ND64

CMV-12000 full well capacity is 13500 e Nikon D4 is 100k e so I think BMC 4k user better not go over ISO 800. I know its still decent for many

just few years ago, in Hollywood only, this could be happen 

[quote name='EOSHD' timestamp='1354039266' post='22468'] Again if we take the view that it is JUST content that is important, there's no motivation for filmmakers to put any artistry into their camera work and cinematography. A disaster. If we take the view that it is JUST image quality that matters and that the camera is the most important thing, you lose the motivation to work on the content and just churn out pretty timelapses. Is this balance so difficult for people to grasp? Why is every argument in 2012 polarised, be it about cameras, politics, music, anything... [/quote] why you limit the "artistry" to Resolution? and why not make balance in resolution? I think a 48 fps real 2k image is more balanced than a 24 fps (maybe fake) 4k. why not interprete "more is better" as bigger pixel area, which leads to more dynamic range and S/N ratio? I dont have any problem with 4k or 6k or 8k. good for hollywood, they have no issue buying hundreds terrabyte of storage for their RAW multimilion dollar projects. but for me, if %99 of my content is going to be viewd on phablets and tablets, 1080p is enough. I prefer whinning about deficencies like DR and color noise ;)

Movie name: End of Watch Budget: $7,000,000 Gross: $39,000,000 Camera: Canon EOS 5D Mark II,Canon EOS 7D,Canon XA-10,GoPro HD Hero People pay for content, not pixels

Andrew, the problem with 8MP FF sensor with same technology of current MarkIII sensor is Blooming! there will be too much electrons in that large pixel area