sandro

I'm looking for a lens like this with a constant fast aperture. What are the good options with an aperture ring possibly? It'll used on the NX1 with manual focus so newer AF versions are not important. 

14 minutes ago, andy lee said:

the Sigma 24-70 will give you a great usable range , 24mm for your wides , 40mm for your mids and 70mm for your close ups ,you can shoot 90% of a movie with that set up ! or put my favourite Nikon 28-70 f2.8 on it

These look they can replace all the primes I use... how much does it cost? Sigma is sharper or the same as Nikon?

I never watched this but if it has the same team as Breaking Bad it can look kinda bad. It's clearly shot on 16mm film and sometimes they even used the Canons for wide shots (it's my guess, I recognized the DSRL look).

2 hours ago, christrad said:

I don't know where u live but in Europe you can buy the NX1 (I did lol) for less than 800 euros !

NX1 price

wow... i paid €1300

I could help with my modest coding skills.

I would like a less evident NR to get better low light results

Anyone tried the Samsung 18-55 kit lens for pucs? How does it perform for video also?

Try to buy the "part" for $650  

they're great, still 16-50S?

I don't know what to say but at 1600 iso It's just too dark.

Assuming you use the camera with no lighting kits we can all agree the NX1 is very bad in low light, worse than the old 550D. 

I'm pretty sure Premiere will use all the cores, especially for encoding (h264 is multi threaded).

I would be happy with better low light performance (maybe less NR?) instead of 240p but that's just me

Which is?

Will it Work if you put them back on the card and unlock them from the camera?

I meant for the project in general not for warp stabilizer.

If you set an upscale won't it upscale also the original files when you replace them?

Hi,
now that Premiere supports h.265 I'm far away from my modern desktop PC which could handle 4k editing and I'm stuck with my slow notebook and I need to edit these 4k nx1 files. Even though my CPU supports h.265 HW decoding Premiere does not so not even the simple playback is possible.
I tried to convert in 4k prores and h.264 but the result is similar, I was thinking to edit in maybe 720p mpeg2, the problem is AFAIK Premiere has always caused problems with proxies for projects at different resolutions. I remember that if you create a 720p project with 720p proxy files than you can't later convert it in 4k with 4k native files the opposite goes if you edit 720p files in a 4k project (upscaled) and then replace the footage, you would create problems with effects like warp stabilizer.

So do you have suggestions?

You still can't change the lens aperture while using videos right? That's a big downside.

consider that the 11-16 is heavy...

I read the 5500 has a new sensor compared to the 5300, does it mean more DR for videos?

does the 5300 produce the same image as the 5500?

where?

Thanks I meant if it's 2009 Canon like fake HD....

is 1080p detailed? What are the differences between d5300 and d7100 for stills and video?

I tried to find it used but seems like nobody has it for sale! The first tip is great thanks

Hi,
I'm looking to use multi purpose manual lenses in Nikon mount for NX1 for pictures. Like a 18-200mm from Sigma (because the native Samsung's is too expensive/discontinued) and I'm having problems with the following:

1) how do you set a specific apertures like f/8 if you just have a ring on the adapter?
2) is it possibile to get manual focus peaking always on instead of pressing the "set" button every time?