Benjamin Hilton Posted 50 minutes ago Share Posted 50 minutes ago So I rented the Pyxis 6K this week to run some tests. We're building a new studio and I wanted to see if these would work for us in our workflow. My criterion for these studio cameras is the following: - Somewhere in the $2000-3500 range - SDI output - Solid 4k image - Clean image for fast workflow (no denoising in post) - Good autofocus - Simple workflow Honestly after spending a few days with the Pyxis, I enjoyed it more than I thought I would. It's a really simple camera body, and everything is laid out really well. It's smaller than I thought it would be, but built from a heavy duty metal, and kind of heavy overall, which I didn't mind. The 5" monitor is amazing. It's also built out of some kind of metal, but still thin and light. It powers and does video from a single locking USB-C cable. It's touch enabled, so the menus and autofocus can be controlled from there, and the image is really bright and easy to see in the sun. It's honestly just really nice to be able to put the camera on a tripod, plug in the locking and included AC adapter, plug in the monitor, and you're good to go. No janky adapters, dummy batteries etc. The image is really really good. It's very sharp, clean, and as much dynamic range as you could want. I was able to underexpose shots by a solid two stops to hold highlights out a window and the image looked really good after recovery in post. The autofocus kind of surprised me as well. It's DPAF, added somewhat recently in a firmware update from BM, so I wasn't expecting a lot. But it was really solid. Not a lot of control options, but when a head comes into frame it locks on and tracks really well. I feel like I can totally use this for talking heads with no worry about it losing focus. Overall the biggest downsides were the lack of internal ND filters, which is a real killer. For our studio workflow, this is totally fine. But it would be amazing if ND was included for if we want to use them for other projects. Also rolling shutter was pretty noticeable in 6K. Not a problem again for studio work, but could be an issue if used for other things. The other two downsides for me would be the lack of codecs and resolution options. There is no downsampling in camera. If you want to record in 4k or 1080P, the camera crops the sensor. Also you are limited to b-raw, there is no h.265 or h.264. Again, this isn't really an issue for us since the camera can still output a full sensor downsampled 4k signal from the SDI output, while being set to 6k internal. But for other workflows, I could picture this being an issue. I think there is a love hate relationship with this camera's simplicity. All the basic, core functions are there, and really easy to access, like resolution, frame rate, audio, LUT control, proxy recording, etc. But when it comes to anything more complex, this camera is kind of lacking. On one hand I really like this because it keeps things simple and uncluttered. It's really nice to pop in the menu for something and not have 10 million options to sort through. On the other hand if you're missing something important, this can be devastating. Overall This camera nailed what we're looking for in a studio camera, but I'd be hesitant to buy it for run and gun use. I think for run and gun the one and only reason I would buy a heavier cinema camera is for the internal NDs, so with the Pyxis lacking them, it wouldn't really make sense over something like an A7IV or an FX2 which would both be in the same price range. Link to comment Share on other sites More sharing options...
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