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Found 5 results

  1. Emanuel

    ...your LUTs?

    Show us something from your liking... In the meantime, here are a few for free: https://www.premiumbeat.com/blog/free-luts-log-footage/ https://www.rocketstock.com/free-after-effects-templates/35-free-luts-for-color-grading-videos/
  2. First online social media advert for J'adore Models Manchester, shot on the Sony A7SII in SLog3. Used the excellent Zeiss loxia primes, 50mm f2 and 35mm f2. Recorded full-frame 4K at 24fps, shutter lower than I would prefer due to room lighting restrictions but decided to roll with it instead of using LEDs to keep a cinematic look, pools of light and dark shadows etc. Looking to shoot more of these throughout the year and would love to know what peoples thoughts were... We are a boutique agency in Manchester. Our guys and girls have the freshest and coolest faces on the scene. We bel
  3. Latest work shot on the Sony A7SII with Zeiss Loxia prime lenses. Online commercial for a british watch brand. The film will be used for website/blog use and also taking 15 second social media cuts for further advertising. Also used the excellent 3DR Solo drone for the opening wide and SLog3 profile for further flex in the grade. Hope you enjoy! We are inspired by traditional British styling & tailoring and modern ink culture to create a unique blend of convention and edge. This makes our collection truly distinctive. Our products are all beautifully presented and strikingly original.
  4. Two journeys, a plane into Macau, and the ferry to Kowloon, as the storm clouds come in. Panasonic G6, 20mm 1.7, neat video NR, ImpulZ LUTs Unfortunately the noise reduction means that banding is evident in the vimeo stream. It's a bit better if you download it. It got a nice review on Coconuts Hong Kong, which has never happened to me before. If you'll forgive me quoting my own good press! http://hongkong.coconuts.co/2014/08/08/video-fall-love-hong-kongs-typhoon-season-romanticised-wet-weather-treat
  5. skiphunt

    Nikon & LUTs

    Hi, Experimenting with the D5300 before I take it on a little trip to Mexico. Trying to get something close to a decent look before I leave, and with minimal gear. Have decided that the 18-200mm VR lens, while not perfect, is close enough to my manual glass to sacrifice some shallow DOF for the benefits of the VR stabilization. The trade-offs are worth having a wide range, macro, AF for stills, VR for handheld, etc. So, now I'm trying to get the in camera settings where I want them to be for grading in FCP X. I've been playing with the LUT Utility with test footage I shot using
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