toxotis70

you dont pay 4000-5000$ to have sub optimal footage....   but the best you can get.

or buy an ipad pro!

i think it will have line skipping or binning.....and massive RS.

i will keep my a7 iii.... until they make a clever codec for RAW, like BM.

I dont want to spent a fortune for 8k raw on CF xpress cards.

so, no internal RAW on 4k (60/120p) ?

On 12/16/2019 at 12:13 PM, Gianluca said:

I've purchased colorized aces slog2.cine3 and, finally, I can enjoy shot in slog mode on my a6300.... It's like have a raw file when you can get a proper exposure moving only one slider, i think that the same with withe balance.. 

Color are super accurate with finally red object that are red and not orange.... Thank you so much.. 

Can you tell us more ?

what exactly did you purchased and how use it!

maybe its because of EIS...it needs more room to do good electronic stabilization.

On 12/6/2019 at 7:47 AM, Deadcode said:

colorizer.net

for skin tones, what is he right exposure method for slog2 ?

read carefully ... NOT in 4k 60p !

android phones cannot record even a single stream 4k 60p without time limits-overheating...2 are impossible for a long time  !

Cinema dng? Why?

8 bit only..... no thank you!

in 8 bit ?

does it have Crop in 4K 50-60p ?

Is it 4k 60p  10 bit 422 recorded internally?

Its full frame or cropped?

something wrong with motion....did you shoot 4k 60p?

4k 60p only in APSC crop mode ?

so, no 4k 60p FF ?

Nikon has nothing bigger to protect, as Pany ,Sony and Canon !

same as Fuji did...XT3 witn 4k 60p 10bit FLOG internally 

There are other things in a6400 too....biggest positive is the elimination of 29 minutes in video!

another good thing is the adoption of HLG video, hdr video without the need of slog.

can i use those profiles on my canon eos m100 ?

is there any native 4k H.265 10 bit  footage,  to  download and test in my system, for editing ?

16-55 2,8  has smooth rack focus ?

Is there any demo video to see ?

is there ANY prime lens from fuji , that has SMOOTH rack focus from one point to another via touch screen , like canon and sony ?

rack focus with fuji is problematic.... on most  videos i saw, the transition is not as precise as with canon and sony (it passes the target and then goes back, like panasonic  does)

It seems like it uses contrast detection instead of PDAF.

h.265  file from XT3 plays fine on my i7, gtx 1060 PC in Resolve...even with 2 luts and heavy grading.