ImagineArt

So far I am enjoying RAW 4K on the FP minus the fact I still can't see what I shot in camera. What are your experiences with Sigma's RAW performance and what are your thoughts on the dynamic range recovered in RAW? Below is a little stress test I shot in Boston a few months ago.
https://www.youtube.com/watch?v=dzpJutOB9XE&t=31s

So far I am enjoying RAW 4K on the FP minus the fact I still can't see what I shot in camera. What are your experiences with Sigma's RAW performance and what are your thoughts on the dynamic range recovered in RAW? Below is a little stress test I shot in Boston a few months ago.
https://www.youtube.com/watch?v=dzpJutOB9XE&t=31s

Minor update, still doing what Im doing, still digging and documenting what changes Im finding in the firmware, have started to explore with telnet and the camera. Its looking good. Have a few ideas on how it utilizes firmware updates but nothing solid yet. But I like how both stages are progressing. Although i wish I had more to show haha but dumping c isnt going to have a point! I should have a major update in a few days though!

I started playing with photos because I realised that it can be more appropriate than recording video most of the time. 
I love the night, I love lightning storms, and I love the seaside. So this image is a scene that I am fond of.
https://500px.com/R3dshift
 
 

Astral photography isn't the first thing I think of when I consider the type of photographer I am, but the experience of researching and going to this spot and tirelessly researching the techniques it took to get this shot I think really does sum me up. This is why I love this forum and what Andrew has done with EOSHD. I'm constantly reading what you all share and love the community aspect of being a creative person in this day and age. I very easily could've died getting this shot as I almost was bitten by a rattlesnake in the dark when helping another photographer with her camera settings. Makes it an even more memorable experience for me. 

On my past trip to NYC, I edited all of my footage (hevc) natively in After Effects. I had no trouble at all editing and rendering my NX1 footage (finally no more converting!).
https://youtu.be/0zN78OuY5Hs

On my past trip to NYC, I edited all of my footage (hevc) natively in After Effects. I had no trouble at all editing and rendering my NX1 footage (finally no more converting!).
https://youtu.be/0zN78OuY5Hs

I have been using nothing but manual primes on the NX1 since 2014. When I had to shoot a wedding in 2015, I decided to rent the 50-150 and take a chance. Overall, the 50-150 performed well enough in a dimly lit church and reception hall. My settings were around f/2.8-f/5.6, ISO 400-2000, and shutter 1/50-1/100 using burst rarely. The photo AF is not up to par with your classic 70-200 f/2.8 Canikon lenses but it did deliver when I needed it to. 
The 50-150 photo AF definitely struggles with faster movement in low light/high iso and is literally hit or miss. With slight movement it was pretty accurate most of the time. The pastor did not allow any flash during the ceremony which would have helped my shots big time (grain/noise and photo AF). Using the 50-150 outside was a dream (nice and sunny) and it didn't miss anything.
On a different note, the one thing I really enjoy about the 50-150 and NX1 combo is the video capability. During the wedding, I also shot about 30 minutes of 4k footage using the video AF and OIS. The 50-150 video AF and OIS is the best I have used to date. The video AF actually out performed the photo AF by a large margin (shooting the same scene) and this is while handheld at high focal lengths with high iso.
In conclusion from my experience on a paid gig, did the 50-150 perform well enough for photo AF in dark and fast situations? Yes. Did it perform as well as other popular lens/body combos? No. Would I use it again for a wedding? If I can use my flash or it is a sunny event, Yes.
Funny side note, as much as they liked the photos I think they liked the Bluray more.
A few shots from the wedding I spoke of.

Mirrorless, Oled screen, 4k, 1080p slow motion....maybe Samsung did sell some tech Nikon's way?

Well not the sensor, it's a Sony.
The OLED will be either LG or Samsung I think.
And it isn't a mirrorless camera, it is fixed lens.
Nice try