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DIGICHombre

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  1. Beautiful copy of Kowa Prominar Anamorphic-35 1.5x. Price: $1800 Location: Northeast USA Payment: Paypal, Venmo, Zelle 2.66:1 ratio. Very little internal dust. No scratches on glass. No fungus, or haze inside. Minimal exterior wear. Minor marks from mounting screws on outer barrel. Smooth focus. Bundle includes: custom front 77mm filter holder. 77mm to 72mm step down ring. Tamron Close-Up Adaptor Lens for 28-200mm (72mm) total of 2 lenses. Rapido 15mm rod mount connects to rear of anamorphic. Height adjustable, and easily align lens orientation. Lens is dual focus - requires focusing of taking lens AND this lens. Minimum focus ~ 5 feet. Diopter lenses reduce minimum focusing distance. Blue flares. Sharp center. One of the best vintage anamorphic adapters I've owned. Used in controlled environments. Video Samples: Sample 1 Sample 2 Sample 3
  2. I have a voitlander 75mm f/1.8 that works very well with an anamorphic, specifically Kowa C-35. On full frame Sony A7 series there was no vignetting. The one big catch is this lens was meant for rangefinder cameras I believe, so slapping it on a foal reducer on a crop sensor effectively turns it into a macro lens, and quite unusable. Haven't yet tried on Canon, or any other body yet. All I know is it needs to get pretty close to the sensor. Great photo lens nonetheless.
  3. Takumar, Helios, vintage Nikon, Voigtlander owner here at one time. I would say that voigtlander and takumar give the cleanest look if you can call it that. Takumar you can generally find for cheap. Voigtlander is expensive but sells expensive so it's a wise investment. Helios you can find for dirt cheap, but the look is definitely subjective. The low contrast look combined with odd bokeh can be irritating, however the investment is usually low thanks to so many versions of this mass produced lens out there. Having owned a few of vintage lenses and anamorphics myself you really are going to sacrifice some sharpness, and chromatic aberration, for anamorphic widescreen, and stopping down is almost always necessary for a "cleaner" image. But thats why we crave these lenses.
  4. Thanks Mercer, this is all very helpful. It's good you know all of this, because it has been hell trying to find any information on it myself. I'm basically attempting to track down compatible [and decently regarded] lenses on eBay using this list as a reference: I started my research for lenses on Alan's site. The Kiev or Krasnogorsk mount lenses seem the most economical (aside from the fact that according to his articles mounts can be tricky and/or expensive in addition) as a kit. The widest lens of the kit the Mir-11mm some say vignettes too much, or is too soft/blurry/etc. Most likely I would just want the Vega 7 20mm. The long lens doesn't make sense because I have quite a collection of full frame lenses I could easily modify if I wanted the super tele focal length. But I've read mixed reviews of the Vega 7 so don't really know what to trust. I like lenses with some 'character' and won't mind a little imperfections here or there (as an owner of Helios, Super Tak, mamiya, kowa, voigtlander lenses I understand vintage) but can't tell if the Kievs are just junk or pleasing/forgiving junk. I've seen a fair amount of decent examples of Schneider Kreuznach Cinegons but there seems to be a whole lot of different types, either old or new in C mount or Arriflex. Then there's a really sweet couple of Cooke Kinetal's a (17.5mm and 25mm) which look drop dead gorgeous, but the price of the lens, and the arriflex std mount is painful. I also looked at a Cosmicar/Taylor Hobson 25mm C mount, which looks (from the outside) almost exactly like a more expensive Angenieux. And most recently found these purportedly "very rare" cine nikkors which sound too good to almost be true and get mostly positive reviews of the few I've found. My main problem is I want to experiment with this BMMCC without having to re-stock a full set of lenses. Ideally a semi-wide and a normal 50ish equivalent. I toyed with speedboosters but, again, $$$ for the legit .58x version and even then, a significant crop. Cheaper chinese .71x versions just don't seem worth it. Vintage & inexpensive super wide angle s35/FF lenses are few and far between. I ALSO have a Kowa 1.5x anamorphic I want to use on this camera, which is another consideration when purchasing focal lengths for this camera. The widest taking lens I can go on a FF is 58mm + vignette, ideally 75mm + no vignette. So if my math is correct I'd need a 25mm super 16 lens at the minimum to pair with the anamorphic (due to the 2.88x crop factor). I'm hypothesizing here because, as far as I can tell, no public examples exist, and I don't yet have the camera to play around. Out of curiosity 2 questions: How did you like the BMMCC? I know it's a pain in the ass from the get go, ie the buttons, menu, iso, etc. etc. But worth the 13 stops dynamic range, 4:2:2 color space, Raw DNG? Got links to those Angenieux lenses you're selling?
  5. Thanks Mercer for your valuable opinion. Looking into vintage lenses for the BMMCC, which are few and far between, as well as a whole new ballgame as I'm new to 16mm, Super 16, and C-mount lenses.
  6. How did you like this lens? Reviews online are few.
  7. How does the HCDNA stay fixed to the Kowa? I assume held with tension screws as well?
  8. Sorry, dumb question I have the Kowa 35 1.5x. How do you attach the HardcoreDNA to the Kowa? Does it clamp down with screws?
  9. From my own tests a cropped sensor + 40mm + anamorphic adapter should not show vignetting.
  10. Hi, I'm interested in purchasing this but I don't quite understand how it connects to an anamorphic lens? How does that gold slip ring stay secure? Is it customized fit for every vintage lens ?
  11. Honestly I don't have enough information to make that recommendation. I am unfamiliar with the Bolex 16/32. I'm not sure what sensor size your camera is. If it's an APS-C then you might be able to get away with 40mm.
  12. Hello, I have this exact Voigtlander 40mm Ultron, and have used it with anamorphic adapters. First, the lens is amazing by itself. One of my favorites. With anamorphics, in my experience, I haven't found it vignette free, if you're shooting on a full frame sensor. Anything smaller and you have a bit more flexibility but I've used SLR Magic Anamorphot and Kowa adapters and they both showed obvious corner darkness.
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