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  3. yes, and it is a full hdmi out lol, it however, when connected, will disable the screen on the eos m the hdmi out displays ML menus too. superb!
  4. Hmm I still can't decide. Seems like the Rode wireless go is a bit better then the sony xsd-w. I like that its so compact, USB rechargable, runs up to 7 hours, so def long enough for 99,9% of anything that I would ever do. I have seen a video where the guy walks away from the transmitter and at 30m or something he turns around and shows his back to the camera and the signal was cut off because there was no line of sight and his own body probably blocked the signal. I presume this also happens to the sony xsd-w but not the sennheiser g3 or uwp-d11 or am I wrong? And should this also happen to the G3 or uwp-d11?
  5. @Papiskokuji If you can upload an internal and an external version of the same shot somewhere, I can take a look at it.
  6. oh I DISAGREE! Two of the biggest and most exciting announcements: Zaxcom Nova and Sound Devices Scorpio! 😉
  7. He gave a rave review of the Rode NT-SF1:
  8. I understood it was the opposite. The external files were the defective ones. I know there's the same problem with Sony external recorded files. The luminance range isn't the same (I knew the fix, to go from video range to full range, or the other way around). And there's also a slight shift in color. I've developped my "looks" for h264 files from my Sony's. I just bought the Ninja V (despite Jeromy Young's crazy act ) and I can't get the same skin tones with externally recorded prores files. They are more orangey and weird after applying a rec709 lut to the slog2 footage. I'd like to get the exact same starting point when I record externally. Anyone knows if I can use @Attila Bakos 's LUT ? Maybe you have a fix ? You seem to know much about these issues. Do you know if Sony's color difference between internal/external is the same interpretation problem from the NLE as with Fujis ? Anyway, very interesting video. It's a shame not more people talk about this issue which is big to me (external recording with all these cameras having a shift in color and gamma).
  9. They're all day long for me. If it is a loooooong production day then I will at lunch of midway through the second half swap out the batteries to be safe. Better safe than sorry
  10. How long do the batteries run on a uwp-d11?
  11. Would be a pain in the ass to do this while on talent! And the risks of the USB connection being damaged are SKY HIGH!!!
  12. Yeah I was thinking, as they are USB chargable, I could hook it up with small USB powerbanks. So that issue could be resolved this way. Yeah if the deity was the same amount of money, I would go for the Deity. Allthough it is 2X as expensive without a lavalier(so I could get a deity smic 2 with the money I save). As I will probably only will use this thing a couple of times a year.
  13. here a 3 of my 2 cents thoughts on the matter 1/nikon and fuji are the only two existing camera makers that can give us best uncrippled video because they are late to the game on the video side of the hybrid cameras market and have no cinema camera line to protect. blackmagic has already strated crippling their bmpcc4k by replacing the lossless cinemadng with a lossy braw that is inferior in quality in firmware 6.2 (they have higher prices cameras that still offers lossless cinema dng raw. it reminds me of GM that made an electric car in the 90s that threatened their ICE cars and then pulled back, look at the documentary it is interesting : https://www.imdb.com/title/tt0489037/videoplayer/vi2147287321 ), canon will never deliver raw on eosR it does not make any sense (or very crippled raw in order to not compete with their cinema camera line). 2/ one interesting thing to think about is that for photo there is no lossy raw, only lossless raw, i guess it is due to raw file size that is manageable for photo but not for video - when storage media price will go down in price and reach the 300mB/s write speed required for 4k 12 bit raw 24fps all these lossy video raw will go away, there will be h265 and lossless raw like there is only jpeg and lossless raw for photos. (we already have 1tb m2 ssd that writes at 500mB/s for around $100 today so it will just take a camera maker bold enough to add a m2 slot in their camera). 3/ the idea of lossy raw being a editing friendly video format that plays along well with your PC does not make sense because we will soon have video editing software that will automatically and transparently work with proxy video format under the hood, it is not available yet in video editing software because it need some extra code (i worked at adobe and looked at premiere code paths and i can tell you it is complex) but it will soon be as we are getting close to 6k and 8k raw, they will be forced to do the automatic optimized proxy video in order to be able to simplify the workflow and edit in real time in the UI on existing PC.
  14. A few lines into my post I wrote "8K prosumer". For the market and the price that would be enough. We are talking for a good sized 8K camera that it "may" be 1999$ (of course we will see about that, if it is less than 2499 is a good price). My NX1 cameras has DIS (Digital Image Stabilizer) and coupled with the lenses stabilizer (Dual IS they called it) does an amazing job if you know how to handle it. Canon also is investing in this. Personally, I detaste IBIS, I prefer either tripod shots or gimbals, but I can see that is a useful feature to have anyway. Just not a decision point for me.
  15. I use this for 12V output (Atomos, BM etc) with big Sony NP batteries https://www.bhphotovideo.com/c/product/900546-REG/ikan_BMC_PWR_PW_S_Blackmagic_DV_Top.html
  16. IronFilm

    Race to the bottom

    Me too, is everyone in this thread (aside from webrunner :-P ) aged 34? Yup, back in the film days just getting decent exposure and focus required a reasonable amount of skill. Far more than is needed today! Relatively speaking
  17. MrSMW

    Race to the bottom

    Which comes first (next), Planet of the Apes, or Terminator?
  18. IronFilm

    Race to the bottom

    Yup, no longer could you get a mortgage on your house, buy a camera and editing suite then be able to charge the earth for simple talking head videos because no one else was available to be booked. Then just hit record. Now you better be able to craft decent 3 point lighting plus decent audio as well, just as a starting point, and be a master of all the new upcoming trends and keep ahead.
  19. I legit don't know much about this so I won't speculate any more. And I doubt I'll learn much more than the rolling shutter timings, if that. I suspect I'll just learn if the C200 and C300 Mk II have the same amount of skew. I think I'm in over my head here, again. I doubt I'll get any significant info that's not already publicly available, but I'll ask if raw and mp4 figures are the same, too: if the sensor ever has to "wait up" on the rest of the imaging pipeline. I'm still not sure whether or not that's the case.
  20. If the rolling shutter speed matches the max read out speed of the sensor, then that just proves bandwidth to handle the data coming off the processor is not a bottleneck. But if the rolling shutter speed is higher, that then means the company didn't put in enough grunt into the camera to handle the bandwidth coming off the sensor at max read speed
  21. IronFilm

    Race to the bottom

    Researchers Observe Chimpanzees Using Pro Tools https://www.theonion.com/researchers-observe-chimpanzees-using-pro-tools-1829371950 😉 Next step is AI will replace the chimps
  22. If processor & resolution are strong RS factors (which I’m inclined to agree with) shouldn’t C200 have less RS since it uses dual DV6 digic processors running UHD instead of dual DV5’s doing DCI 4K on the C300 ii ??? @HockeyFan12 Please share with us the info coming from Canons sensor tech!
  23. i use a 20000mah pd powerbank for my xt3 and it is really great, especially for the price when you compare to v mount. mine cost me 25€, and it last almost all day long
  24. @Attila Bakos in your video you say it only affects fuji internal files, so no issue with ninja v files recorded from xt3 ?
  1. Load more activity
EOSHD C-LOG and Film Profiles for All Canon DSLRs
EOSHD Pro Color 3.0 for Sony cameras
EOSHD Pro LOG for Sony cameras
EOSHD 5D Mark III 3.5K RAW Shooter's Guide


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