thephoenix

how do you setup the resolve color management input when you shoot flog and hlg ?

there is this guy in france doing macro with fuji xt2. what he does is crazy. his name christophe pellé tech datas Fuji xt2, lens lomo 3,7x with bellow, motorized rail, led panel yn300 air stacking of 380 pics using Zerene Stacker,then Lightroom and photoshop

today i found very annoying that when using the ninja v the image goes black when the evf gets close to my gimbal, ok it is the sensor that goes from the back screen to evf but why the hell does it go threw hdmi ???

https://domvarney.com/2018/12/10/npw126s-counterfeits/?fbclid=IwAR2U-pjwPOMgjGeeMxOY2qtjORB2_b8DsY44FhT0WD1BJs4u0b7bjGTm9YU how to identify fake fuji batteries

isn't it a bit small ?? ?

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i've ssen this, i am puzzled as it is the first time someone reports this. ? will try as i have a lot of dci@60 h265 to transcode

maybe you don't want to be "normal" but i get the feeling. hey who doesn't have the blues sometime. be happy doing what you want to do, the rest will follow. (even if i know some paths are more difficult than others) maybe you should consider getting a cat

so i did a few more tests and it looks like 30fps is gonna be the setting for my next project timeline. the 60fps will be slown down by 50% and the 23.976 will be accelerated by about 25%, and 30 fps will remain the same. it looks ok in premiere

there is also a facebook group where it might be usefull to ask features. fujifilm x world

Thanks for all the answers. Funny thing is that premiere doesn't seem to have 48fps timeline. I get 50 but not 48. Did a quick try and my 30fps footage looks ok. And technicaly 1t fps can be a good option for the speed feeling, i know some productions do that to get the speed feeling. I'll do some more tests tomorrow. And yes i want all my footage to be speed up or slow. i understood than i cannot have both for the same fps in the same project. You're right i have to do some tests, looks like fun and a good way to learn. Just needs some time to do it.

4:3 i know but what is open gate ? is it for anamorphic ?

thanks. what else should i ask for ?

i will as it would be cool to have 50% slow mo when shooting 24fps. where should i contact them ? website i guess but which one ? europe usa japan ?

i am surprised not to see 48fps in the fuji settings, there is 50, is it the same ? i mean is 50 48 or is it 50 ad they didn't provide 48 ?

still thinkin and learning about framerates... i have this project i am shooting on monday. i want to shoot a character and want it to be slow motion, let's say about 50% maybe less. i also want to have cuts with footage that will be regular speed i mean that i need this images to be fast. these footage are in 30fps, already have them and i cannot reshoot them because coming from a trip i did in december. so if i set my timeline at 30fps and shoot on monday at 60fps it will look slow by 2x right ? what if i want the 30 fps footage to go faster ? can i accelerate in resolve or premiere ? will it be jerky ? i think i could set the timeline to 48fps for exemple then the 60fps would be slow and the 30 would be fast but something is telling me this is not a good id. what is your advice ?

https://www.fujirumors.com/fujifilm-managers-interview-ibis-in-smaller-x-t-body-is-necessary-xf-video-lenses-why-no-full-frame-xf-33mm-f-1-0-and-more/?fbclid=IwAR2F8O51WLq8dRjGKmCZReQ8uIozNi5alWRUO3y-Aj3UFgTPgJYC87v8n6E so the next xt will have ibis and a 33mm f1.0 to come soon ?

didn't know viltrox was making lenses ?

are you shooting long gop ro all i ?

anyone tried that ? https://www.filmconvert.com/download/camera-profile

just updated the fringer fw to 2.7. thanks

anyone has the fringer ef to fx adapter ? i have some footage done with my tamron 24-70 2.8 and i find it really shaky even with stab on, wonder if stabilization s working with the adapter ?

i had this with a mic and it was a low battery signal are you in france greg ?

i don't think anybody told me to shoot at 23.976, i think it is my stupid artistic brain that took over my logical brain. at the moment i only shoot personal stuff so i basically do whatever i want, and allows me to do the mistakes now (which is better than doing them on a job) ? i think i will stick to 24 for my personnal work as i like the smoothness of it, don't like the crispy footage of 60 and kinda like the blur in the movement. not sure there is much difference between 24 and 25. 30 i never tried. do you know if youtube / vimeo keep the original frame rate or if they "convert" the footage in a different one to comply with their standards ?