Andrew - EOSHD

Pros in 2026...

5 hours ago, Anaconda_ said:

They invented, solved the problems of and instantly became a leader in a whole new industry. Live, multi-cam immersive production. That's the closest thing to teleportation you can get without the risks of becoming half man half fly.

Imagine BBC's yearly Glastonbury coverage being shot and broadcast live with this immersive workflow. You'll have the whole festival in your living room, with clean toilets just through the door.

Arri and RED have film, Panasonic and Sony have indie and YouTube, Blackmagic stands alone on the forefront of a sci-fi world where the competition aren't even looking.

I don't care about any of that, just want a new Pocket cam

The reason Blackmagic are out of the consumer / prosumer market now, is that the Japanese cameras are too good and too cheap.

Blackmagic can't compete with an X-H2 shooting ProRes 422 8K for under $1500.

Also the profit margins in the broadcast stuff is massive.

It's funny isn't it, how the industry has pivoted back to where everything was before 2010, pre DSLR!

The only thing missing now are new small chip ENG shoulder cams! Then we can truly party like it's 2008!

Less with the YouTube spam dude.

The zebras work in 8bit on the display, any value above a certain brightness i.e. 250-255 get the zebra treatment.

When the picture profile is changed to Z-LOG for the wider dynamic range, and the values aren't clipping, the highlights won't get zebras.

Without hacking Nikon's firmware, it's not possible to add them for Z-LOG.

Happy easter everyone, good spring weather to get the camera bag out

Nikon has a new boss

An optics engineer... not an accountant. Wishing him well for the future...

Jordan is filming on Aizu primes in his bedroom.

These are $8000 lenses for a YouTube talking head

So he's a guy who knows a thing or two about creativity.

But the cameras they have picked for this video make you wonder whether the fundamental judgement is there or not.

They must have had their hands on just about every camera now, so aren't lacking in experience.

The Nikon Df is also in their slagging off list along with the lovely X-Pro3!

The Df... That's a bloody wonderful little tool to use, a pure pleasure and hands down the best optical viewfinders you can get - better than most pro level DSLRs, so unique in that respect. And it's really pretty.

The Olympus E-M1X is one of the most ergonomic and nice to hold camera designs ever made. Chris acknowledges this yet it's the main focus of the YT thumbnail

Best grip ever, built like a tank, really fast and flawless stabilisation.

It stands head and shoulders above the ergonomics of the G9 II or Panasonic full frame bodies of 2026.

I just don't get these guys...

Dumb as fuck.

Was vista vision really a 3:2 aspect ratio like full frame, even if it's for the cinema screen?

Did PTools ever get a ROM address probe feature like Magic Lantern?

This could be very useful in this day and age for a new adventure...

Hiding all the clutter would go a long way to making stuff like Resolve more usable, it's fine for professionals who actually need and use 1000 features but when you just want to get a quick turnaround done on a piece of video news journalism or a YouTube edit, it's total overkill central and as for newcomers it's totally baffling for them, and creates a sense of dread.

FCP's magnetic timeline is the sort of thing you need to learn and read the manual for, it never felt intuitive compared to Premiere. It doesn't work well for soundtracks, sends stuff out of sync, maybe I was using it wrong but I never figured it out myself and gave up on it (like a good proportion of the pro market did).

The situation today is we have a few iPad apps that are vaguely decent and a few Mac NLEs that look like Windows XP apps with too much clutter.

But if people have constructive design ideas for an alternative solution I'm all ears 🙂

The EOSHD NLE is already under way and basic prototype exists.

What if you want to crop as well? Quick Actions are too limited. Photoshop is too bloated. The in between solutions are all a bit weak.

Also on the image editing side, I might do something there.

I use Photoshop basically for resizing JPEGs 99% of the time. It's total overkill.

13 hours ago, eatstoomuchjam said:

I'm not sure what "a modern approach" is, but iMovie and Luma Fusion are both pretty straightforward and unbloated from what I remember - and they both run on Mac.  I'm not sure if either one has a lut editor, but 3d lut editor has been pretty good for a while now, hasn't it?

is the '3d lut editor' this one https://3dlutcreator.com

Costs 99 quid?

Seems very pricey when Resolve can be used as a lut creator for free.

Still, a sledgehammer to crack a nut.

