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Showing results for tags '6D'.
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Magic Lantern RAW 14bit video. Graded in Davinci Resolve. Mostly 6D, very few shots on 5D3. Thanks for watching, Alex
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Hello! I'm a video producer and i'll be getting a new camera anytime soon but i can decide on wich camera to buy or if i'm supposed to wait for a while. I'm trying to decide between a GH4, A7s, 6D, 5D3, and some others, more expensive like the C-100. Everyone of this cameras concerns me about some things. The GH4 concerns me about the lenses, the MFT mount. I have some canon lenses, nothing great or expensive, but i know they are easier to find, more versatile. And when i wrote to Metabones, asking about the speedbooster MFT-EF, they answered pretty rudely (i guess they get that q
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With advice from some of you, I picked up a G6 recently for corporate video work (actually replaced my Canon 6D with the G6 to save money). I thought I was getting a GH3, but due to an inventory error by keh I ended up with no GH3, so I picked up a G6 off Craigslist. This is my first experience with Micro Four Thirds. FWIW, first impressions from my first weekend of shooting: Ah, the joy of a camera from a manufacturer who cares about video!! Now that I've seen how video-friendly Panasonic can make these things, I'm even more dumfounded that other manufacturers don't do the same thing (De
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Considering the other things I also have to (want to?) buy for an upcoming video shoot, the 5D Mark III is a bit of a stretch. So, I'm thinking about the Canon 6d as the main camera on an upcoming shoot. I have a separate audio set-up and don't do flash or studio flash photography, so those "issues" don't really concern me. The Mark III feels like I'm paying for a lot of AF and high-speed sports type features that I don't really need either. Really, there are only 2 things that have me concerned: moire and resale. The moire is really pretty bad with th
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I'm in a tricky situation. I have been saving for the last 6 months to buy a camera (about 3k) and am troubled about which one I really should pull the trigger on. I have been using purely Canon DSLR's for the past year by working for a friend filming and editing "cinematic" weddings as well as our first commercial work. For the past 4 months it has been enough for me to work full time on. We have used 5DmkII's and 60d's mostly with a full set up of L glass--all his. Now I want to own something for myself. I'm used to Canons but not terribly excited about their n
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http://vimeo.com/54352877 Thanks Johnnie for another enlightening test. The image is sharp (sharpened in post) but soft out of the camera. Confusingly though we now have a different problem. Some intentional market segmentation causing this to be a worse camera for filmmakers than it needs to be. Moire everywhere! Terrible aliasing! No headphone jack! Therefore I cannot recommend it for video and I urge Canon to put a halt to this kind of bullshit immediately. Just make each product as good as it can feasibly be for the money. I mean seriously how much does a headphone jac