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Posts posted by sandro
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14 minutes ago, andy lee said:
the Sigma 24-70 will give you a great usable range , 24mm for your wides , 40mm for your mids and 70mm for your close ups ,you can shoot 90% of a movie with that set up ! or put my favourite Nikon 28-70 f2.8 on it
These look they can replace all the primes I use... how much does it cost? Sigma is sharper or the same as Nikon?
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I never watched this but if it has the same team as Breaking Bad it can look kinda bad. It's clearly shot on 16mm film and sometimes they even used the Canons for wide shots (it's my guess, I recognized the DSRL look).
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2 hours ago, christrad said:
I don't know where u live but in Europe you can buy the NX1 (I did lol) for less than 800 euros !
wow... i paid €1300
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I could help with my modest coding skills.
I would like a less evident NR to get better low light results
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I dont have the 16-50S, way out of my budget unfortunatelly, these were all with Samyang 24mm f1.4 and Samyang 14mm f2.8. All of them are videoframes, even though the last ones dont have the black bars, thats because I forgot to add them.
Try to buy the "part" for $650
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I don't know what to say but at 1600 iso It's just too dark.
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Assuming you use the camera with no lighting kits we can all agree the NX1 is very bad in low light, worse than the old 550D.
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I would be happy with better low light performance (maybe less NR?) instead of 240p but that's just me
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Does the D5500 suffer the same horrific workflow the D5300 does?
Which is?
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Will it Work if you put them back on the card and unlock them from the camera?
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I meant for the project in general not for warp stabilizer.
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Wrap stabilizer cannot work with proxies of different resolution. You can do all the editing with proxies and apply the warp stabilizer at the end after you moved to the original files.
I haven't experienced any other issues with lower resolution proxies. Is there anything else?
If you set an upscale won't it upscale also the original files when you replace them?
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Hi,
now that Premiere supports h.265 I'm far away from my modern desktop PC which could handle 4k editing and I'm stuck with my slow notebook and I need to edit these 4k nx1 files. Even though my CPU supports h.265 HW decoding Premiere does not so not even the simple playback is possible.
I tried to convert in 4k prores and h.264 but the result is similar, I was thinking to edit in maybe 720p mpeg2, the problem is AFAIK Premiere has always caused problems with proxies for projects at different resolutions. I remember that if you create a 720p project with 720p proxy files than you can't later convert it in 4k with 4k native files the opposite goes if you edit 720p files in a 4k project (upscaled) and then replace the footage, you would create problems with effects like warp stabilizer.So do you have suggestions?
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You still can't change the lens aperture while using videos right? That's a big downside.
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consider that the 11-16 is heavy...
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I read the 5500 has a new sensor compared to the 5300, does it mean more DR for videos?
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does the 5300 produce the same image as the 5500?
And the D5500 is on sale right now for $499 with kit lens.
where?
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Thanks I meant if it's 2009 Canon like fake HD....
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is 1080p detailed? What are the differences between d5300 and d7100 for stills and video?
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Regarding 1), you can go by feeling which is probably not really accurate. What I do is set it to wide open and look at shutter speed & ISO, then I close down and count the stops by watching how the shutter speed and/or ISO changes. Is obviously takes a few seconds to set, depending on how quick you're with maths in your head. Another pragmatical possibility would be to just set the ISO fixed or set the AutoISO to the maximal acceptable value and then disregard f/stop and just open and close as much as possible without going into the underexposure warning.
I've seen the Samsung 18-200mm used in like new condition for 400 € yesterday on a German photography forum. I guess seeing how you're so sure you need a lens like that I'd rather bite the bullet and get a good priced used one than use an adapted superzoom with manual focus.
I tried to find it used but seems like nobody has it for sale! The first tip is great thanks
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Hi,
I'm looking to use multi purpose manual lenses in Nikon mount for NX1 for pictures. Like a 18-200mm from Sigma (because the native Samsung's is too expensive/discontinued) and I'm having problems with the following:1) how do you set a specific apertures like f/8 if you just have a ring on the adapter?
2) is it possibile to get manual focus peaking always on instead of pressing the "set" button every time?
Lenses
In: Cameras
Posted
I'm looking for a lens like this with a constant fast aperture. What are the good options with an aperture ring possibly? It'll used on the NX1 with manual focus so newer AF versions are not important.