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About TARS

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    Vancouver, BC
  • My cameras and kit
    Panasonic GH5, Panasonic Leica 8-18mm, Panasonic Leica 12-60mm, Voigtlander 17.5mm

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  1. While the barrier to entry is getting lower gear-wise, the about of media consumed is going up astronomically, thanks to social media. This is baseless speculation on my part as a non-pofessional, but more and more on my Facebook and Instagram feed I'm seeing promoted posts from companies of all sorts putting out photos and videos professionally made for that specific medium. Everything from big brands to local weed shops. There could be a growing market to make 30 second type videos for businesses to fuel the content machine. If you're looking for business, you could try reaching ou
  2. If you watch it past the 2 minute mark, he's explicitly explaining what "he" did as if this was an unsubstantiated rumour that he had then figured out. What actually happened was two comprehensive videos were made, one doing exactly what he has copied, and another explaining the math. These were done by one guy and found nowhere else on the internet. He's seen the video and he copied it essentially verbatim. There would be no problem if he had at least credited YodaYeo for the discovery. But instead, he used the phrase "what I did" about a hundred times. If there was nothing wro
  3. Are the majority of Fuji lenses good for video? My girlfriend shoots on an X-T1 and I noticed when I took a picture with the 35mm f2 WR that it breathes like crazy. I'm definitely intrigued by the X-H1 because we're kicking around the idea of switching to the same camera system to save weight for travelling.
  4. Sucks that he had to add a request in all caps not to plagiarize his work in both the title and the description. I'm looking at you, Peter Gregg. EDIT - What's worse about Peter Gregg's plagiarized video is that he has gone through and deleted every comment from anybody pointing out the fact that he's presenting someone else's work as his own. What a prick.
  5. Except the $500 price difference between that and the GH5. The GH5 is a hybrid camera, so not all users need a LOG profile. The GH5S is a video camera, so it wouldn’t make sense to not include it.
  6. It’s not something that everybody requires. Panasonic’s explanation was the camera could cost $2000 without it, or $2100 with it, basically. Whether you agree with the logic or that a log profile is worth $100 is up to you. But that’s the only explanation they gave.
  7. Anybody buying a product from this company should read this first: https://www.motionvfx.com/mblog/how_to_make_money_on_violating_copyrights,p2217.html I’m not passing judgment on people who buy their products, but a lot of creators know what this feels like, so I thought people here might like to know.
  8. At the Dropbox link below I have created a "Fade In" and "Fade Out" title that you can use. Drop them over whatever you want to fade in or out and drag it as long as you want it to be. By default it is 2 seconds. I also put a saturation rig on it, so in the title inspector you can keyframe saturation if you feel like bringing something up in black and white and then adding colour as part of the 'fade'. https://www.dropbox.com/s/7x8hrct0tvte9mb/Fades.zip?dl=0 To install them, just unzip it, then put the "Fades" folder in Users>yourname>Movies>Motion Templates>Titles
  9. One thing that Final Cut is missing is an adjustment layer. So working natively can be a pain in the ass if you're adding something like a letterbox. The problem with the FCPX letterbox is that it gets adjusted along with the image if you use the transform tool. To get around it, you have to create a title to use as an adjustment layer if you want to be able to add things like letterboxes, or to be able to drag a lut across multiple clips or something. Ryan Nangle also made one of those and it's available for free here: https://sellfy.com/p/Nxcc/ I would also recommend getting Alex4
  10. I'm with Mattias. Once you learn how it wants you to edit, it's incredibly fast and intuitive. Regarding transitions, one thing that's really cool about Final Cut and Motion is that if you create your own transitions, you can save them as titles and drop them over top of your clips instead of having to put them between. This also allows you to stack them. For instance, if you make a wip pan transition and a spin transition and save them as titles, you can put them both over the same cut points and it will combine the effects. Ryan Nangle made a good video showing this recently. https
  11. I have my lower limit currently set at 400 because I'm still not sure that 200 is the base ISO in the linear picture profiles. Upper limit is usually 3200 for me, but I'm not doing client work so don't worry too much about the noise. You should do some test shooting to determine what an acceptable upper limit is for your use. You will still have to adjust the ISO manually if you don't put it on auto ISO. If you put it on auto, it will stay within the range you set.
  12. The reason there is a dedicated video button is so that when you're in any one of the stills modes (M, S, A, P, iA), you can quickly get a video clip by pushing that button without having to change to Creative Movie Mode (or whatever they call the video mode on the dial). When you're in movie mode, the shutter button which is normally reserved for stills also can be used to start video recording. Note that if you set your C1, C2, or C3 settings while in movie mode, the shutter will start video recording in those settings as well, which is really handy. Regarding ISO, I have been unde
  13. There was an interesting thread today in a GH5 Facebook group regarding the autofocus that will be of interest to many people here. This guy suggests in the video below that the autofocus can be dramatically improved by changing the shutter angle. He then goes on to provide proof with an adapted lens. In the Facebook group, several members have been confirming the results with both adapted and native lenses. Before you get too excited, in the video he says it only works for 25p or 30p, and no shutter angle adjustments help for 24p for whatever reason. If you can live with a 150
  14. It can be mapped to any fn button. The best part is that once it's set as a fn button, you can just hit the button twice to toggle between on/off. You don't have to push up on the joystick or wheel to change the setting like you would for quickmenu options. I mapped it to the button next to the lens and use it all the time. It's awesome.
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