor:

    0.4 - 1.8 (1.3 - 6 stops) 
      Front Filter Thread Size:
      86mm

     
  21. Like
    Sebastien Farges reacted to JohnBarlow in Introducing Rectilux FF Single Focus Adapters (Rectilux 5FF, Rectilux 7FF & Rectilux 9FF Announced)   
    This thread is dedicated to the discussion and testing of Rectilux FF single focus CinemaScope adapters   For product specification, pricing, availability and business matters please visit my web site below as a matter of courtesy to our host.   http://www.transferconvert.co.uk/cinemania/     The vintage look digitally remastered...    revisioneered   I have a vimeo channel set up for the tests here:   hxxps://vimeo.com/channels/rectilux              (passwords are on the web site)   I also have a flickr account set up to view stills, which is the best way to evaluate sharpness etc   www.flickr.com/photos/125986580@N05/sets/72157646313357302/   I will shortly have a blog up and running, but you are very welcome to discuss these breakthough products here.     Blog now set up at   http://www.rectilux.com        
  22. Like
    Sebastien Farges reacted to JohnBarlow in "Scarface's like" wedding :)   
    Well done Seb, l liked the car chase stuff, very Luc Besson-esque  ;)
  23. Like
    Sebastien Farges reacted to Cosimo murgolo in EXCLUSIVE !!! SLR Magic 17mm T1.6 (prototype) on 5 axis stabilization OMD E-M5   
    lovely video, and Belfast, I love the king crimson's music
  24. Like
    Sebastien Farges reacted to Ivor Koons in FOR SALE: Baby Hypergonar Anamorphic Adapter x1.75 + Acc.   
    Hey Guys, I finally decided to part with my beloved Baby Hypergonar, which as of now is listed on ebay Germany.
    http://www.ebay.com/itm/Baby-Hypergonar-Benoist-Berthiot-Cinemascope-Anamorphic-adapter-/111411274822?
    It is perfect for run and gun anamorphic shooting. Pick up and a chat about the lens and the setup in Berlin would be welcome, too!..
    A matching Tokina +0.4 achromat is listed in another auction.
     
    Best,
    Ivor
  25. Like
    Sebastien Farges reacted to robtilbury in Bringing back that 70's style - ANAMORPHIC short.   
    Hey guys.
     
    Another short i shot. GH4 Anamorphic.
     
    M42 mount taking lenses and a 70's Vivitar zoom.
     
    Another model 1 on 1. 70's vibes and shooting.
     

     
    the 2k pro-res looks awesome, one day vimeo should get there shit together!
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