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Everything posted by Andrew Reid
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These kind of posts are really starting to annoy me. You are pointing out the obvious. In this case a difference in grading and shooting methods. And then you admit yourself that it's 'not the tool' to some how justify your love affair with a mediocre tool you're intent on buying because it fits your needs. It's not informative. It isn't useful technically or even on the subject of cameras. I can show you two different videos, one shot on an iPhone creatively and one shot on a Epic which turned out worse, so what.... It doesn't help people quantify the performance of one camera versus another, which is what this thread is about.
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Very interesting Dben. Do you have a link to the interview where the GH4 engineers talk about phase detect hindering the full pixel readout?
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And so the thread sinks :) There goes Canon's biggest launch of the year... 7D Mark II a couple of years ago would have set the internet broadly on fire.
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Sony FS7 versus the Canon C300 (and their own cameras too?)
Andrew Reid replied to Andrew Reid's topic in Cameras
Well there's a more positive way to look at it... FS700 has been out a few years now and you presumably got some nice shots which wouldn't have been possible had you not invested in one. Then if you sell it on eBay I am sure you will get a nice chunk of your original investment thrown right back at you by eager punters. I'd do it now if you plan to go FS7 though as the price is gonna go south pretty quickly judging by what my FS100 is now worth (around £1k!!) -
Nice, thanks for that.
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What the hell kind of camera does raw to SD card apart from the Blackmagic Pocket Cinema Camera?
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The Sony F55, F5 and FS700 now have a fierce competitor for less money, and it's not a Canon, nor is it a Red or a Panasonic. It's one of their own, the Sony FS7. Yet this cannibalisation may be worth it because the potential market for the FS7 is enormous. It's the fiercest arrow yet fired at Canon's most popular interchangeable lens video camera for pros, the Cinema EOS C300. With a design clearly C300 inspired and the new mount facilitating the use of Canon lenses, is the Sony FS7 going to cause a mass migration of pro video birds south to Sony dealers? Read the full article here
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The AJA CION is an upcoming digital filmmaking camera priced at $9k, based around the same sensor as the Blackmagic Production Camera. What this sample video demonstrates is that AJA seem to have applied some magic colour science to their implementation of the sensor. If you thought the 10bit 4K ProRes of the Blackmagic Production Camera and URSA looked good wait till you see this. Read the full article here
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It's pretty obvious Blackmagic users need 512GB SSDs because of the raw video file sizes. On a DSLR with compressed video and raw stills, why you'd need a 512GB SD is beyond me. Think of the amount of raw stills or H.264 clips you could store on that and the amount of effort & work down the drain if the card gets corrupted or lost. With a Blackmagic and 512GB SSD you'd lose about 2 hours of raw video, max.
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5 reasons the Olympus E-M1 will NOT get 4K video!
Andrew Reid replied to Andrew Reid's topic in Cameras
Anyone who spends their hard-earned based on a rumour is truly a twit. -
5 reasons the Olympus E-M1 will NOT get 4K video!
Andrew Reid replied to Andrew Reid's topic in Cameras
Indeed. And Mr Troll above says he is doing me a favour to visit the site. I should be so grateful to him! ;) -
It looks to be an absolutely fantastic camera. I wonder with the growing popularity of slow-mo work in all areas of production catered for currently very well by the C300, that the FS7's more advanced technology might be enough to force the C300 into the background. Depends on those ergonomics I think... But clearly they learn from the C300. Looks like a camera you can use without a rig.
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5 reasons the Olympus E-M1 will NOT get 4K video!
Andrew Reid replied to Andrew Reid's topic in Cameras
I wonder if users of my own forum will learn from basic human ethics, that in criticising the owner of a free resource whilst simultaneously being a signed up member taking advantages of the online services like latest news and a forum is unfair. Besides only an idiot would read a rumours article 'as factual'. -
You have to be put this in perspective dude. The 5D Mark III cured moire and aliasing like the D810 but nearly 3 years ago. The A7S also is very clean. You can now buy an A7S with a Nikon lens adapter and shoot with all the advantages that has, including S-LOG2, a 4K HDMI output and the best low light performance on the market, past ISO 3200 the A7S is far cleaner than a Red Epic, $30,000 Sony cinema camera or even an Arri Alexa. So Nikon finally catching up on one tiny aspect of the image does not make the camera special or worth having over competing models, in my view.
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Yep there's still a chance this is the strategy, but it doesn't discount the fact that the firmware might already exist for the E-M1. They are probably testing the codec this way. They might have no intention in releasing it for the E-M1, that's my worry. Could purely be a beta test and nothing more to come of it. I hope they do. It would be great and really help E-M1 sales.
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But it's only 117px tall! Do you have a screen grab of how the forum looks on your 1080p display? I could certainly use your web programming skills. Been trying to get a plugin that displays forum posts under the article like comments but to no avail :)
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Under $10k I believe.
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Dave Dugdale compares the Panasonic GH4 and Sony A7S
Andrew Reid replied to Andrew Reid's topic in Cameras
Nice tip, thanks. Here's another - I shoot video in stills mode so I have instant access to firing off a photo on the shutter button as well as a better quality focus assist http://www.eoshd.com/2014/09/youre-better-shooting-video-stills-mode-sony-a7s/ -
I'm still on the fence about FZ1000... why not just put a 14-140mm on a GH4? Ok it's cheaper and the lens on the FZ1000 does have a longer reach. Stablisation seemed pretty good when I was trying it out for the first time. So good and bad points to it really...