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  2. @PannySVHS C300 II codecs are very good for dynamic range. With C-LOG 2 you can easily recover an overexposure of 2 stops and maybe even more. The only case I feel the codecs are not robust enough is when you grade footages of C-LOG 2 in low light.
  3. Thanks... Is the screen that bad for your usage? There are pretty different information from reviewers. Also, I suppose ou know it, and know better than me, but just to remind - actual power of BM camera line lays just in these magic sliders at the left in Resolve when using raw files It is so mystical exciting to me to see how blown highlights getting back their picks, how truly molding is WB... I can't resist to feel that something similar maybe it is still possible with my life: bring back to life picks of hopes, totally change skintones of my destiny...
  4. Thanks buddy. I am glad you are not silent any more and enjoy the forum
  5. Today
  6. Soooo I'm going to throw stones here a bit. I tried out the camera an had some serious problems with it. The form factor threw me off. Why for the love of god are BM still putting reflective screens on their cameras for video? Tried to test out the camera for a upcoming short. Honestly it did not immediately strike me as being better than the image from my D750, though zooming in the compression differences do show the advantages of the Pocket. The Dynamic range is worse than I was expecting, about on par with my D750. It is vastly inferior to the URSA mini that I had tried previously, and is actually a surprisingly noisy image out of the camera (cleans up nicely in Resolve denoise). Crop factor was harder to deal with than expected without adding a speedbooster or buying all new glass. Also wanted to rent cine glass for the short, and there is limited options available for wides. Most of all seeing the continuing issue of IR contamination from BM sensors seriously drives me up the wall. Color is better on the BM, but wondering if a external recorder on the D750 will bridge the gap even further. Blackmagic (Prores HQ 4:2:2 Arri Alexa Lut) 28mm D750 (Neutral out of camera) 40mm
  7. An early look at pre-production version MC21here
  8. I just found this 5D Mark II ML Raw video by accident. It’s an ML Raw test from the early days. It is a test for a horror film so it has some graphic/violent content... in case that bothers anybody.
  9. For sure there are so many different aspects and layers to reckon in it, but back to the topic... I'll get in wednesday Moza Air Cross - it has interesting unique feature of expandable plate space, so I'm curious if P4K can fit in it without additional accessories. Strange, I didn't yet manage to find anywhere if somebody has that gimbal working with P4K. Although it has 1.6kg payload, it is still enough for that camera and yet very light (under 1kg). Air Cross could supply power for GH5 or Sony cameras via dumb battery, and I think that the same easy could be possible with P4K and Canon LP6 with maybe just changing jack in... I bought it for Micro cinema camera so will see...
  10. I have a question, not strictly about color grading, but I'm trying to put together a workflow for testing my ND filters for color fidelity before starting a long-term documentary project. I'm going to compare two different ND fader types (Heliopan, Aurora) and my fixed ND filters (Breakthrough 3/6/10 stop). Here is my plan, bur please tell me if I'm missing something or completely wrong: 1) Stick with a single lens, single camera with a set color profile (GH5, natural) 2) I'll be using my son as a model (for skin tone checking) and an X-rite color checker video passport. 3) Custom balance with an expodisk (or maybe better to just set the camera to a fixed sunny/5600k for consistency? 4) Expose the shots for the 28% grey at 50% IRE??? 5) Shoot some video at a few apertures (vary the shutter speed) without any ND filters as a baseline. 6) Take some video at various apertures with the ND filters - start at widest aperture (darkest ND) and stop down by 1 each time (varying the fader to get the right exposure) Here is where I especially need suggestions to see how "accurate" the images are: 7) Use vectorscope to see how well the colour patches "fit" as well as the skintones. How can I tell how much "shift" there is from the baseline? Thank you so much for any advice!
  11. Oh I don't dispute there were an amazing bunch of talent in that Era, but a hell of a lot of people like that are mostly Rebels at heart, a good thing. Not creatures of normal behavior. Do their own thing. The problem is they are a prime target for a Jackass like Stalin, Hitler. They all, even the intellectuals, all want a better world for everyone, but Communism is just a F ing power grab and money grab, that the end result is even worse conditions. It is the biggest scam in the world and a ton of people fall for it whether willingly or forced, most forced. And death and destruction follows all of it. Communism just doesn't work in the long run. It just ends up corrupt as hell because the "people" are no longer in control of Anything. The leaders just end up being a different kind of King like you had before, only WAY worse and cruel. Human life doesn't amount to a shit. I have lived long enough to see a lot of evil. And it is Never going to end until the world ends. There is Always a evil Bastard out there with some Pied Piper song to sing.. We have California here to propagate those crazy people lol. It needs to break off and drift out to sea. Ehh, maybe sink in the process, all lives lost. It's a silly ass State. And Hollywood leads the way. With Jerry Brown, the modern day Pied Piper. But he was not Hitler, he had Some good intentions, it is just not able to be sustained.