And then you have iMovie which is a toy hammer to crack a nut!

I'm thinking of something else... Maybe an NLE and LUT Creator all in one for $39 which does away with all the bloatware and speeds up your workflow for 99% of edits.

I have used Luma Fusion, a touch screen tablet / phone app - I don't know about you but I hate NLEs on a phone, you just don't have enough screen real-estate.

It tries to do too much, and dates originally to 2004.

A modern approach is needed. New ideas welcome!

Sometimes it feels as if Resolve is a sledgehammer to crack a nut, and as for Adobe... less said the better 🙂

What is missing, I feel, is a quick turnaround NLE for the Mac.

My plan is to make a couple of apps:

- A Quick NLE, no fuss, no magnetic timeline BS, just works - 8K,4K, ProRes, HEVC support, GPU accelerated, LUT support and a nice built in colour grading tool

- A LUT Creator, import a RAW DNG Photo or V-LOG Video, and use colour grading tools to get the perfect look, export this as a Realtime LUT for your Lumix S9 or S1R II, and export as a plain old .cube LUT

What features do you think are needed most? Bear in mind we're not throwing the kitchen sink in there like Resolve. My priorities so far are...Apple style UI, quick to use, GPU accelerated, no stuttering, a much more lightweight app than Resolve, Premiere or FCPX which does one thing really well and that's edit really well and without a lot of clutter.

Suggestions welcome.

At this point Blackmagic should just buy ARRI and take over 🙂

21 hours ago, Aussie Ash said:

Yorgos film "The Favourite" is a damn good film as well.

He's a very interesting director that's for sure

Which 17K displays will HBO customers be watching this on?

Yep Z-LOG works with the Z50

I'll have a dig and host them here if I find the mother lode

Lots of diplomatic non-answers.

TLDR:

S1H Successor — Panasonic acknowledged the demand, but gave no timeline or product confirmation CineD, only saying they're listening to feedback from video creators.

Cinema Cameras — Panasonic hinted at future growth in this space, noting that merging its consumer and professional AV divisions will allow cinema cameras to "evolve even further," CineD but stopped short of announcing anything specific like a Sony FX3 competitor.

MFT is Not Dead — Tsumura-san pushed back on concerns about MFT being sidelined, pointing to recent releases like the GH7, G9II, and new LEICA MFT lenses, framing the dual L-mount/MFT strategy as one of LUMIX's core strengths.

S9 EVF — Panasonic is aware that photographers strongly want an EVF on the S9, and is weighing that against keeping the camera compact.

What's Coming — Panasonic teased "numerous exciting products and new workflow proposals throughout the year" L Mount System but gave no specifics.

"Tsumura-san confirmed that photographers who compose through viewfinders “strongly request the inclusion of an EVF,” and that Panasonic is considering the balance between compact size and EVF inclusion as they work to “meet the expectations of as many customers as possible.”

LOL. GM5 anyone?

56 minutes ago, eatstoomuchjam said:

It only took from July to August for my own country to go from demonstrating nuclear fission to dropping a fission bomb on a city full of civilians.

I thought there was some breaking news for a moment then!

What we're seeing with AI is what we see with human intelligence, in that it can be either the best of humanity or the most evil of humanity, and there's a similar spread of ethics on YouTube as well! On one hand the inevitable consequence of a free and open platform with no editorial oversight, no unifying force in terms of values, just a bunch of people doing what they do - some grifters, some artists, some enthusiasts, some engineers, some marketing, some desperate for money, others more interested in creating and less interested in what other people think.

I'm kinda upset Mr Burling won't be around any more as he was definitely in the latter camp of YouTubers who had credibility and an artist's vision.

I find a lot of the animation folk are the same... that field seems to attract people who are in it for the pure love of it rather than grifters just in it for the ego and the money. In photography and filmmaking the balance is more close to the middle, 50-50.

What I like about YouTube and social media in general is you can seek out the niche pockets of creativity and that it sits on what is now a big mainstream TV platform. A mainstream TV platform in the 'old days' would never have had the sheer amount of one-man-band content on it that YouTube has now.

So there's a lot to be grateful for with it as well as the other more negative side of it which is sometimes difficult to ignore.

It's a net gain overall though isn't it?

I will reconsider my own absence from YouTube soon and get some stuff out there.