Browsing: Lens

Above: Lily & Niklas magic hour amour, shot with OCT 19 LOMO 35mm anamorphic The OCT19 mount is a Super 35mm cinema camera mount from Russia, essentially was their equivalent of PL mount. Long time EOSHD readers will know I am in love with the look of OCT 18 mount lenses, but mechanically speaking they are very basic. OCT 19 lenses are improved mechanically, much more solid.

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One of my favourite lenses on the GH2 (if not the favourite) and the one that gets the most use is the Voigtlander Nokton 25mm F0.95. It offers unrivalled shallow DOF on the GH2’s 1.86x crop sensor and superb low light performance. However it is a photographic lens not really designed for cinematographers. Now SLR Magic are producing a cine lens rival for the same price – with minimal breathing,…

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The NEX 5N’s APS-C sensor behind a mirrorless mount opens up some new possibilities when it comes to adapting lenses for video. In part 1 I will cover recommended adapters and small walk-around street photography lenses which don’t compromise the compact size of the NEX 5N as a b-roll cam and digital rangefinder. There’s only one Sony pancake at the moment and it’s not very good so these are the answer.…

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All lenses are designed to be placed at a certain distance from the sensor. Too far away and you won’t get infinity focus. In fact – if it’s off by just a few millimetres your lovely lens will become a macro optic only useful for taking snaps of insects and flowers. So what DSLRs will your current lenses adapt to? The rule to follow is to see what your body’s flange…

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No you are not dreaming! Finally a new anamorphic offering, these are the first images of a modded cine-Iscorama. The lenses are built in England by Alan, a cinematographer. Only 8 exist. Above is the REDSTAN Iscorama 001.

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