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Nobody really cares about GH2 stuff anymore but I figured I'd post these here anyhow.  Anyway, while we're waiting on financing to materialize for our next feature, Tim and I decided to shoot a series of spec commercial spots to go after some cashflow business.    All of these were shot using the Flowmotion patch and graded with Shian Storm's ColorGHear Tools for AfterEffects, each one geting its own look.  They pretty much cover looks from mild to more extreme.  Two of them, the beer and the BBQ spot, passed through Film Convert prior to grading.   http://vim

http://vimeo.com/64229408   ...my niece, Kinley, is not quite 2.5yrs and my nephew Connor is 7 months.  They were pretty fascinated by the big(gish) lens when they saw it, their extensive experience being photographed so far being mostly camera phones.  Kinley got over it pretty quickly though and was able to ham it up with perfect abandon.     GH2 (patch: Flowmotion) Nikkor 24mm f/2 Century Optics anamorphic 5DtoRGB CS6: PPro + AE ColorGHear

With a little luck, Goat Man's Hill will be going into pre-production on our next feature in the next couple months.  In all likelihood I'm going to shoot most of it with "Moon Trial 3" and anamorphic.  A good deal of it will be available light and night in urban spaces.  The basis for my finishing pipeline will be After Effects, Film Convert and ColorGHear.     I've started roughing out various recipes for how the footage will flow through the pipeline, mainly dealing with NR and then the right balance of grain to put back in.  At some point I may investigate C