  12. Sorry, it was contrary. After that movie he received whole support... But that pre-Stalin era was (just in term of creativity and indeed revolutionary ideas) totally different from usual manner represented in West: some of the greatest painters, writers, directors were offsprings from initial enthusiasm of pure revolution, before it degenerated in Soviet version of controlled state.
  13. He filmed Movie with a Camera before all that happened to him. He fell out of favor way after that movie. Yeah at the end he may have seen the light as they say, but he was thick in it in the beginning. Shit happens. But still. He ain't no film hero of mine, talent or not.
  14. Oh no... Maybe you are thinking about Sergei Eisenstein? Dziga Vertov filmed Man with the Movie Camera in exile in Ukraina after he lost job in central Sovkino at Moscow because of criticism of mainstream line of Party (he than refused to make pure propaganda approach of Advertising and the Soviet Universe for the State Trade Organization). But because of success of it - yes, they hired him again and made mutual creative parthership
  15. Yeah that whole era over there was a shit storm of revolt and reform. Some good, but mostly pretty terrible. Main reason for WWII. Full of crazy ass people. Stalin, Hitler, Mussolini.
  16. Dziga Vartov was supported by the whole communist system doing their propagands. He had hundrends of people working under him. Same as Riefenstahl. The whole system working for them. Did my thesis about WWII, propaganda and Italian neorealism.
  17. Shit I was WAY better than he was. 😜 You tend to over exaggerate stuff. It is not even in color, and the cuts, phhff lol. Pretty poor use of Photoshop if you ask me. Why didn't he use Digital? 😀
  18. Actually, Dziga Vertov was all alone (I'd dare to try after your leading: alone as ass of hell?)
  19. Yeah but had a crew of thousands, not really, but you get the point, to help him out. Hell All he did was direct, maybe stick his face in the viewfinder every once in awhile. He didn't do Everything like the average person has to do, they do all of it, or maybe have your crazy uncle hold a boom mike, the easy part. 😜
  20. Yes, well, me personally more and more did this (but with luxury to choose) stuff for money But it doesn't matter... Recently I watched again some De Sica's movies - what a richness and uncanny taste in framing with his than-a-days modest BW cameras! What perfection in evolving scripts through language of visual evocation of emotions! What a usage of perspective plans with totally absence of shallow DOF! Whole give-me-just-Alexa-color-science-and-nothing-else and flying crans mumbo-jumbo are smashed to trash in front of mind that experienced, suffered and searched enough and have something to convey about it... Excuse me for digression, back to the topic: De Sica, or even Dziga Vertov, had not any gimbal, but shoulders are always with us
  21. There excuse was that its a stills camera, even though that doesn't even completely convince me. They should have no excuse with the GH line. I think the GH6 will have to be something really incredible. (6k 24 fps and 4k up to 120fps) with IBIS, and hopefully a new auto focus system, though I somehow doubt it. Maybe they'll put in a non handicapped Vlog as well.
  22. I can tell you from experience when you start doing this stuff for money you spend one hell of a lot of nights awake. You are into a business that mostly on paper you have ONE shot at doing it. And if Anything is off by a good bit your goose is cooked no matter what you do to try and repair it, either in Post or with the Client. And there is always some talented as hell 16 year old kid down the street that is nipping at your heals. Because now they can get in pretty cheap at the start and look like a shooting star to you and your clients lol. Then it pretty much boils down to who screws up less, and has the better ideas. That is what keeps you up at night, because that is an unsustainable career path to always be better and perfect. Because now a hell of a lot more people can get into doing this stuff, and all of them can't all be stupid lol.. Just do this as a hobby, a cheap hobby and be happy, or work for someone else lol. YOU might live longer if you do.
