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Showing results for tags 'Flowmotion'.
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It's the eleventh hour for the GH2, but it will still be a few months before I have its replacement in my hands so I am still trying to get the best possible performance out of it. And I'd still like to hang onto it as a B-cam, but not until I work some issues out. I did a full-range ISO test of my GH2 with the Flowmotion 2.02 settings, starting at 12800 and working my way down to 160. I did this after reading a little more about the GH2 ISO bug. Initially, I had read that if you wanted to use ISOs 320, 640 or 1250, you had to switch the camera on and first go to [i]any[/i] higher ISO, and then back to one of these three to minimize noise. Then I did some more reading on Personal-View and apparently what you want to do is go to the next ISO increment up, and then back down to the desired setting (so if you want ISO 320, go to ISO 400, then back to 320; if you want 640, go to 800, then back to 640). This seemed to result in a MUCH cleaner image than my initial tests with the first image. The footage is pretty usable up to ISO 1250, at least with the Flowmotion hack. What really surprised me was this: [img]http://www.eoshd.com/comments/uploads/gallery/album_13/gallery_18451_13_3510.jpg[/img] ISO 160 Flowmotion 2.02 Noise enhanced for visibility 500% crop [img]http://www.eoshd.com/comments/uploads/gallery/album_13/gallery_18451_13_74801.jpg[/img] ISO 320 Flowmotion 2.02 Noise enhanced for visibility 500% crop This tells me that working around the ISO bug as I have talked about above, ISO 320 is actually much [i]cleaner[/i] than 160. In fact, it's the cleanest ISO (at least with this hack on my camera). Thoughts?
My GH2's continue to get used in the most demanding of environments. I shot this corporate piece using GH2's in minus 20 weather in Edmonton, Canada back in November. Not a single card error or power issue, using Flowmotion 2.02. Cameras were rock solid. The weather made the grease in the takumar lens barrels pretty sluggish but everything held up great for the exterior shots. I continue to use a full minus green gel fixed against the sensor and manually WB for superb balanced colors with zero green cast for all interior and exterior conditions. I used a Kessler pocket dolly for slides and an hd400 glidecam for upping the production value. Lift shots we're from a 60ft Genie we hired out. Interviews were shot with 50mm and 35mm (with speedbooster). Interior interview lighting was with a 1k to a 5x3 bounce and a couple of Lowell pro kickers for hair and background lighting. Edited and coloured in the much improved FCPX 10.1
Nobody really cares about GH2 stuff anymore but I figured I'd post these here anyhow. Anyway, while we're waiting on financing to materialize for our next feature, Tim and I decided to shoot a series of spec commercial spots to go after some cashflow business. All of these were shot using the Flowmotion patch and graded with Shian Storm's ColorGHear Tools for AfterEffects, each one geting its own look. They pretty much cover looks from mild to more extreme. Two of them, the beer and the BBQ spot, passed through Film Convert prior to grading. http://vimeo.com/65760215 http://vimeo.com/65845523 http://vimeo.com/65759064 http://vimeo.com/65754973 ...there's a fifth one I'm dragging my feet on with motion-graphics and VFX. Focusing so much attention on shooting and learning more about cameras and playing around with grading and such it's actually hard staying motivated to work on tedious visual effects these days. Oh well. Anyway, we basically brainstormed quick, humorous concepts for each spot after coming up with a list of local or Texas-based brands. Then we shot them all over a couple days, minus a couple pick up shots that I went out solo to get.