  23. Yes, but, from the other side, as pretty serious intruder from plethora of creative realms, I'm so often shocked how "shallow", one-dimensional and lacking of (time and knowledge and inner peace for) truly original perception/ideas are people strictly learned for film making... And how restricted are with their instruments, as fundamentally deprived in capability for play, for empathy, for seeing different angles and perspectives... What I deeply regret is that I saw such enormously talented men and women at vimeo, with some so deeply original ideas and concepts that are high above of resulting artistic level (or lack of it) of regular movie productions... but those talented people, being poor and outside of mainstream connection, will stay forever anonymous
  24. This camera ticks almost every box for me, great ergos, IBIS, 4k60p, 10-bit, weather sealing, etc. except possibly the most crucial one - AF - but it does give me hope the a7s3 or the next Nikon will get it all right. While its a step up from the a73/a7r3 in some respects, its not enough to push me out of Sony-land. Nikon came close with the Zed 6/7, but that single card thing and its battery life are not something I'm going back to, plus the Zed's AF is still way behind Sony's. The a73/a7r3 has served me well since I shoot tons of stills for paid work and I've moved from a mostly handheld video shooter to an everyday gimbal user. I don't think I'll ever own a Panasonic until they admit DFD-defeat and add PDAF, its just so much more efficient for run-and-gun shooters. The next gen Sony sensors Andriodlad keep posting spec sheets show the new Sony sensors will leapfrog everything currently available in a big way, combine that with a new processor and an updated version of the a9/a6400 AF and you'll have the ultimate hybrid. But I'm happy to see this and the S1r - and the Nikons for that matter doing raw externally - this should push Sony to finally go 10-bit internal and up the bitrate. Chris
  25. Yeah I would spend my money on a Zacuto Gratical HD LCD with a shoulder rig over a 7" monitor and the MX. Now if you have a crew looking over your shoulder, or you are looking over their shoulder lol, than I can see the 7" monitor. But man looking though a high end eyepiece is pure joy over an external monitor, especially outside. The big trouble is you probably need to have both, and that is why doing video is so damn God Damn expensive if you want to get serious about it. That is why I got out of it years ago, there is no end to the money you really Need to spend to stay competitive. And now with new stuff coming out every week that is actually better than what you got, it is a Death Sentence now to do it. You are Always going to feel behind. Because lets be honest, this newer stuff is just flat easier to use. Manual everything is a pain in the ass when you are rushed, or tired, or frustrated, or worse, unsure of yourself in the job you are undertaking. Man now that is when it is some scary shit.. And that will, and does happen when big money is on the line from a client.
  26. I'd friendly second that regarding your demands - type of shooting with focus pull system and 7inch monitor doesn't call for relative advantages that might afford gimbal (more appropriate for lighter camera-lens combination). It could be too clumsy to move and operate, paying equal attention to focusing, proper gymbal operation, hands movements, you will easily loose spontaneity and concentration on shot. If a gimbal is the must - than better search for such that could be somehow fix to the body, as some sort of added extremity Once again, I think that goal shouldn't be deadly non-shaking slide, but how to achieve natural movements - and get corresponding natural looking footage - without too distraction.
  27. I don't want to sound silly but how strong are you? If you are on the bigger side go Ronin S. It is sort of the best there is for the money. I don't see how going with the lightest one is going to work with all the stuff you are adding. The Dji Ronin mx with thumb control is some pretty big boy money, not counting heavy as heck. It weighs 6.11 lbs without the thumb. None of them you will Need to buy with all that weight you are adding are going to be light. Running around holding 10 lbs out straight half the day doesn't sound like my cup of tea. Maybe you need to think about a vest. Depends on what your shooting situation is, maybe it is 30 seconds at a time? Maybe you just need to add More weight and come up with a good shoulder Rig and be done with it. Heck of a lot cheaper, and a lot easier to operate unless you are going for total perfection and a lot of low angle stuff, even then you can use a handle to get that kind of angle. You can hold a 20 lbs or more rig on your shoulder for an amazing amount of time. Been there done that. Either way, the bigger you go the bigger your Wallet better be, and your body. At least with the MX you Could add that Monitor you have, but 7" sounds a bit big, and a extra battery, Mike, LCD on and on. The Gimbal alone can handle 10 lbs, not counting what you can add to the cage. It is the most veritable. But also the most money by far. Decisions, decisions.
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EOSHD C-LOG and Film Profiles for All Canon DSLRs
EOSHD Pro Color 3.0 for Sony cameras
EOSHD Pro LOG for Sony cameras
EOSHD 5D Mark III 3.5K RAW Shooter's Guide


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